साइमन "द सेंट" टेम्पलर, एक अमीर साहसी और 20 वीं शताब्दी के रॉबिन हुड, अनसुलझे और सही गलतियों को हल करने के लिए अपने सफेद वोल्वो पी 1800 एस में दुनिया की यात्रा करते हैं।साइमन "द सेंट" टेम्पलर, एक अमीर साहसी और 20 वीं शताब्दी के रॉबिन हुड, अनसुलझे और सही गलतियों को हल करने के लिए अपने सफेद वोल्वो पी 1800 एस में दुनिया की यात्रा करते हैं।साइमन "द सेंट" टेम्पलर, एक अमीर साहसी और 20 वीं शताब्दी के रॉबिन हुड, अनसुलझे और सही गलतियों को हल करने के लिए अपने सफेद वोल्वो पी 1800 एस में दुनिया की यात्रा करते हैं।
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
It's May 2004 and I was absolutely delighted to see yesterday that BBC America has begun running Roger Moore's The Saint again Monday through Friday.
As much as I enjoyed Moore as Bond, Simon Templer was his.
George Sanders was so dry (Louis Hayward and other one-timers don't really count here). Ian Ogilvy was actually a fine Templer.
However, Moore nailed it. Unlike Sanders, who played Templer like a fop that no one could possibly find the least bit threatening, intimidating or dangerous, Moore was suave and sophisticated without being above it all. Moore brought a needed sense of humanity to the role - and you could see that he could get tough if action & toughness were called for.
Moore had a hand in writing and contributing to the screenplays and the episodes he directed may be my favorites.
There was something comforting and familiar about the show's lower budget production values that just agreed with me. They were solid, professional. And Ed Astley's music was perfect. I'd love to get the soundtrack if it's available.
Ivor Dean as Inspector Claude Eustace Teal was an ideal foil. He was at times Templer's ally, his antagonist, amused and bemused and angered and frustrated at Simon to the point of full red-faced boil-over.
Too bad the kids of today aren't treated to this form of stylish entertainment on their boob tubes, because you can bet your bottom dollar that only 1 in 10,000 will discover it while channel surfing and become a fan.
As much as I enjoyed Moore as Bond, Simon Templer was his.
George Sanders was so dry (Louis Hayward and other one-timers don't really count here). Ian Ogilvy was actually a fine Templer.
However, Moore nailed it. Unlike Sanders, who played Templer like a fop that no one could possibly find the least bit threatening, intimidating or dangerous, Moore was suave and sophisticated without being above it all. Moore brought a needed sense of humanity to the role - and you could see that he could get tough if action & toughness were called for.
Moore had a hand in writing and contributing to the screenplays and the episodes he directed may be my favorites.
There was something comforting and familiar about the show's lower budget production values that just agreed with me. They were solid, professional. And Ed Astley's music was perfect. I'd love to get the soundtrack if it's available.
Ivor Dean as Inspector Claude Eustace Teal was an ideal foil. He was at times Templer's ally, his antagonist, amused and bemused and angered and frustrated at Simon to the point of full red-faced boil-over.
Too bad the kids of today aren't treated to this form of stylish entertainment on their boob tubes, because you can bet your bottom dollar that only 1 in 10,000 will discover it while channel surfing and become a fan.
Forget the average Saint movie starring Val Kilmer from the 90's. If you want to see the definitive Simon Templar, then check out this fantastic action show starring a pre-007 Roger Moore.
The show was consistently good throughout as The Saint travelled to locations such as Paris to battle scum such as murderers and robbers. Accompanying him was beautiful women as he raced round in his car coming to blows with the bad guys. Like most shows of that era, it was very tongue-in-cheek.
And I'd be committing a crime if I didn't mention Moore's eyebrow raising each episode. As for the theme tune, it was unforgettable.
Given the absolute rubbish that is show on TV nowadays, I would urge young fans to check The Saint out.
The show was consistently good throughout as The Saint travelled to locations such as Paris to battle scum such as murderers and robbers. Accompanying him was beautiful women as he raced round in his car coming to blows with the bad guys. Like most shows of that era, it was very tongue-in-cheek.
And I'd be committing a crime if I didn't mention Moore's eyebrow raising each episode. As for the theme tune, it was unforgettable.
Given the absolute rubbish that is show on TV nowadays, I would urge young fans to check The Saint out.
Before he was James Bond, Sir Roger Moore was a television star and played the title role of "The Saint." He plays Simon Templar, an agent, who investigates crime like an American movie actress who is kidnapped with her co-star and a jewelry theft. Roger Moore is handsome and charming as the star. The episodes are crisp and fresh. I love the locations in London, England. The episodes are well written and executed in style with a talented cast and crew. The episodes are entertaining without being violent. It's no wonder that he was a perfect successor to play James Bond. I always liked him as Bond the best.
