Bombardier

This is a typical Hollywood movie made to contribute to the war effort during WWII, using all available means, in this case, cinema. It's a blend of war propaganda to raise awareness of the country's war effort and promote the sale of war bonds, while also serving as a call for new recruits.

For fans of WWII war films, especially those set in the world of aviation, it's undoubtedly an interesting movie. It showcases the training required to become a bombardier, with a focus on precision bombing training, a perspective rarely seen before and not replicated in later films. It can provide a complementary view for fans of the celebrated "12 O'Clock High" series, which omits this training aspect in its production.

The narrative is straightforward and linear, with the actors delivering decent performances without any particular standout.

As always, it's intriguing to watch a movie made during the same period as the events it portrays, as it usually features accurate uniforms and vehicles. However, in this case, it's worth noting that the final mission over Nagoya, depicted in the film, couldn't have been carried out by the B-17 bombers shown because it was beyond the reach of Allied bases in the Pacific. This aspect detracts from the film's credibility in portraying the events. In reality, these planes were later deployed in the Mediterranean theater, where they were used extensively.

One surprising aspect of the film is the clear portrayal of the effort to conceal the Norden bomb sight, a targeting system. In reality, the crews were instructed to destroy it in case of bailout. Yet, the film shows it, which might have been seen by enemies. However, the film doesn't reveal the exact workings of the system, so it might have served as a warning to demoralize the enemy. Lastly, when the pilot orders the crew to bail out due to a control failure, in reality, the manual procedure included attempting to restart the engines as a last resort, something not depicted in the film but done by a crew member who chose not to bail out.

Overall, it's a fairly decent movie with good shots for its time, although it doesn't particularly stand out in terms of cinematic quality.

There is no question as to who is in command of the training of cadets in this film: Major Chick Davis (Pat O'Brien). O'Brien plays an officer who adheres to military discipline in the creation of a new kind of soldier from his cadets--the bombardier. But he is not so rigid as to be unfair or unfriendly. In fact, he even changes his opinion as to the value of women working in the military. He's tough when he has to be, yet at other times he is a clear mix of coach and pastor, roles he perfected in other films. His character is the foundation of the action around which everything revolves. O'Brien seems natural in the role, and plays it in fine fashion. Two things help this movie: O'Brien's performance and the spectacular special effects ending.

I saw this movie in the late 1950's or early 1960's on TV and it has always stuck with me. The scene that stands out vividly is when Robert Ryan walks into the church and yells, "The Japs just bombed Pearl Harbor". That scene has stuck in my head over 50 years. Oddly it seems that the ending involves bombing Nagoya. The movie went from Japanese bombing Pearl Harbor to the U.S. bombing the Japanese homeland really quickly. Another interesting thing is the movie never uses the word Norton Bombsight. At the time of the movie, even the word Norton was secret. Also, you never see the actual bomb sight only something being carried in a cloth bag by two airmen. Even a picture of the sight was secret. I did like the picture because it shows the training the men received. It seems like a lot of training just to push a button. I also like of part of the Bombardier controlling the plane. The part of the movie seems right in that the plane, pilot, ground crew, and everything else is there just to take the Bombardier to the target so he can push a button. The Pilot and Bombardier is like playing golf. The drive is for the show (pilot) but the putt (bombardier) is for the dough!. The rest was over the top--the oath and song of the Bombardier. Lastly, wasn't the actor who played the Japanese officer also played "Harry Hoo" on the TV show "Get Smart". All in all a film worth watching.

This 1943 film by RKO is among several that Hollywood and/or the War Department put out during the early months and years of World War II. It's a mix of genres. The war action comes at the end. A docu-drama style tells the story of the bombardier school and training. Hollywood adds its usual touch of romance, but lightly. The drama is there – even in the training. And, of course, it's a propaganda film. Propaganda surely had its place in WWII – to help sustain public morale, build support for the U.S. cause and efforts, and give the public a picture of some of the troops, training, and campaigns.

