IMDb रेटिंग
7.0/10
1.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn amoral chauffeur seeks to seduce a young bride.An amoral chauffeur seeks to seduce a young bride.An amoral chauffeur seeks to seduce a young bride.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 जीत
Naomi Childers
- Servant
- (बिना क्रेडिट के)
Torben Meyer
- Cafe Waiter
- (बिना क्रेडिट के)
Karen Morley
- Karl's New Employer
- (बिना क्रेडिट के)
Russ Powell
- Cafe Proprietor
- (बिना क्रेडिट के)
Nicholas Soussanin
- Wedding Guest
- (बिना क्रेडिट के)
Ellinor Vanderveer
- Party Guest
- (बिना क्रेडिट के)
Dorothy Vernon
- Servant
- (बिना क्रेडिट के)
Michael Visaroff
- Servant
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
"Downstairs" opens with the wedding of servants Albert (Paul Lukas) and his new wife Anna (Virginia Bruce). The story was written by, and stars, John Gilbert as Karl Schneider, the chauffeur who never stays at one place too long. We learn at the wedding that he had been previously employed by "the Countess" (Hedda Hopper, in a small part). Throw in Reginald Owen as "the Baron" and you've got a story about the class differences, love, deceit, and intrigue, similar to the British series "Upstairs, Downstairs". Karl, the chauffeur, starts out as a suave, charming guy, but we quickly learn he isn't such a nice guy. There's also an interesting mix of accents here. Paul Lukas and "the Baroness" (Olga Baclanova) both have strong Hungarian accents. Reginald Owen is quite British, and both Gilbert and Bruce have pretty plain, flat American accents. Good story, good acting. Funny scene with Francoise, the drunk servant. Too bad Gilbert died so young - it all seemed to go downhill when he was dumped by Greta Garbo.
10elpep49
This is John Gilbert's best talkie--a scathing drama about a man who'll use anyone to get ahead. Aside from being a tight drama, the film is important as the best of Gilbert's dozen or so talkies and also because it proves for anyone who has seen it, that the advent of talkies did not kill his film career because his voice was effeminate. Hollywood legend, never very accurate, has it that Gilbert's blazing film carrer was doused by his first talkie (His Romantic Night). Not true. The rude technology may have hurt his performance--as it did with many crossover stars--but his voice was not the problem. In Downstairs, Gilbert took a big chance in playing a non-romantic part, a part that shows off his acting chops. While the cook pleads with him not to throw her over, Gilbert casually picks his nose and wipes it on his pants--astounding for 1932. The film did not save John Gilbert's career, but it stands as proof of his talent. What a shame other forces were at work to ruin him. (drednm)
John Gilbert was the highest paid actor in Hollywood in 1929, the year silent films breathed their last. By 1933 he was through with movies and by 1935 he was dead. Lots of people believe bad things about him, mainly that he had a high squeaky voice or that he was a ham who couldn't adjust to talkies. In "Downstairs" he proves that both of these myths are false. The film is a splendid little drama--"little" being the only kind of movie MGM would cast him in by then--about a scheming chauffeur who blackmails or steals from practically everybody at the mansion he works at. Paul Lukas, years from stardom, plays the head butler, and Virginia Bruce (who married Gilbert in real life) plays the butler's new bride. The script and story are flawless, and Gilbert, playing very much against type, shines as the amoral chauffeur. "Downstairs" is a sophisticated drama that could not have been made a few years later after the censors cracked down on Hollywood, but more importantly, it is a testament to John Gilbert, who might have had a successful career in the talkies if he had been given a chance.
Downstairs, written by star John Gilbert, finds him cast way against type as a George Sanders like cad who is hired by as a chauffeur by Paul Lukas the butler and major domo on Reginald Owen's estate. Gilbert works his considerable charm on all of the women in the estate including Lukas's new bride Virginia Bruce, cook Bodil Rosing, and the mistress of the house herself, Olga Baclanova.
There are many reasons given why John Gilbert's career tanked when sound came in, but on the silent screen he was a hero and great lover. Like Tyrone Power in the next generation who gave a great performance in Nightmare Alley that the public stayed away in droves from, the public wouldn't accept Gilbert as a total amoral louse. I'm also guessing the Austrian setting of the story didn't encourage anyone in Depression America to plunk down their nickel to see Downstairs.
That's a pity because Gilbert gives a powerful performance as the chauffeur. During the film he and Virginia Bruce married and were husband and wife when it was released.
By that time MGM and its head Louis B. Mayer were busy developing the new stars of sound like Clark Gable and Robert Montgomery. There was no place for Gilbert any more there. It would take Greta Garbo's intervention to get him cast the following year in Queen Christina.
