Johnny Be Good

Just a run of the mill 80's try hard comedy, a few funny scenes...nothing to get excited about (one and done)

Johnny Walker (Anthony Michael Hall) is the star high school football quarterback and punter. Backup quarterback Leo Wiggins (Robert Downey Jr.) is his best friend that never gets into the game. Wayne Hisler (Paul Gleason) is the hated coach. They win the championship and Johnny is recruited by everybody. His girlfriend Georgia Elkans (Uma Thurman) wants him to follow her to State college for a solid education.

There are nobody to like in this movie. This is trying to be a comedy but it's not funny. This subject could allow for a dark gritty realistic tale of bad recruitment practices but it's so fake. The writing is nowhere near sharp enough. It's always fascinating to see a young star and this one has Uma Thurman. Hall isn't convincing or likable. Downey is mugging for the camera too much without getting any laughs. This is Bud S. Smith's one and only directing credit. There's a reason for that.

Lame sports comedy with a miscast Anthony Michael Hall as the hottest high school football prospect who ever lived. It's really a vanity project for Hall, who had been playing nerd characters his whole career. Here he's trying to buff up and be taken seriously as something more than a geek. He fails. Robert Downey, Jr. plays the wacky best friend, as he often did back then. Downey's the most entertaining part of this, which isn't saying much. Decent support from Paul Gleason and Jennifer Tilly. Early role by Uma Thurman. She's beautiful and does fine in a worthless part in a worthless movie. I pretty much hated every minute of this. Almost every character is unlikable, especially the lead. The satire about college sports and other things is heavy-handed and never funny. Oh, and the music is dreadful. Avoid this unless you are a massive fan of Hall, Downey, or Thurman.

This film has two main things going for it - nostalgia and the ability to fantasize about having Uma Thurmann as your girlfriend in 1988. There are many fantastic shots of her in all measure of garb, including a wonderful body-length pajamas. Lots of nice white tops and jeans. Phew and Rowrrrrr.....

Anthony Michael Hall is an actor I decided I liked after all in his later career when he played Bill Gates in Pirates of Silicon Valley. He's got a measured confidence mixed with some menace underneath that all-american blonde facade. Despite what some might some might say about Hall's depth, he is about the only thing saving this movie from absolute disaster.

I actually found Robert Downey Jr to be mostly insufferable in this film, and its very early for him, but he isn't given a lot to work with. He does have a few good lines, though.

Structurally, this movie has a lot of problems. The plot is insanely thin, and it sort of purports to a certain amount of morality, but then it does not a lot to support that assumption. It lays out Hall's character compromise of his character in such an extreme, laughable manner, it's pretty hard to take it seriously. It's a movie that is sort of making fun of itself, or maybe the director and actors are mocking the script. It's got that feel of not being taken super seriously, something that happened quite a bit in the 80s and made for some charming fare, but also made for some not cogent films. The production values and soundtrack are good, however. The music is period, and well curated, but featuring lesser known tracks, not all well-known hits. I also always like seeing the uncluttered life of the 1980s, no cel phones, still a certain amount of neon, nice 1970s and 1980s cars, and the general party atmosphere of the time.

As I said, however, the number one reason to watch this is for Uma Thurmann. The one realistic thing about this movie is that in real life, this guy probably would be stupid enough to lose Uma Thurmann. Of course in real life, he never would have been dating her in the first place.

Just three years after "The Breakfast Club", this film reunites Michael Anthony Hall and Paul Gleason. It aims to achieve the irreverent humor of a film like "Stripes" combined with the titillation of "Porky's". Almost every character in this film is a caricature. You can tell a lot of people put a lot of work into this film, so where does it go wrong?

First, the film's primary story--about a football phenom who is unscrupulously recruited by every powerhouse program in the country--is a serious drag on the humor. There is nothing funny about the sacrifice of educational values to the football money machine.

Secondly, the film tries to include every standard feature of every youth comedy film--the clueless adults, the topless scenes, the humor centering on sex and alcohol--and in so doing, becomes a parody of itself.

I am deducting one point just for the colossal waste of talent.

Robert Downey Jr. is wasted here, playing the wacky sidekick. Uma Thurman's performance as the hometown girlfriend is lost in the silliness.

The entire film is predictable, sometimes cringe-worthy, and boring.

In a scene near the end of the film Hall, Downey and Thurman drive off in a convertible to begin their post-high school lives and there is a sense of what this film could have been: an interesting exploration of the lives of three kids who have issues to face and things to learn. It might even have been funny, too.