Cobain: Montage of Heck

This is a documentary that presents another side of Kurt Cobain unseen by the public. What many don't understand is that, like Dylan's 3rd album, "Another side of Bob Dylan," this is simply all this movie is, another perspective of the great grunge genius. Kurt was never a man, always a boy with the gift of genius. Unfortunately, all the risk factors for suicide were there: childhood abandonment, genetic family history of bi-polar illness and suicide (two uncles committed suicide), addiction to heroin, stress of fame, Severe Depression and, of course, a highly unhealthy and destructive relationship with Courtney Love. He never had a chance really, and those who loved him had no clue, couldn't have, at the path of destruction he was on. And yet, he left us with perhaps the best rock songs ever, especially on Nevermind, and I am sure his legacy will last for a long, long time. The scenes in this movie depict a Cobain at his best and his worst, strung out in his daughter's presence and raging on the stage. Like Amy Winehouse, Cobain was on a mission to self-destruction. We've seen this before. Syd Barrett,Ian Curtis, Nick Drake, the list goes on. For those blessed with genius, the normal developmental milestones don't mean quite so much. At 21, most of us are struggling with independent living skills, young adulthood, etc. Not so with Kurt Cobain. He was busy proving to the world his potential, which like Dylan, he was very aware he was predestined for. The Blade-runner line, "The light that burns twice as bright burns half as long" is all too applicable to the life of Cobain, especially in light of his bi-polar illness. When I heard, "You Know You're Right," I couldn't help but to feel helpless, angry at what might have come had he somehow lived, had he accepted Duff mckagan's invitation to chill with him that night (a Mckagan knew he was suffering). But like Poe, his creativity came from a well of mental illness, and that is the frame we must view Cobain in, for the kind of illness he suffered from is the kind that cannot last in it's piercing incarnation, at least without medication, be it heroin or lithium.

Some say that you're not a true rock and roll legend until you've had an extensive authorized documentary made about your legacy. Just kidding, nobody says that. Kurt Cobain was a legend as soon as Nevermind hit record stores, and his legacy continues today, immortalized by Nirvana and the massive impact his genius had on punk rock. But not only was he one of the best rockers who ever lived, Kurt Cobain was one of the most extraordinary and misunderstood minds of his generation, whose own brilliance caused his self destruction. He's a complex and intricate spider web of a person, and Kurt Cobain: Montage of Heck goes on the deepest and most intimate exploration of this enigmatic genius that has ever been done.

Montage of Heck chronicles Cobain's entire life, beginning with his parents meeting and Kurt's childhood, all the way up to his suicide in 1994 which is nothing more than a title card at an abrupt end of the film. Don't think that this is a Nirvana documentary, or a Courtney Love documentary, or any other kind of documentary other than a Kurt Cobain documentary. Montage of Heck examining his relationship with his family, his lovers, his band, and Nirvana's massive following which played on Kurt as a blessing and a maddening curse.

Montage of Heck is directed by Brett Morgen, the director of my personal favorite ESPN 30 for 30 episode, June 17th, 1994, a sports documentary that only uses news footage from one particular day in sports to tell its story. Morgen employs similar techniques here. The amount of home video footage that exists of Cobain from his adolescence all the way through his relationship with Courtney Love (which includes some pretty disturbing drug induced home video), is astounding. Montage of Heck is brilliantly pieced together through this home video footage, interviews with people close to Kurt, audio recordings of Kurt and friends, and Kurt's own journal writings and drawings, gloriously animated in what makes for the most fascinating look into the mind of this troubled genius.

Some of the best parts of the film take us through his journals where his mad scientist scribbles and macabre H.R. Giger-esque drawings show us his reactions and feelings towards the band, their rising popularity, Courtney Love, etc. all to paint a fascinatingly intricate portrait of this man. To call Montage of Heck an examination of Kurt Cobain would be doing a disservice to this great doc. Montage of Heck is less of an examination and more of a journey, a violent yet graceful boat ride into the seas of one of rock and roll's most dynamic minds. It's a film that is as beautiful as it is brutal, and as sentimental as it is visceral.

This is the most honest and in depth insight into a man who seemed to have everything, yet battled demons all his life to find what really could make him happy. Sadly, those demons won, but not before Kurt Cobain could be immortalized as a rock and roll icon. And now we're lucky enough to have this film which celebrates all that he left behind. A film that shows us not only who Kurt Cobain was on stage, but who he was as a passionately flawed human being who wanted nothing more than to love, be loved, and rock the f out.

Some will complain that the documentary doesn't focus enough on Nirvana, and there's a very good reason for that. It's not a documentary about Nirvana; the film is intended to provide a more intimate look at Kurt Cobain as a person and provide insight into his more private and guarded moments. In that respect it is pretty successful. Nirvana's history is very well publicised, and the film assumes it's viewers are already fans that know a lot about the band (Why else would you watch a movie about the band's frontman?)