The rest of the cast admirably supports Gilbert. The climax is definitely one where Gilbert's hero image is shattered by Paul Lukas. Too bad the public wouldn't buy it.
There are many reasons given why John Gilbert's career tanked when sound came in, but on the silent screen he was a hero and great lover. Like Tyrone Power in the next generation who gave a great performance in Nightmare Alley that the public stayed away in droves from, the public wouldn't accept Gilbert as a total amoral louse. I'm also guessing the Austrian setting of the story didn't encourage anyone in Depression America to plunk down their nickel to see Downstairs.
That's a pity because Gilbert gives a powerful performance as the chauffeur. During the film he and Virginia Bruce married and were husband and wife when it was released.
By that time MGM and its head Louis B. Mayer were busy developing the new stars of sound like Clark Gable and Robert Montgomery. There was no place for Gilbert any more there. It would take Greta Garbo's intervention to get him cast the following year in Queen Christina.
The rest of the cast admirably supports Gilbert. The climax is definitely one where Gilbert's hero image is shattered by Paul Lukas. Too bad the public wouldn't buy it.
"Downstairs" features a great cast (John Gilbert, Virginia Bruce, Paul Lukas) and many memorable, tension-filled scenes. Its plot is a strange combination of old-fashioned class-conflict melodrama (servants' lives compared to the aristocracy's) and sexual satire. I think it has held up well for its age, undoubtedly because it was a pre-code movie and could deal with subjects which only two years later were taboo.
This film and The Big Parade are my two favorite John Gilbert films. He was an under-rated actor, very attractive, polished, but with a sharp edge of naughtiness. His voice was quite pleasant and intriguing, only slightly nasal, but you rarely notice that. He obviously had training to lower his voice and make it more cultured, just like all the actors did who crossed over from silents to talkies. However his battles with Louis B and his declining health limited his roles soon after Downstairs to B pictures.
The most dramatic scene in the film however belongs not to John Gilbert, but to Virginia Bruce, whom I must confess is not a favorite of mine. After being seduced by John Gilbert's character she boldly and passionately tells her husband (Lukas) off and insults his lovemaking in comparison. Wow-sa for 1932! No wonder TCM showcased this scene in the pre-code movies special a few months back. However the TCM special didn't lay the foundation for the scene, because if we had it we would have naturally sympathized with the husband much more than the seducer or the wife!
Watch Downstairs if you enjoy the saucy John Gilbert or if you like pre-code movies. You'll enjoy it.
This film and The Big Parade are my two favorite John Gilbert films. He was an under-rated actor, very attractive, polished, but with a sharp edge of naughtiness. His voice was quite pleasant and intriguing, only slightly nasal, but you rarely notice that. He obviously had training to lower his voice and make it more cultured, just like all the actors did who crossed over from silents to talkies. However his battles with Louis B and his declining health limited his roles soon after Downstairs to B pictures.
The most dramatic scene in the film however belongs not to John Gilbert, but to Virginia Bruce, whom I must confess is not a favorite of mine. After being seduced by John Gilbert's character she boldly and passionately tells her husband (Lukas) off and insults his lovemaking in comparison. Wow-sa for 1932! No wonder TCM showcased this scene in the pre-code movies special a few months back. However the TCM special didn't lay the foundation for the scene, because if we had it we would have naturally sympathized with the husband much more than the seducer or the wife!
Watch Downstairs if you enjoy the saucy John Gilbert or if you like pre-code movies. You'll enjoy it.
क्या आपको पता है
- ट्रिवियाJohn Gilbert wanted to do this movie so badly he sold the story to MGM for $1.00. Ads for the movie proclaimed "starring Mr. and Mrs. John Gilbert" since he and Virginia Bruce were married shortly after the production completed filming.
- गूफ़सभी एंट्री में स्पॉइलर हैं
- भाव
Karl Schneider: They do tickle, don't they?
Anna, Albert's Wife: What tickles?
Karl Schneider: Albert's sideburns!
[both laugh giddily]
- क्रेज़ी क्रेडिटAlthough there is no actual director credit, the phrase "A ----- ------- Production" was commonly understood in those days to mean that the named person (in this case, Monta Bell) functioned as both producer and director. This was phased out when the DGA began requiring an explicit director credit. (Years later, directors like Alfred Hitchcock and Frank Capra would reverse it, taking no producer credit.)
- कनेक्शनFeatured in Complicated Women (2003)
- साउंडट्रैकBridal Chorus (Here Comes the Bride)
(1850)
from "Lohengrin"
Composed by Richard Wagner
Played as background music at the wedding
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि1 घंटा 17 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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