Knots Landing

This was undoubtedly the best TV series EVER!!! Great characters, great stories, witty scripts, fantastic acting, fantastic theme tune, the list is endless.

I watched all 344 episodes throughout the show's 14 year run (15 if you lived in the UK). I watched it grow from an average suburban series set in a Californian cul-de-sac to an international phenomenon that perhaps didn't reach the same heights as 'Dallas' or 'Dynasty', but make no mistake, this series had a devoted following all across the world - such was it's enduring appeal.

Who could forget the night Sid was driven off a cliff? Talk about a Cliffhanger!!! Who could not feel sorry for "Poor Val" when her babies were kidnapped at birth or when the evil Jill Bennett (played convincingly by Teri Austin) attempted to kill her by forcing pills down her throat? Add to that those heartbreaking scenes when Laura (played by the wonderful Constance McCashin) died of a brain tumour and 'Greggy' was left all alone to raise their child.

Then there were all those wonderfully complex stories involving all the cul-de-sac's residents united to fight against a common enemy. Wolfbridge? Treadwell? The list is endless. Knots had that unique ability to tell a good tale. It carried on telling such 'good tales' for 14 amazing years - never once really dipping in quality.

In the finale, Kevin Dobson told how it was a quality series - the type of quality that television needs. How right he was! Television didn't see such quality prior to the series' launch in 1979, and sadly it hasn't seen it since.

A fantastic production in a bygone era. The likes of which we will never see again...

Knots Landing was an excellent drama. I watched all 14 seasons of this series. I especially liked the first few seasons when the show focused on the families in the cul-de-sac, but after the fifth season the show's story lines became similar to other prime time soap opera fare with more of a focus on greed and the desire for wealth and power. Although the show changed direction, the writing, directing and especially the acting remained top-notch and were always superior to the other shows.

Knots Landing premiered on CBS in December 1979. It followed the lives and relationships of Gary & Valene Ewing (Ted Shackelford & Joan Van Ark), recently remarried and new to town; Sid & Karen Fairgate (Don Murray & Michele Lee), the strong married couple with three children; Richard & Laura Avery (John Pleshette & Constance McCashin), the couple with marital problems; and Kenny & Ginger Ward (James Houghton & Kim Lankford), the young newlyweds.

Abby Cunningham (Donna Mills), Sid's younger divorced sister in the "bitch" role, came to town with her two children at the beginning of the second season; she was added to stir up the pot, so to speak, and began trying to seduce everyone's husband; she eventually set her sights on Gary and married him after ruining his marriage to Val. Donna Mills, who had for years played weak female and "victim" roles in various TV shows and movies, was thrilled to play a strong, powerful female lead. In fact, the show had many strong female characters.

In the beginning, these characters were a lot like people that lived down the street. They wore jeans and did the dishes... something you would never see on "Dynasty" or "Dallas"! Also, the early episodes (first 2 seasons) were self-contained and did not have the serialized format that was standard for most of the other nighttime soaps.

Early in the third season, Sid Fairgate died during emergency surgery after a car crash because Don Murray wanted to leave the show. By the end of the fourth season, original characters Richard Avery, Kenny Ward and Ginger Ward were all written off the show. The new characters of Mack MacKenzie and Gregory Sumner became more prominent.

The biggest mistake was when the powers that be fired actress Constance McCashin during the 1987-1988 season due to her real-life pregnancy. They had written her two previous pregnancies into the story, but they did not plan to do so this time. Granted, the storyline involving Laura's brain cancer and subsequent death was very well written and poignant, and superbly acted by Constance McCashin and William Devane as her husband Greg Sumner; however, they could have just had Laura leave town or written the character out of a few episodes to accommodate the actress' pregnancy since Laura was not very heavily involved in a big story at that time. Apparently, many other reviewers liked this character and felt that letting this actress go was a mistake.

There were many great actors on this show, but special mention must go to Julie Harris as Lilimae Clements, Valene's mother, and Michelle Phillips as Anne Matheson, Paige's shallow, self-absorbed mother and Mack's ex-girlfriend. They both brought lighter comedic moments to the show with their roles.

The fact that the show lasted 14 seasons demonstrates that it was far better than the other prime time soaps. The show managed to stay true to form for the most part throughout the entire series run by focusing on the characters and their motivations and not on overly outlandish plots.

"Knots Landing", for 14 years, was the greatest television experience ever. From December 27, 1979, until May 13, 1993, we followed the sudsy lives of our favorite characters. From Val and Gary's initial movie into the neighborhood, to Abby's arrival and her nonstop manipulations, to Laura's terminal brain cancer and the impact it had on everyone's lives, to the ultimate psycho Jill, it was all terrific entertainment. Not overly-glossy and implausible like other night-time soaps, "Knots" had a realism all it's own. It will be missed and remembered fondly.

