andypaul_gill
A rejoint le oct. 2003
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Avis3
Note de andypaul_gill
I don't know why nobody is talking about this film. What starts out as a Catherine Cookson-esque costume drama in the Outer Hebrides during the First World War, complete with love triangles and suppressed passion - the kind of twee romance you've seen a thousand times before - morphs into something dark, gripping and gut-wrenchingly painful that leaves you exhausted but strangely uplifted by the end credits.
The power of this film lies in its authenticity and its ability to get into the skin of a character and allow you to see the world through her eyes. For an actress, it's the role of a lifetime, and Hermione Corfield is phenomenal, bringing you along with her through every trauma and every heartbreak. It is this central performance that really elevates the material to something that stands out from the crowd.
It's not for everyone. It moves at a slow and sedate pace, lingering in the landscape and giving scenes the space to breathe. And a warning: it can be quite triggering if you've experienced past traumas. But ultimately, this is a story about survival and about resilience in the face of the agonies women are often faced with. The only negative is the rather saccharin final scene. If they'd ended it a scene earlier, I'd probably give this a ten. But it is inspired by a true story, so perhaps it's true to life. The Road Dance certainly deserves a wider audience.
The power of this film lies in its authenticity and its ability to get into the skin of a character and allow you to see the world through her eyes. For an actress, it's the role of a lifetime, and Hermione Corfield is phenomenal, bringing you along with her through every trauma and every heartbreak. It is this central performance that really elevates the material to something that stands out from the crowd.
It's not for everyone. It moves at a slow and sedate pace, lingering in the landscape and giving scenes the space to breathe. And a warning: it can be quite triggering if you've experienced past traumas. But ultimately, this is a story about survival and about resilience in the face of the agonies women are often faced with. The only negative is the rather saccharin final scene. If they'd ended it a scene earlier, I'd probably give this a ten. But it is inspired by a true story, so perhaps it's true to life. The Road Dance certainly deserves a wider audience.
The first couple of episodes were admittedly poor, and it was difficult to see where this show was going, but something made me stick with it and I'm so glad I did. Action, adventure, intrigue, romance, monsters, demons, mysteries, rebellions, genocide, violence, conspiracies, crime and disorder - they certainly managed to pack a lot into ten episodes.
I found myself eagerly awaiting the new episodes each week, and for something that is admittedly so cheap, the twists and turns often took me by surprise. What starts as a small revenge plot grows into something much bigger. The writing is great, the action scenes really quite impressive, and while the acting isn't amazing, the players give it their all. The characters are quirkily endearing and the climax is as satisfying as it is brutal.
I really hope this show gets a second season. Those who judged it by the first couple of episodes missed a real treat - a show with heart, humour, and real enthusiasm from all involved.
I found myself eagerly awaiting the new episodes each week, and for something that is admittedly so cheap, the twists and turns often took me by surprise. What starts as a small revenge plot grows into something much bigger. The writing is great, the action scenes really quite impressive, and while the acting isn't amazing, the players give it their all. The characters are quirkily endearing and the climax is as satisfying as it is brutal.
I really hope this show gets a second season. Those who judged it by the first couple of episodes missed a real treat - a show with heart, humour, and real enthusiasm from all involved.
I thought it was going to be another singer-turned-actor star vehicle, with girls in the audience drooling over Justin and the pretty-but-bland Amanda Seyfried included to persuade the boyfriends to accompany them to the cinema.
I humbly admit that I was completely wrong on every score.
Justin Timberlake was awesome. Whereas most singers-turned-actors bring their star persona to the screen (Beyonce will always be Beyonce, no matter what role she's cast in), he looked like he was an actor, period, up there with any of the contemporary Hollywood A-listers. I could easily see him taking roles from Jake Gyllenhaal, Tobey Maguire or Ryan Gosling, maybe even Leonardo Di Caprio. There's a surprising grittiness about him, along with a real sensitivity to the needs of the role - he inhabits the character in a way that honestly blew me away.
Amanda Seyfried's previous work in Mean Girls, Mamma Mia and Dear John didn't exactly endear me to her either, but far from being just pointless eye-candy, she totally held her own in the role.
As regards the movie, it's an extremely interesting premise, well-considered and well-executed. While it's ostensibly a sci-fi, it plays more like an alternative present with realistic social themes - think V for Vendetta, Gattaca or Equilibrium instead of I, Robot, Total Recall or Minority Report. But it is equally an action movie, with car chases, shoot-outs and plenty of bad guys chasing the good. The movie also has some surprisingly tender scenes - it definitely has heart - and a little bit of romance thrown in along the way.
In short, don't ever judge a book by its cover. In Time surprised me by being actually very good and, unlike many other action/sci-fi movies, it sticks in your mind long after you've finished watching it.
I humbly admit that I was completely wrong on every score.
Justin Timberlake was awesome. Whereas most singers-turned-actors bring their star persona to the screen (Beyonce will always be Beyonce, no matter what role she's cast in), he looked like he was an actor, period, up there with any of the contemporary Hollywood A-listers. I could easily see him taking roles from Jake Gyllenhaal, Tobey Maguire or Ryan Gosling, maybe even Leonardo Di Caprio. There's a surprising grittiness about him, along with a real sensitivity to the needs of the role - he inhabits the character in a way that honestly blew me away.
Amanda Seyfried's previous work in Mean Girls, Mamma Mia and Dear John didn't exactly endear me to her either, but far from being just pointless eye-candy, she totally held her own in the role.
As regards the movie, it's an extremely interesting premise, well-considered and well-executed. While it's ostensibly a sci-fi, it plays more like an alternative present with realistic social themes - think V for Vendetta, Gattaca or Equilibrium instead of I, Robot, Total Recall or Minority Report. But it is equally an action movie, with car chases, shoot-outs and plenty of bad guys chasing the good. The movie also has some surprisingly tender scenes - it definitely has heart - and a little bit of romance thrown in along the way.
In short, don't ever judge a book by its cover. In Time surprised me by being actually very good and, unlike many other action/sci-fi movies, it sticks in your mind long after you've finished watching it.