Words and Music

Even when you consider how these whitewashed Hollywood musical biopic extravaganzas usually play out, "Words and Music" is embarrassingly ill-conceived. MGM might have been wiser to borrow Abbott & Costello from Universal for the roles of Lorenz Hart and Richard Rodgers. But, the movie is beautifully produced at all times, by Arthur Freed and the studio. And, the musical numbers range from terrific to indispensable. For a song, listen to Mel Tormé doing "Blue Moon"; it's one of the most beautiful renditions of that standard, and became a Capitol hit for Mr. Tormé. For a dance, observe Gene Kelly and Vera-Ellen doing "Slaughter on 10th Avenue"; it's a superbly performed and choreographed vignette, and belongs with the best of Mr. Kelly's work.

****** Words and Music (12/9/48) Norman Taurog ~ Mickey Rooney, Tom Drake, Gene Kelly

A sanitized account of the personal lives and professional partnership of Richard Rogers and Lorenz Hart. Tom Drake is his usual bland self as Rogers and Mickey Rooney is characteristically over-the-top as the self-destructive, troubled Hart. (According to the film, Hart's problems stemmed from a failed romance with a singer, played here by Betty Garrett. In truth, Hart was gay but this was only part of what contributed to his complicated personality.) The film is notable only for its many musical numbers. Among the highlights: Lena Horne's masterful rendition of "Where or When" and "The Lady is a Tramp"; June Allyson and the Blackburn Twins' charming "Thou Swell"; and Judy Garland and Rooney's spirited "I Wish I Were In Love Again" as well as Garland's dynamic "Johnny One Note". The show-stopper, however, is the brilliant jazz ballet, "Slaughter On Tenth Avenue", choreographed by Gene Kelly and danced expertly by Kelly and the fabulous Vera-Ellen. It, alone, is worth the price of admission.

If you have the patience to sit through one of Mickey Rooney's most frantic and hyperactive performances in which Larry Hart becomes a caricature, you'll be rewarded by some typically stylish MGM musical interludes with stars like Judy Garland, Lena Horne, June Allyson, Gene Kelly and Vera-Ellen. Perry Como and Mel Torme both have a chance to warble a couple of Rodgers & Hart tunes too.

The musical numbers have the glossy MGM touch but the main storyline is diminished by allowing Rooney to chew so much scenery that he ends up resembling a frantic wind-up toy--and he's less than convincing when he attempts the heavier melodramatics of the final scenes. He throws the whole picture off gear and makes us yearn for the music to start so we can see cameo turns by MGM's roster of stars. His only good moment is a song routine with Judy Garland that he does in typical Rooneyesque manner.

By contrast, the restrained and natural performances of Tom Drake (as Richard Rodgers) and Janet Leigh (as the girl who becomes his wife Dorothy) are a welcome relief. Betty Garrett does well to in a supporting role as Rooney's highly fictional girlfriend.

The only musical number which failed to charm me was the routine given Ann Sothern for the Garrick Gaieties number. A weak song with even weaker choreography. All of the other numbers are done in high style, especially Judy Garland's solo on the "Johnny One-Note" song and June Allyson's delightful "Thou Swell". Lena Horne also gets a chance to strut her stuff with "The Lady Is A Tramp".

Fans of MGM musicals will love this one--with reservations, perhaps, about its inaccuracies and Rooney's sledgehammer acting. A more serious attempt to play Hart is sorely needed--preferably with another actor in the part.

Words and Music is one of those films that is heavily flawed but is still a pleasure to watch. The failures are mainly to do with the biographical parts, with anachronistic and rather stilted dialogue, an underwritten and stodgily paced story that takes truth liberties to the extent that Richard Rodgers and Lorenz Hart just don't seem very interesting and the heavier dramatic elements seemed on the ham-fisted side. Unfortunately there are also casting issues too. Tom Drake is so restrained as Rodgers that he comes across as colourless, especially when compared to Mickey Rooney who chews the scenery to pieces with the subtlety of a sledgehammer that seems at odds with the rest of the film. Janet Leigh also has very little to do and her performance doesn't register as a result. The film has lovely sets and costumes though and the cinematography is very nicely done. The music is top drawer with witty lyrics and melodies that are both beautiful and catchy. The choreography brims with sharpness and nostalgia too, and several of the performers are great. Of the musical numbers, my personal highlight was Slaughter on 10th Avenue, utter class of the highest order and danced to perfection by Gene Kelly and Vera-Ellen. Very close is Thou Swell, June Allyson performs it with such lively energy, and you have to love the Blackburn Twins' coyness. Blue Room benefits from Perry Como's sensitive singing and Cyd Charise is able to show her elegant dancing and long legs just as beautifully. Mel Torme's rendition of Blue Moon is incredibly touching, as is Judy Garland and Rooney's(his best moment in the film easily) reunion rendition of I Wish I Were in Love Again. Garland's Johnny One-Note charms too and Lena Horne's The Lady is a Tramp is a winner. All in all, the biographical elements don't really work but the musical numbers do and the best ones(Slaughter on 10th Avenue and Thou Swell) are outstanding. 6.5/10 Bethany Cox

I enjoyed the hell out of this picture. Mickey Rooney should have been nominated, one of the best things he ever did. He has enormous energy, presence, more talent than should be legal and is riveting on the screen.

Most all of the reviews of this picture conclude that they hate it. Why? It's not an accurate portrayal of Hart's life. SO WHAT! You want facts, read the biography.

It is a fully enjoyable musical with wonderful songs and dances by some of the most talented people of the last 100 years. They don't write songs like this anymore, they don't have talent like this anymore. Mickey Rooney was terrific, Gene Kelly was athelitic and wonderful, June Allyson was cute and adorable, this entire picture is just a fine example of the Musical Art I think many of those who dislike this picture need to lighten up and enjoy the Words and the Music! Life's to short for the petty objections related in most of the other reviews.