Knots Landing,the TV stalwart through the 80's and some of the 90's was one of TV's best dramas. The characters were so real,they became as well known as family members. The series excelled in complex characters. From the strong women like Karen, Laura,Paige and Abby to the utterly fascinating flawed men like Greg Sumner and Gary Ewing.The show was not without its mistakes- not all the serpentine,complicated plots worked, and the reliance of the plots in later episodes on insane stalkers, was predictable. Nevertheless, when Knots stories jelled,the effects were often breathtaking. Who can forget the great moments like Sid's death and Karen's coping, Abby's marrying Greg in the middle of his romance with Paige, Laura's funeral,the return of Val's twins, the body under the cement, Olivia's drug addiction and Abby's intervention, Jill's shocking villainy revealed to Val...the list of great Knots moments goes on.There hasn't been a show like it on TV since. It is sorely missed.

Even though Dallas was much more popular, Knots Landing was a much stronger, more realistic, and better written show. First of all, shows like Dallas and Dynasty insulted viewers intelligence by constantly keeping a character and changing the actor. Remember how Barbara Bel Geddes turned into Donna Reed on Dallas, and then back again. Or how Jeff Colby went to bed with Pamela Sue Martin and woke up with Emma Samms on Dynasty. This is not Broadway where someone just takes over someone else's role. When Constance McCashin left Knots, did a new Laura come on...NO!...she died and we all cried. That's why Knots Landing was a far superior serial. For fourteen years, viewers were engrossed in these people's lives, because you felt like you knew them. The best characters on the show were Val and Abby. And they're friendship turned feud was riveting. It was actually Val who convinced Abby to move to Knots Landing early in Season 2 while they were on a picnic. And she grew a deep attachment to Abby's daughter, Olivia, mainly because she needed to fill the void left when J.R. took her daughter, Lucy, away from her. It was Val who comforted Abby when her ex-husband ,Jeff, stole her children. And it was Val, not their Aunt Karen, who was Brian and Olivia's second mom. All of this made it even more scandalous when Abby had an affair with Gary. These women lived across the street from each other, and cared about each other. But Abby wanted Gary. The best scene of the entire series is during the episode "China Dolls", when Val finally confronts Abby. The seconds when Val is walking across that street from her house to Abby's seem like hours. And when she opens that door and Abby comes down those stairs in that pink bathrobe...it was so HOT! When Val asks Abby if she is having an affair with her husband, she looks right in Val's eyes and says "I'm not saying we're having an affair, and I'm not saying we're not, I am saying I can have him anytime I want him". When Val slaps Abby in the face, Abby actually gives her a look like...I know I deserved that because I know what I'm doing is wrong, but I want Gary and I don't care, so I'll take the hit. You actually feel like your watching your neighbors fight. There are no women like this on television anymore. These ladies could act. Donna Mills makes Joan Collins look like a cartoon character. And Joan Van Ark makes Linda Evans seem like an empty vessel. The scenes between Val and Abby over the next few seasons continued to shine. Val finally gets her revenge by becoming pregnant with Gary's babies, who is now married to Abby. And then Abby makes a comment to Scott Easton saying that she wishes the babies were never born. The fact that Easton takes her seriously makes the way for the best storyline of the series, and it is when Abby finally comes to her senses that we see how she truly cares for Val. When Abby finds Val alone on the beach and tells her she knows where the babies are, Val immediately knows she is going to see her twins. If it would have been anybody else, she probably wouldn't have believed them. But Abby doesn't mess around. When Abby is driving Val to her babies, they are alone in the car together, and you can feel all the years of history these two women have together. They were once like family, then bitter enemies, but through it all they are still in each others lives. They may not like each other, but they KNOW each other very well! Years later, when Laura dies, Val and Abby hug each other, sharing the pain of losing someone so close to them. Even though they don't like each other, they are once again sharing a very intimate moment. When they hug, you can feel they are reaching out to each other, actually comforting each other. And when Jill tries to kill Val and everyone thinks she tried to kill herself, Abby genuinely seems devastated by the news. When Val gets out of the hospital, Abby confronts her in Karen's kitchen, offering to help her in any way she can. And she REALLY means it. And now having to deal with psycho Jill, Val realizes that Abby is not so bad after all. The dynamics between these two actresses was phenomenal and understated. While Karen may have served as the shows backbone, it was Val and Abby who gave the show life, and spice. Both characters added depth and layers to the show that are unfounded on any other soap. Joan Van Ark, as the passive-aggressive Valene, who manages to drag everyone into her dramas and make her problems seem like the greatest problems in the world. And Donna Mills, as Abby, the greatest bitch in the history of television. Joan Collins' Alexis, and later Heather Locklears' Amanda on Melrose Place, were nothing more than Abby wanna-be's. No other bitch in television history had the multi-layered humanity of Abby Fairgate-Cunningham-Ewing. Even though she was a schemer and a manipulator, she had morals. She loved her children, and she would hurt people to get what she wanted, but nothing they couldn't recover from. Mac Macenzie once said..."Abby doesn't kill, she gets even". And that about sums it up. How amazing for once to see a woman not be a victim, and not have to pay for not being a victim. Through all their fascinating story lines, Val and Abby seem most real when they are playing off each other. And their feuds were the most dramatic moments of the series. If there is ever another Knots Landing reunion, how nice it would be to see Val and Abby sit down together for a cup of tea, and reminisce about all the insanity they've been through together.