"Bombardier" tells and shows us the early days of training for this new position in the Army Air Forces – precursor of the U.S. Air Force. As such, it's a good educational piece for the public, then and now. The men who went into combat in different roles weren't tossed together and sent into combat. They were trained first. And for some fields, the training was highly specialized and detailed. This film shows very well that detail, study and science that went into the training of bombardiers. These men indeed played a critical role in destroying enemy armament production, fuel depots and major supplies – and in so doing, helped end the war much earlier than it would have otherwise concluded.

Many have said it since the first attribution to Civil War Gen. William T. Sherman, that "War is hell!" But once a nation is in a war, it should do everything possible to end it as soon as possible.

Many war movies have been made, especially about the two "great" world wars of the 20th century. They have variously focused on the action of troops in battles, assaults from the sea, naval engagements or air combat. Most give us a picture, however much Hollywood may "tweak" it, of the human conditions, relationships, and characters. Often times they include the strategic plans of real battle scenes. These are the things that most interest people, or "entertain" audiences for this genre. But films such as "Bombardier" add another value in educating and informing the public of what went into the readying of our nation for war, and our ability to win and end it as soon as possible.

As an Army paratrooper veteran, I enjoy learning about the "how-to" that men and women learn in the different combat and support specialties of our armed services. People who approach war movies in a similar frame of mind will be much more likely to enjoy them. I highly recommend "Bombardier" as an informative, action-filled and historical war movie.

Made in 1942, before the allies had the upper-hand in Europe, 'Bombardier' is part entertainment, part propaganda, and part recruiting film. The film follows the establishment of a Bombardier Training School, championed by Major "Chick" Davis (Pat O'Brien), a firm believer in high-altitude precision bombing and criticized by his buddy, Capt. "Buck" Oliver (Randolph Scott), a pilot-oriented proponent of low-level drops and dive-bombing. As the film opens with (the real) Brigadier General Eugene L. Eubank extolling the critical role of the bombardier in the ongoing war, there is little doubt which of the two offensive strategies is going to win out. Typical of the genre, the film follows a diverse group of trainees, from their arrival at the school to their baptisms in fire, with some romantic filler and dated comic-relief thrown in. Even by wartime standards, the film is pretty heavy handed. There is a particularly egregious sequence in which a trainee admits that he is uncomfortable with dropping high-explosives on targets where there may be non-combatants (including women) and that his mother had written him a letter expressing her concerns that he was training to be a murderer. The chaplain explains to him (and indirectly to the audience, which might include people of similar opinions to the fictional mother), that the bombardier is doing God's will by bombing the German military-industrial infrastructure. During the war Americans celebrated "Rosie the Riveter", who represented the women who worked in the factories thereby freeing-up men to fight, and as there would be no reason to believe that women in the Axis powers weren't doing the same, people must have accepted the fact that women could be killed when the factories were bombed (as were, as was later discovered, forced laborers). The film contains is lots of great aircraft footage, especially of the Douglas B-18 Bolo (which would have been obsolete when the film came out) and of the iconic B17 'Flying Fortress'. I particularly liked the well-done special-effects footage of Japanese fighters attacking a formation of five B17s, which bring the massive firepower of their dozens of .50 calibre machineguns to bear, annihilating the attacking fighters. This prodigious defensive firepower gave the plane its nickname but in reality was not sufficient to ward off attacks by faster and more nimble fighters (as the USAF found out at great cost over Germany in 1943). The rest of the special effects are hit and miss, there are some good pyrotechnic scenes as the bombs bullseye Japanese targets but the earlier B18 model work is substandard, even for the times. The cast is fine in what is essentially a propaganda picture, there are lots of gorgeous, soldier-loving, dames to entice young men in the audience to sign-up, and a thrilling but typically far-fetched heroic climax. OK for an unsubtle WW2 morale-booster/recruitment film (especially if you like planes) but not in the same league as the excellent "30 Seconds over Tokyo" (1944).