Watching the first series again after a gap of 30 years I must admit I'm surprised at just how enjoyable the b&w TV episodes were. By now I've read loads of Charteris's original novels, and in them Roger Moore was always the Saint for me - he never matched Templar with his later Bond, imho going to prove yet again you can't do everything by throwing money at it. Even if as Bond he had a more sensible haircut! At the end of episode "Luella" he's mistaken for Bond by a female admirer, but he regretfully points to the halo above his head as the clue to his "real" identity.
"The Talented Husband" broadcast 4.10.62: A nifty first entry, ST keeps an eye on a man married to one of many many lady friends who has just escaped a huge stone urn falling on her head. The thing is that his first wife died in dubious circumstances, causing suspicions to rise in Simon's beetling mind. A clever and sprightly script keeps you engrossed to the inevitable denouement.
And travelling through episode after episode I find nearly all were very well written, with something in each to recommend or applaud. Some were played more for comedy than others, a few were star vehicles, some tried to adhere to Charteris - and were even damn good whodunnits! Moore got through a fair few females, got his hair mussed a few times brawling with villains, and only got tangled up with Inspector Teal a few times in the 39 episodes. Therefore, although I wondered before whether I would only be able to view these through rose-tinted spectacles, my conclusion is No - the TV Saint is still good for thrills all these years on. Dated by todays "high" standards, no cgi cartoonery or mindless brutality but I'll survive. By now I've also realised I'll probably never see "exotic" places like Buenos Aires, Miami, Rome, obscure Spanish mountains or such bizarrely cardboard London night-life in the flesh either - and the entire series was filmed less than 100 miles from where I live!
8/10
"The Talented Husband" broadcast 4.10.62: A nifty first entry, ST keeps an eye on a man married to one of many many lady friends who has just escaped a huge stone urn falling on her head. The thing is that his first wife died in dubious circumstances, causing suspicions to rise in Simon's beetling mind. A clever and sprightly script keeps you engrossed to the inevitable denouement.
And travelling through episode after episode I find nearly all were very well written, with something in each to recommend or applaud. Some were played more for comedy than others, a few were star vehicles, some tried to adhere to Charteris - and were even damn good whodunnits! Moore got through a fair few females, got his hair mussed a few times brawling with villains, and only got tangled up with Inspector Teal a few times in the 39 episodes. Therefore, although I wondered before whether I would only be able to view these through rose-tinted spectacles, my conclusion is No - the TV Saint is still good for thrills all these years on. Dated by todays "high" standards, no cgi cartoonery or mindless brutality but I'll survive. By now I've also realised I'll probably never see "exotic" places like Buenos Aires, Miami, Rome, obscure Spanish mountains or such bizarrely cardboard London night-life in the flesh either - and the entire series was filmed less than 100 miles from where I live!
8/10
The modern day Robin Hood. This show is a classic. James Bond without the gadgets, or over the top criminals are here. The Saint was the work of Leslie Charteris; an Asian-American writer who penned many books and his character came to life in many 40's B-movies. There was even a show; with Vincent Price as the Saint. The defining Saint was of course Roger Moore's Simon Templar. A suave, sophisticated jet setter who always was available to do a good deed. His character had an edge; a perception at least, of an international rogue. He was first and foremost a man with a strong sense of right and wrong and would do anything to make things right. The Saint ran from 1962-1969 and is still beloved and with good reason. Roger Moore does the Saint with a flair and the supporting characters are always well defined and twists and turns of the plot are always there. There was an informal ensemble cast and many of the same actors play different characters. I had mixed feelings about Inspector Teal (Ivor Dean), he is always duped and his character, although well played, was a bit of an idiot. Still Inspector Teal had some charm. The series had recurring writers including my favorite: Terry Nation. (For those Doctor Who fans, Terry Nation is of course, the creator of the Daleks). Harry Junkin was the writer of the more fluid episodes.
Anyone who appreciates mystery, intrigue and well played characters, has to appreciate the Saint. The Saint gets 9.9/10 stars.
Anyone who appreciates mystery, intrigue and well played characters, has to appreciate the Saint. The Saint gets 9.9/10 stars.
क्या आपको पता है
- ट्रिवियाRoger Moore was doubled for almost all long shots, even when just walking down the street. This was to save production time and money, meaning the star was free for closer work which couldn't be shot around him, and was common practice on all ITC series.
- गूफ़In many episodes, the beam from a flashlight does not follow the movement from the flashlight, indicating that a spotlight was instead used.
- कनेक्शनEdited into Derrick contre Superman (1992)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does The Saint have?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Simon Templar
- फ़िल्माने की जगहें
- Associated British Elstree Studios, Shenley Road, Borehamwood, Hertfordshire, इंग्लैंड, यूनाइटेड किंगडम(Studio, episode "Vendetta for the Saint")
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि50 मिनट
- रंग
- ध्वनि मिश्रण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें