न्यूयॉर्क के एक बड़े जासूस को लॉस एंजिल्स भेजा जाता है, जहां उसे एक पुराने सिसिलियन माफिया परिवार के झगड़े से जुड़े मामले को हल करना होगा.न्यूयॉर्क के एक बड़े जासूस को लॉस एंजिल्स भेजा जाता है, जहां उसे एक पुराने सिसिलियन माफिया परिवार के झगड़े से जुड़े मामले को हल करना होगा.न्यूयॉर्क के एक बड़े जासूस को लॉस एंजिल्स भेजा जाता है, जहां उसे एक पुराने सिसिलियन माफिया परिवार के झगड़े से जुड़े मामले को हल करना होगा.
- Geraldine Wexton
- (as Kelly Miles)
This movie was interesting to me in that it was filmed during the prime of the '70s Cop Movie glory days and also happened to be part of the golden age for Bronson himself. I dig the terrible period clothing, hair and lingo. I also dig the neo-psychedelic soundtrack. It was rather amusing seeing Bronson amongst the young hippie burnouts at a wacked out party when he was searching for clues, talk about a fish out of water! And even way back then, the ever popular grouchy old Italian mobster stereotype was in full play, although this was one of the first Bronson films to do this (and it often resurfaced in his movies, even in Death Wish 4 decades later). It also featured several familiar faces including "Mr. Roper" of Three's Company as a cop(!) and "Jack Tripper" of the same show as a bumbling, inept rookie cop. Those with either sharp memories or an extensive Twilight Zone collection will recognize Mob Boss Vescari as the star of the much loved wax figures episode (New Exhibit).
You're not going to see Oscar type performances in a Bronson film, but then again, that's not what they were shooting for. You do get a glimpse of a great period of gritty American cop films. They didn't have the internet to help them. No GPS. No Google maps. Just coffee, steel revolvers, typewriters and good old fashioned investigational work, and of course real cars that were driven to death by stunt men, not computer generated crashes. And you do get politically incorrect, 150 proof MANDOM of the kind that isn't made any more. And that makes for an enjoyable Sunday afternoon in my book.
- Enforcer686
- 8 जन॰ 2011
- परमालिंक
कहानी
क्या आपको पता है
- ट्रिवियाUnderworld settings in the USA featured in the movie included Skid Row in Los Angeles and Little Italy and Spanish Harlem in New York City.
- गूफ़At the start of the motorcycle chase, Langley emerges from the alley and has to go around a parked red Ford Pinto. A moment later, Torrey's Plymouth emerges from the same alley in close pursuit and the Pinto is gone.
- भाव
[last lines]
Guido Lorenz: [Lorenz and Torrey, in car, as they watch Vescari enter a church] Nothing changes, only the names.
Lou Torrey: You gotta be kidding. We're chest deep in water. Screaming against the rushing tide.
Al Vescari: [cut to Vescari in church confessional, after organizing the hit on the other Dons] Bless me, Father, for I have sinned. I haven't been to confession for ten days. I lose my temper...
Lou Torrey: [cut back to Torrey and Lorenz in car] You know, last three weeks, in New York City alone, there were 159 homicides?
Al Vescari: [in confessional] I don't mean to be harsh... but I... struck my son in anger last Tuesday.
Lou Torrey: [in car] Three thousand criminal assaults, six thousand robberies.
Al Vescari: [in confessional] Ruth, my wife, bless her, I swore at her.
Lou Torrey: [in car] You multiply that by Chicago, Boston, Philadelphia, Los Angeles.
Al Vescari: [in confessional] For these... and all the other sins which I cannot remember, forgive me.
[exits confessional, pauses to cross himself in front of the altar, and leaves church]
Lou Torrey: [in car, watching Vescari get into his limo] You remember that cartoon of an old Roman Circus, where all the lions are roaring, and the page boy yells down the corridor...
[to camera]
Lou Torrey: you've got five minutes, Christians.
[Vescari's limo pulls away as credits roll]
- क्रेज़ी क्रेडिटActor Gene Woodbury is credited in opening credits only.
- इसके अलावा अन्य वर्जनIn the German video cut 13 minutes are missing. 02:33: Lou Torrey visits his wife. Both talk about their daughter and New York in general. She says: I look at you and I see this town. Complete scene is missing.(1:30 min.) 18:04: Lipper's assassination is prepared. Lipper himself fools a cop in hospital who should bring him back to jail (4:25 min.). 33:11: Vescari explains further details of his plan. All men go back to their cars (2:13 min.). 36:20: Torrey looks at Geraldine Waxton's dossier (0:10 min.). 38:58: Both cops run down the stairs. Torrey searches for Geraldine Waxton in a flower power parish in Carmel. The whole scene is missing. Geraldine asks Torrey if he would be interested in her. Torrey answers: Another time, another place, another cop. (4:19 min). 48:19: The car is driving around a corner (0:06 min.). 59:12: Matthews explains his hatred against the desert mission (0:12 min.). 90:26: Torrey sits in the car and quotes a word that was common in the roman arena: You've got five minutes, Christians. (0:07 min.).
- कनेक्शनFeatured in En Büyük Yumruk (1983)
टॉप पसंद
- How long is The Stone Killer?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- A Complete State of Death
- फ़िल्माने की जगहें
- Antelope Valley Indian Museum State Historic Park - 15701 East Avenue M, लैंकेस्टर, कैलिफोर्निया, यूएसए(Exteriors and interiors: Mobsters' desert base called "The Old Wexton Indian house")
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $13,86,064
- चलने की अवधि1 घंटा 35 मिनट
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- पक्ष अनुपात
- 1.85 : 1