The Perfect Furlough

The military men stationed at an Arctic radar base are bored, so a bright perky psychologist, a lieutenant in the U. S. Army, gets a bright idea. The men will dream up their perfect furlough and stage a raffle, the winner of which will go on the furlough, while the others enjoy it vicariously. The eager men devise "The Perfect Furlough" as three weeks in Paris with a sexy Hollywood movie star, Sandra Roca. Faced with daunting odds, one clever womanizer conspires to con his mates out of their chances and capture the prize for himself. The flimsy predictable screenplay hinges on extreme naivete and characters that do not listen to one another. A few simple questions and answers would quickly clear up the film's mildly comic complications.

Married to each other at the time, Tony Curtis and Janet Leigh star as the fast-talking conniving Corporal Paul Hodges and the lovely psychologist Lieutenant Vicki Loren. Both actors are fine in undemanding roles and are ably supported by Keenan Wynn, Elaine Stritch, and Linda Cristal. Although no one in particular stands out, Curtis does a good job playing a character he has played elsewhere both before and after this film. Not surprising in a 1950's movie, sexism runs rampant, from an army officer crawling under his desk to look at a woman's legs, to a discussion of the domestic duties for a perfect wife, to the assumption that the movie star would offer sex as part of the furlough. Eyes will roll, even when the sexism is not overtly offensive.

Directed by Blake Edwards, who went on to direct far better films, and written by Stanley Shapiro, who subsequently had more success writing for Doris Day, "The Perfect Furlough" is a pleasant time killer, depending on a viewer's tolerance for sexist situations, admiration for Curtis's pretty-boy looks, and willingness to overlook silly simplistic situations.

Funny little early Blake Edwards. Curtis & Leigh are quite good, but watch for the supporting actors. The great Keenan Wynn, a non-"30 Rock" look at the wonderful Elaine Stitch and especially King Donovan, so funny as the befuddled military "handler" of Curtis' character. Love anything King Donovan was in.

Director Blake Edwards would go on to do some very funny PINK PANTHER movies, but THE PERFECT FURLOUGH begins to crumble upon the premise that men stationed in the Arctic would all be happy if just one of them got a furlough in Paris with a beautiful star (Linda Cristal).

Unfortunately, the script only gets dafter as the film progresses, culminating in Cristal getting pregnant, apparently by her accountant hubby whom we never see. Thank God this film is only about 90' long, though by 60' I was already praying for THE END to appear soon!

The saving grace is the young and beautiful couple that would produce the stunning Jamie Lee in the near future.

And there are a few curiosities worth noting: The scene in the plane's bed coves prefigures a similar one in SOME LIKE IT HOT, the following year, but involving Jack Lemmon and Marilyn Monroe. And Janet Leigh taking a bath must have given Hitchcock an idea for the famous shower scene in PSYCHO, also the following year.

So, despite its unambiguous stupidity, this film probably contributed to two of the best - and best known - films ever made!

Which is why I give it 5/10

This isn't a perfect movie. It's unlikely to end up on anyone's ten best list in any category. But it's a perfectly enjoyable way to wile away 90 minutes.

Briefly, it's the story of an oversexed serviceman, Curtis, who manages to win a three-week furlough in Paris with an Argentine bombshell-movie "actress". That's the first part of the movie, and it's pretty obvious.

In the second half, Curtis' character falls in love with Janet Leigh's character, an army psychologist who has been sent to Paris to keep Curtis' character from having sex with the bombshell or otherwise embarrassing the American military while on furlough in Paris. There is actual chemistry between the two - not a surprise, as they evidently married after making this movie - and the scenes between the two of them are more than just slapstick by the book.

The ending is obvious, but what you would expect from a 1950s romantic comedy.

Unlike a lot of other American movies set in Paris in the 1950s, this one doesn't do much with the location. But that's fine.

Not a great movie, certainly, but not a bad one.

I am in line with the vast majority of my fourteen IMDB colleagues below in regarding this as a pleasant if not very successful attempt by Blake Edwards to be Lubitsch. It is at its best in the scenes between Tony Curtis and Janet Leigh who have very good sexual and comic chemistry and balance, he being cheeky and sarcastic, she cynical and even more sarcastic. There are also some good bits with wry servants commenting upon their charges (this seems especially lifted from ol Ernst L), Curtis' bumbling attempts at being a French bellboy that pre date Peter Sellers in "Panther" by five years and Elaine Stritch given some nice zingers by scenarist Stanley Shapiro.

On the downside you have numerous failed attempts by Edwards/Shapiro to make the characters played by Linda Cristal, Keenyn Wynn and especially King Donovan's bumbling captain (a role that cries out for Ernie Kovacs) anything but faintly dull. And running through the film is Edwards' usual racism which becomes especially offputting in the scene where the French winemaker and his son opine on clean, bath taking Leigh versus unclean, bath avoiding Cristal. C plus.