Invisible Stripes

"Invisible Stripes" is by no means a great film but I enjoy the heck out of it. Any crime picture that has George Raft and Humphrey Bogart is going to be worth a look. Here they play two cons: Raft planning to go straight and provide for his Mom and kid brother while Bogey returns to his criminal ways. There are so many interesting angles to this picture for true film buffs. First, Raft's younger brother is played by 21 year old William Holden in his second film. Watching him in this it is amazing he made many more; he is pretty whiny and forgettable as the hotheaded sibling. The great British actress Flora Robson plays their mother in a colossal bit of miscasting but since her role is minimal she retains her dignity (although some of the lovey-dovey exchanges with her movie son Raft are borderline incestuous). Bogey is his typical brilliant self and easily walks off with the picture. While he is continuing his cycle of bad-guy supporting roles his character is not without some redeeming features. Cast as his moll is Lee Patrick; the two would combine again in a couple of years as Sam Spade & Effie Perrine in "The Maltese Falcon." Another interesting footnote in the film is the brief appearance of Leo Gorcey as a department store clerk.

And finally I come to the star, George Raft. He has gained a reputation as a mercilessly wooden performer and some of it is deserved. I have always liked him and find this performance relatively solid; he is acted off the screen by Bogart in their scenes together and his one shot at emoting over his plight as an ex-con is comical but in the overall he is very likable. This is the kind of role Raft wanted to play: the tough guy who is good to his Ma, loyal to his friends, and possessing a strict code of ethics. Despite turning down nearly every role that made Bogart a star, Raft's brief career at Warners represents his best work.

If you are a fan of old Warners crime pictures you will have a good time with "Invisible Stripes."

George Raft and Humphrey Bogart after a stretch in prison are getting out together. Raft is going to make a go of the straight life, but Bogart just wants to get back to being a criminal.

Raft makes a try at it, but the fact he's an ex-con is continually being held against him. Eventually he rejoins the old gang, but keeps it a secret from mother Flora Robson and brother William Holden.

Holden in the mean time is barely keeping his financial head above water at the gas station he works at. He's thinking real hard himself that brother Raft might have the right idea. All this is most distressing to Flora Robson and his fiancé, Jane Bryan.

At Warner Brothers, it's all been done before, the players slip comfortably into roles that are very familiar to them.

George Raft, a guy with limited skills was always believable in the urban criminal milieu because of who he hung out with. From Owney Madden to Meyer Lansky and most importantly Bugsy Siegel, Raft inhabited the wise guy world and basically was what you saw on the screen. Please recall Warren Beatty's film Bugsy which was spot on about Raft's relationship with him.

It's interesting to speculate that if Raft had been at Warner Brothers from the beginning of his career instead of Paramount what path it might have taken. The best gangster flicks were done by the Brothers Warner, but by 1939 with their stable of gangster stars established, Raft is like a spare tire there.

This was Bill Holden's second film and his joint contract holders of Paramount and Columbia lent him out here. He's playing the callow youth parts he specialized in before Sunset Boulevard. 'Smiling Jim' roles was what Holden disparagingly called these parts. It is rumored that Holden is also one of the extras in the prison yard in the James Cagney-George Raft film Each Dawn I Die. I've never been able to spot him though.

Flora Robson's one great actress, her talents allowing her to play a slum mother and Queen Elizabeth the first. Some critics say she's wasted here and maybe she is, but one of her better later roles is as Mrs. Gonzo, the Maltese mother in Alec Guinness's The Malta Story. Very similar part.

Jane Bryan's career was cut short all too soon, but not with tragedy, far from it. Shortly after this Bryan married Rexall Drug founder Justin Dart. She concentrated on the wife and mother thing and she was the wife of one of America's wealthiest citizens. Later on she had a hand in convincing her husband to back another of her former Warner Brothers contract players in a political career and lived to see Ronald Reagan become our 40th president.

Both Bill Holden and Humphrey Bogart would feud legendarily on the set of Sabrina in the Fifties. No hint of their future troubles here in Invisible Stripes. Bogart's done it all before at Warner Brothers. George Raft helped Bogey in his career by shortly turning down High Sierra, The Maltese Falcon and later Casablanca.

