Dung Fong Bat Bai: Fung wan joi hei
- 1993
- 1 घं 38 मि
अपनी भाषा में प्लॉट जोड़ेंA royal official accompanies a Portuguese warship to the Black Cliffs to see the site of the defeat of the evil Invincible Asia, who attained supernatural abilities by following the sacred s... सभी पढ़ेंA royal official accompanies a Portuguese warship to the Black Cliffs to see the site of the defeat of the evil Invincible Asia, who attained supernatural abilities by following the sacred scroll and castrating himself. The official discovers that the Portuguese are actually afte... सभी पढ़ेंA royal official accompanies a Portuguese warship to the Black Cliffs to see the site of the defeat of the evil Invincible Asia, who attained supernatural abilities by following the sacred scroll and castrating himself. The official discovers that the Portuguese are actually after the sacred scroll, and then finds Invincible Asia him/herself, who is not actually dead.... सभी पढ़ें
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
It continues from where the 2nd film left off (the actors being Brigitte Lin- once again - and the superb Jet Li) but is completely confusing, badly edited and a lousy story-line/script etc. It jumped all over the place with far too much fantasy action thrown in; which was in fact so stupid/bad in its look on the screen. It was like the director and co didn't have a clue what to do with the story, actors roles, action and continuity of the first 2 films. The films of this era (and 20 plus years before) used Hi-wire and off screen equipment - trampolines etc - for special FX; the CGI of the era you could say. The problem is it is vastly overused and looks terrible in every shot! As a long time viewer of Chinese martial Arts films I am used to the special FX used at the time and that's how I know that these were cheap looking and just terrible!
One of the reviewers tries to entice you to watch it by saying that there is a fantastic lesbian love scene...what a click-baiting liar! The scene is between the goddess, Brigitte Lin, and her concubine, Snow (who turns out to be a demon in disguise) who are fully clothed in a scene that lasts about 4 seconds.
I surprised there are so many likes for this film by the reviewers because the film to me played out as though it had been made by a clueless teenager...a young one at that! Its gotten a 1 star from me, only because I have too give it mark of some level, but the only nice thing about this film is looking at the beautiful Brigitte Lin!
It's almost impossible to follow the plot, but the whole movie is so packed with supernatural action, intrigue, ambition, revenge, and amazing costumes and scenery it doesn't matter. Add English subtitles that are inadvertently hysterically funny and you have a truly bizarre and entertaining movie. Some people will find it boring, and martial arts buffs might be disappointed, but I thought it was a scream.
Making no attempts to explain itself, it gets straight into the action. Fantastical fighting and some incredible wire work really do make this film a visual spectacle, but the absence of continuity at times does hinder it.
Certain scenes appear to have been either cut completely, or just parts of them left in, which again doesn't help the mix. If you watch the trailer you'll see that Jet Li is in it... but when you watch the film, you realise he has been left on the cutting room floor...! Overall it makes for a very enjoyable, if not inexplicably odd/hard to follow film - but it's certainly made me want to watch the earlier instalments!!
It's not that I can't follow the plot. The problem is that the whole story is symbolic fantasy - or what they called in the Middle ages 'allegory' (i.e., an allegory for the loss of Chinese inner power with the arrival of foreign colonialists). They only recent film that comes close to this in structure is from Japan, Toyko: the Last Metropolis. The most recent western film to approach this kind of story is, possibly, Terry Gilliam's ill-conceived Baron Munchhausen movie. But I liked the characters in those two movies; I don't like any of the characters in this one. Which may be the point, but not any reason to watch the movie again.
I should remark that these three movies are all extremely well-made, and all dishwater dull.
I'm afraid film is not a medium conducive to allegory. Film seems to work best when the characters remind us of people we've met - or are likely to meet - even if we don't like them much. When actors stand in for metaphors, they can't stand in for people. In which case, why should we care?
क्या आपको पता है
- कनेक्शनFollows Siu ngo gong woo (1990)