Falcon Crest

I got hooked on this show after the first few years had passed. These nighttime soap operas were known for their season-ending cliffhangers and this one was no exception. The best seasons of the series were 1986-1989, when they experimented with a faster-paced style of storytelling that was quite smart and exciting. This had by far the best sense of humor of all the soaps and featured excellent acting from Jane Wyman, Ana-Alicia, David Selby and Susan Sullivan (now on "Dharma and Greg") Interesting note: during many of its later years, this show's music was composed by Mark Snow, who went on to do the famous "X-Files" theme and score. I wish they still showed reruns of this show somewhere!

Executive producers Michael Filerman and creator Earl Hamner made the wise decision to make Robert McCullough the supervising producer and de facto show-runner by the end of the first season, and the result was three years of FALCON CREST which were near-brilliant -- a gently Gothic, slightly tongue-in-cheek entry in the DALLAS/DYNASTY era wealth-based nighttime soap genre which became so huge during the early-1980s.

Unfortunately, studio politics at Lorimar Productions resulted in a lunch-drinking executive demanding that McCullough be fired, even though the series was at its ratings peak, and FALCON CREST was never, ever the same again. Ever.

Once McCullough was gone, the show managed to maintain some momentum for a few months through most of its fourth season, but a CBS executive then demanded that the "offensive" nazi treasure plot line be dropped immediately, just ten episodes before the end of the season -- despite the fact that it was the year's main storyline. As a result, the remainder of the fourth seasons sees a bunch of side plots cobbled together and shoe-horned in just so they can finish off the year. But to me, the inertia of the program had been destroyed once and for all (even though its cushy post-DALLAS time slot kept it alive for several more years).

Season 5 was drab and cluttered. Season 6 seemed like it might be a renaissance for the show, but it turned too much towards excessive shlock by the end of that year and then Season 7 just became frenetically silly. The decision to turn the production design light and airy and '80s pastel, combined with Lorimar's new cheapy post-production process making the show look as if it had been shot on video, didn't help much either. A big ratings drop during Season 7 saw CBS demanding the show be fixed, but once they tried to get serious again for Season 8, they no longer seemed to know how to do it. And by Season 9, it just seemed like a different series entirely and ratings continued to spiral into the cellar.

Why do swollen executives think a show can make itself as long as you have a key star and a recognizable brand name title? Because it can't.

Shame, because the first three season, maybe even 3 1/2 seasons, were fabulous.

Who could have thought that Earl Hamner,the creator of The Waltons would follow in the footsteps of series creators Lee Rich and Aaron Spelling? Well,Lee Rich was the brains behind "Dallas" and "Knots Landing",while Aaron Spelling was at the helm behind "Dynasty","Hotel",and "The Colbys", Hamner was the creator behind "Falcon Crest" one of the solid classic soap operas that ever came to prime-time. While it rivoted viewers from 9 seasons on CBS-TV,it was one of the top ten shows of the 80's and early 90's. This show was totally different and it didn't take it stories too seriously since it was set in the Tuscany Valley of California which consisted of wealthly vinyardists who would bickered at each other,and plot and scheme their way to the top of the empire. Leading by some heavy hitters including legendary actress Jane Wyman,Susan Sullivan,Robert Foxworth and Lorenzo Lamas and not to mention special appearances by Ursula Andress and actor Eddie Albert,this show was to make the expected the unexpected and so forth. Great series! Catch it on SoapNet!

I don't know if Jane Wyman was chosen to play the lead of hard-as-nails Angela Channing because she was then newly-elected President Reagan's first wife or not. The rumor back then was that the producers wanted her in the role as a kind of side-swipe at Reagan, whose right-wing politics they detested. Then came the rumors that first lady Nancy Reagan wouldn't let the president watch the show because Jane Wyman was in it. Back when we all had a common culture at the dawn of cable, this was all really very amusing. However, regardless of why and how she got the part, Jane Wyman owned that role and made it something special. Starting out playing the lead at age 64, she didn't miss a step until the last season or so, when bad health finally got the best of her.

The setting is the fictitious Tuscany Valley of California and its lush vineyards. Chase Gioberti, played by Robert Foxworth, was Angela's nephew who was always going round and round with her. This was the principle conflict - Chase's principled stand versus Angela's dog-eat-dog approach to all problems. This first season has a kind of Romeo and Juliet theme to it as Chase's son and wealthy heiress Melissa Agretti fall in love and Melissa finds out she is pregnant. Fate being what it is on soap operas, Melissa ends up in an arranged marriage to Angela's lazy grandson-heir, Lance, with everyone outside the principle trio - Melissa, Angela, and Lance - believing Lance to be the father. Angela arranged this marriage to give her eventual ownership of the Agretti vineyards. This show was one of the popular night-time soap operas of the 80's along with Dallas, Dynasty, and Knot's Landing. Most of the characters weren't as rich as in Dallas - after all, we're talking grapes here not gasoline - but the stories didn't have the goofiness that Dynasty always had and Dallas eventually descended into.

Highly recommended for people who remember the old nighttime soap operas and loved them like I did, and also for people who like soap operas in general.

Wyman, The former wife 39th President Ronald Reagan triumphantly returned to television in the nighttime soap opera "Falcon Crest". For most of the show's nine-year run, no one could best Jane Wyman's "Angela Channing," the writers providing her with the best lines, the best wardrobe, and, in most episodes, the final scene. It wasn't until the show's last season that poor health prevented her from appearing in no more than the first and last installments.

However, she was surrounded by a cast of superb performers. Though Robert Foxworth received second billing, it was evident that other characters were more popular. Susan Sullivan, already a favorite from the daily soap "Another World," gained a wider audience as Chase's wife Maggie, following his dream to achieve success as a wine maker. William R. Moses and, initially, Jamie Rose were their children, brought into a community to which they were ill-suited. Lorenzo Lamas and Ana Alicia as Angela's grandson and granddaughter-in-law provided enough tension, in and out of the bedroom, to supply several soap operas. Margaret Ladd as "looney" daughter "Emma" was a treat to watch each week, as was Abby Dalton as her manipulative sister and the mother to Lamas's character. Chao Li Chi played the chauffeur and confidant to Mrs. Channing.

Possibly the most popular characterization was David Selby as "Richard Channing," Angela's chief nemesis that would later be revealed as her son. Their ongoing battles were priceless.

Other cast members came and went, a veritable "who's who" of "Old Hollywood". Lana Turner, Mel Ferrer, Cesar Romero, Eve Arden, Celeste Holm, Kim Novak, and Rod Taylor were just some of the famous that entered the gates of Falcon Crest.

There were some major casting "snafus," from rock star and Prince-protégé Appolonia, playing to type as a character sporting her same name, to Gregory Harrison as a rival for Richard Channing's empire. Both seemed ill-at-ease with their roles.

Though the show drifted into absurdity in season four with a "Raiders-of-the-Lost-Ark-like" search for a treasure buried beneath the estate/vineyard (complete with the film's star Paul Freeman as the sinister leader behind the search), it still maintained its cutthroat machinations for most of its run.

Another plus were the thrilling season-ending cliffhangers. "Dallas" may have started them all, but "Falcon Crest" had the best.

The show never had the ratings success of "Dallas" or "Dynasty" but it was still an enjoyable way to spend an hour on a Friday night.