La daronne

I admit I'm sceptical about French comedies. They are often too talkative, have no pace, are somehow not my thing. I only went to see Mama Weed because of Isabelle Huppert, whom I consider one of the greatest actresses in France, and I was not disappointed. Already in the first minutes I was convinced by her dry, slightly nervous and off-track characterisation of an academic who seems to have become like pearls before swine in the police service. It is therefore only logical that she uses her knowledge to go to the other side, namely that of the criminals, here specifically drug dealers. The fact that morality falls by the wayside in a comedy is perfectly fine, but the way in which various stereotypes are celebrated here in a completely politically incorrect manner is simply fun and would be unthinkable in Hollywood today. Added to this is an ensemble that gives the monkey sugar in a completely harmonious and playful way. In addition to the excellent Huppert, Lilane Rovère should be mentioned as the demented mother, as well as Nadja Nguyen as the devious neighbour.