The films biggest selling point is that for the first time a director had the full cooperation of Cobain's family and access to the archive of materials he left behind, much of it had never been seen by the public eye before. These include home movies dating back to him as baby, behind the scene footage, and audio recordings. There is also going to be a companion book dedicated to never before seen photos and other materials that were unearthed. Unfortunately, it's not as exciting as it sounds. There may have been information I had never heard before, but none of it was surprising or profound. It all falls in line with what you would expect if you knew anything about Kurt going in. (I'm sure some people will disagree and say they found it shocking, but I didn't.) That being said the archival materials were well utilized and had a good presentation that fit into the story that was being told. It was nice to see them even if it was an over- hyped aspect of the movie.

From a technical standpoint the film really is a marvel. The animated transitions were a great way to incorporate the drawings and doodles that littered Kurt's notebooks. There are also scenes featuring puppetry and stop motion that are also inspired by his art and/or song lyrics. These are all really cool and actually provide more insight to his artistic style and writing process than you would think.

Additionally, several segments are entirely animated, and they look beautiful. Doing this is much more captivating than just just showing people talk about events or have a voice-over with a slideshow of pictures. It was a very good choice, and adds a lot to the viewing experience.

The film's soundtrack features live Nirvana recordings, covers and remixes, as well as music by other artist that fit the scenes, such as the Buddy Holly song that plays over his parents home movies from the '60s. This is well executed and I particularly love the violin rendition of "Smell Like Teen Spirit" that was used to mimic an orchestral score in the longest animated sequence.

Overall the film is an energetic and seemingly honest look at Kurt Cobain and the man he was. It was well made, entertaining, and a worthwhile documentary that stands head and shoulders above any other documentaries about him.

I have read a couple Bios of Nirvana and found this doc to be fairly simplistic. Still I enjoyed seeing the unseen footage and cartoon montages. What I was really hoping for was a bit more focus of Kurt when he lived in Evergreen and was dating Toby Vail(would have liked to of seen her in the doc). The experience he had during that time is what inspired him to write many if not all of the songs from Nevermind. What the doc did include was well done. I also wish there was a few more people included in the doc. Dave Grohl, Chad Channing, Toby Vail, to name a few. Still A must watch for any Nirvana/Kurt Cobain fan. The story of Kurt Cobain is a frustrating one his personality mixed with his addictions was what ultimately led to his downfall. I really wish he would have sucked it up and stuck around a bit. I will admit the Doc did a good job capturing just how sensitive and awkward he was before during and after his fame.

It's 21 years since Kurt Cobain's death by suicide and his status as a legendary alternative rock figure and totem for a disaffected generation has not dimmed in the intervening period.

Although I had been eagerly awaiting this documentary, at the same time I approached it with a wariness more than half expecting it to be a depressing encounter. Given what I already knew about the mental difficulties and addiction problems Kurt faced during his short life and the eventual sad outcome it was hard to believe that anything of a positive nature could be wrung from seeing this.

This is the first official documentary made about the life of Kurt Cobain. It has been made with the co-operation of his family. His daughter Frances Bean is an executive producer. His parents, sister, wife- Courtney Love, first girlfriend and fellow band member Chris Novoselic (the third band member Dave Grohl is the notable absentee) have all contributed, allowing themselves to be interviewed.

The expectation of access to intimate home videos as well as Kurt's own drawings, writing, outpourings etc and other previously unseen footage bringing with it the possibility of gaining a clearer view on Kurt Cobain's life is probably the thing which will entice most viewers to go see this. This heavy reliance on this intimate source material makes for an intense portrayal of the subject. It's also what makes it a success. It's noticeable how often for instance on screen we are shown up-close, his own words in his hand-writing in the original copybook complete with stains and other words and sentences crossed out. It's the closest place the director can bring us, next to occupying Kurt's mind. Much of the writing is angry and nihilistic but there are lots of lists too- of things to do for example; it all suggests a wildly active mind and one not easy to keep a rein on.

Home videos himself and Courtney produced, both while pregnant with, and then after Frances Bean was born similarly get us up-close and personal. It's excruciating to watch but compelling too- a couple wrapped up in each other but also in their drug dependency. When Frances Bean is born his love for her is touching but then the videos also reveal the declining health as the heroin addiction spirals.

As intense and personal as it is there are no major revelatory insights into the life or death of Kurt Cobain in this documentary. This is not a failing of the documentary as I don't think any revelatory new angles or expositions could have been expected. As well as this the title (taken from the name of a mix-tape Kurt put together) does indicate obfuscation or a lack of clarity or certainty about a picture drawn. So it should be; where a life ends so tragically definitive answers can never be presented and any distillation of his life or death into neat summations is thankfully and rightly avoided.

The documentary tells us the following (which in essence we already know or suppose we know). Kurt was an energetic, intelligent child who became withdrawn and angry as he got older, probably owing largely to his parent's divorce. He was often a lone, self-hating teenager who found a release from his angst in smoking pot and then at a certain age he discovered punk music which lit a torch and he began to teach himself guitar and write music. He was disaffected enough and genius enough to write brilliantly disaffected genius songs. His music struck a chord, Nirvana became huge almost overnight and then he struggled with the idea of being held up as a spokesperson for a generation. Desperately insecure, above all else he craved love and a need for rootedness- a family to belong to. He found this with Courtney Love and later their daughter. He sought refuge in them away from what he saw as a hostile world but tragically he also sought refuge in heroin.