Fans of all the players mentioned here including myself will enjoy this film which admittedly won't rank in the top 10 of any of their credits.

Two great tough-guy actors, Raft and Bogart, play ex-cons. Bogart leaves prison and goes right back to the gangster life. Raft tries to go straight but, distressed by his younger brother's economic hardship, finally decides to join Bogart's gang pals.

The pace is very slow until Raft joins Bogart in the robbery gang. The second act involves a good bit of sentimental and repetitive elaboration of how hard it is for an ex-con to get a break, how life is unfair to the working man, and how much George Raft loves his mother. A certain sort of New Deal/AFL-CIO sensibility permeates the script. At one point, a factory boss offers Raft $30 a week ($10 more than Raft was making at his last job) if Raft will spy on the factory workers, who are dissatisfied with working conditions. Raft punches the boss -- insulted that the guy would even ask him to be a stool pigeon. And there's a little imbroglio between Holden and some stereotypical rich guy (with top hat and limousine) who unintentionally insults Holden's fiancee.

But after the proletarian class-struggle theme is exhausted, Raft joins up with Bogart's gang and the REAL action begins, featuring some well-choreographed shootouts and chase scenes.

Raft's performance is kind of weak, because he's trying to play a nice, sympathetic character -- it just doesn't work. Bogart is delightful as the disillusioned cynic, who is nonetheless loyal and reasonably noble in the end. A special pleasure in 30s flicks like this is the double-breasted suit-and-fedora gangster style. It's hard to imagine modern-day hoodlums dressing so sharp (even if they were gauche enough to wear their hats indoors).

(NOTE: Contrary to another member's comment, William Holden plays George Raft's younger brother, not his son.)

Cliff Taylor (George Raft) and his pal Chuck Martin (Humphrey Bogart) are released together from Sing Sing. Cliff wants to regenerate and have a straight life while Chuck has no intention of changing his lifestyle. Cliff wants to support his mother Mrs. Taylor (Flora Robson) and his younger son Tim Taylor (William Holden) that can not afford to get married with his girlfriend Peggy (Jane Bryan). However he is discriminated by the society and has difficulties to get a job. When he sees Tim thinking to switch to a life if crime, Cliff seeks out Chuck and decides to join his gang to heist banks and make money to buy a garage for Tim. What will happen to the Taylor brothers?

"Invisible Stripes" is an entertaining gangster film with the story of an ex-con that wants to go straight during his parole but is discriminated by the society, returning to the crime. The fate of Cliff Taylor is predictable. The greatest attractions are probably William Holden very young is his second credited role and Humphrey Bogart in a support role. My vote is seven.

Title (Brazil): Not Available on Blu-Ray or DVD.

This film should have been more interesting with the potential of such a cast. The script tries to be important. Indeed, we again get a "Les Miserables"-themed story of a parolee trying to go straight but finding all of the rules and society's prejudice forcing him back to crime. But Lloyd Bacon's sluggish direction holds everything back and it is never interesting storytelling.

How can a film with George Raft, Humphrey Bogart and William Holden not be compelling? Thank you, Mr. Bacon, for demonstrating. Raft tries hard to be the nice guy but the script gives the character no depth. He could be any ex-con coming home after a stint in Sing Sing. He seems handcuffed throughout. He does believably make a (much) older brother for Holden - the voice, the nose - but he surely can't pass for 27. Holden is so young and enthusiastic and all his acting mechanics are hanging out there for everyone to see. As few as his scenes are, Bogart is a steady if smarmy hand to get the action started.

Flora Robson, as the mother of Raft and Holden, is the most sympathetic character. The actress had a tremendous soul to give weight to what could be a thankless part. Only through her does any real feeling come into this melodrama. And though nearly seven years younger than Raft, just a little age makeup makes her look as if she could at least be his aunt.

It is interesting that the film never shows the cons in actual prison stripes. The only two scenes of Raft and Bogart in prison are in the shower (thank you) and in the warden's office before leaving.

I do like to show this film to friends after they've seen John Ford's "Mary of Scotland" just so they can be amazed at Moroni Olsen's range.