एक पूर्व गुप्त सेवा एजेंट को सीआईए के हत्यारे के पागल होने से संयुक्त राज्य अमेरिका के राष्ट्रपति की रक्षा करनी चाहिए।एक पूर्व गुप्त सेवा एजेंट को सीआईए के हत्यारे के पागल होने से संयुक्त राज्य अमेरिका के राष्ट्रपति की रक्षा करनी चाहिए।एक पूर्व गुप्त सेवा एजेंट को सीआईए के हत्यारे के पागल होने से संयुक्त राज्य अमेरिका के राष्ट्रपति की रक्षा करनी चाहिए।
- 3 ऑस्कर के लिए नामांकित
- 2 जीत और कुल 17 नामांकन
Fred Thompson
- Harry Sargent
- (as Fred Dalton Thompson)
Gregory Alan Williams
- Matt Wilder
- (as Greg Alan-Williams)
फ़ीचर्ड समीक्षाएं
'In the Line of Fire' is one of those Hollywood films that shows up on tv quite a bit, but although I've seen it a few times, I usually end up sitting through the whole thing again. Why? - It's GOOD! Clint Eastwood is great as usual, and the character he plays is interesting and more fleshed out than usual. The character, Secret Service agent Frank Horrigan, is haunted by the fact that he was on the detail that failed to protect President Kennedy in Dallas, and now he's forced to match wits with a professional assassin that is openly declaring that he will kill the president. However, the film doesn't make him a depressed, brooding, and obsessed character. He's charming and personable, and is realistic as a guy that has experienced a lot in life and is comfortable in his own skin. He's even quite convincing when he flirts with the pretty younger agent played by Rene Russo. The killer, played by John Malkovich at his best, is cerebral, deliberate, and enjoys playing high stakes games of life and death. He even goes by the name of another presidential assassin, John Booth.
The film is consistently enjoyable, and it delivers all the goods - suspense, action, romance, and drama - all in their proper amounts. It's a fun film that is really helped by the great actors in it!
The film is consistently enjoyable, and it delivers all the goods - suspense, action, romance, and drama - all in their proper amounts. It's a fun film that is really helped by the great actors in it!
Quite simply a well-made, well-written and wonderfully acted movie. Eastwood is classic as grizzled Secret Service Agent Frank Horrigan and Rene Russo
holds her own as partner (and love interest) Lilly Raines. But the movie's
greatness rests on the shoulders of John Malkovich as "Booth". He captures
this character's rage and hatred, as well as his humanity oddly enough.
Personally I think this was his best performance and should have received an
Oscar for it (But I loved Tommy Lee Jones in The Fugitive as well that year). Overall a great movie to see you want to peek into an assassin's mind and be
on the edge of your seat the whole way through. Enjoy!!
holds her own as partner (and love interest) Lilly Raines. But the movie's
greatness rests on the shoulders of John Malkovich as "Booth". He captures
this character's rage and hatred, as well as his humanity oddly enough.
Personally I think this was his best performance and should have received an
Oscar for it (But I loved Tommy Lee Jones in The Fugitive as well that year). Overall a great movie to see you want to peek into an assassin's mind and be
on the edge of your seat the whole way through. Enjoy!!
Clint Eastwood is Frank Horrigan, a Secret Service agent haunted by his failure to react swiftly on the job when JFK was assassinated. We're meant to feel sympathy for him, I presume, but I felt none after this admission: "I could tell he was hit. I don't know why I didn't react. I should have reacted.... I just couldn't believe it."
Excuse me?? Horrigan's entire job, all his training and his sanctimonious talk, is geared to protecting the President, who gets volumes of death threats. But when an attack happens, Frank "couldn't believe it." Instead of Dallas being a wake-up call, telling him he's in the wrong line of work, he stubbornly stays on the job, ultimately becoming the insubordinate (read: antihero) old cuss we meet 30 years later.
He is also predatory, not only with his partner (Dylan McDermott), whom he begs and bullies to get what he wants, but with a colleague, Lily (Rene Russo), whose attraction to him can only be explained by the need for a love interest for Eastwood, who is even given jazz chops in this movie, lest we forget who we're watching and start thinking Frank is a fictional character. The movie could have been cut by twenty minutes, and been more amusing, if Lily had sparred rather than slept with him.
John Malkovich is memorable as Leary, the villain aiming to assassinate the current President, and Wolfgang Peterson and his able DP John Bailey capture him from every angle and plenty of close-ups. Leary's phone chats with Horrigan are riveting because of Leary's dialog, which actually generates anti-government sympathy: he was well-trained as a killer by the feds, and apparently well paid, too (he self-funds his assassination plot, once dropping $50G without batting an eye). Meanwhile, all Frank does during these calls is growl, threaten, and swear.
It's an intricately structured movie, cleverly manipulating the plot to deliver some very close encounters, including a rooftop death scene that is meaningfully filmed. The showdown scene in the glass elevator where Frank says "Aim high" works nicely, too, but the ending is standard nick-of-time Hollywood, triggered when Frank has a sudden insight into the when-and-where of Leary's plot.
It's a well-made film, start to finish, but seriously flawed by Frank's character, who they don't bother to make admirable or credible, let alone alluring. Just never let us forget that he's Clint Eastwood.
Excuse me?? Horrigan's entire job, all his training and his sanctimonious talk, is geared to protecting the President, who gets volumes of death threats. But when an attack happens, Frank "couldn't believe it." Instead of Dallas being a wake-up call, telling him he's in the wrong line of work, he stubbornly stays on the job, ultimately becoming the insubordinate (read: antihero) old cuss we meet 30 years later.
He is also predatory, not only with his partner (Dylan McDermott), whom he begs and bullies to get what he wants, but with a colleague, Lily (Rene Russo), whose attraction to him can only be explained by the need for a love interest for Eastwood, who is even given jazz chops in this movie, lest we forget who we're watching and start thinking Frank is a fictional character. The movie could have been cut by twenty minutes, and been more amusing, if Lily had sparred rather than slept with him.
John Malkovich is memorable as Leary, the villain aiming to assassinate the current President, and Wolfgang Peterson and his able DP John Bailey capture him from every angle and plenty of close-ups. Leary's phone chats with Horrigan are riveting because of Leary's dialog, which actually generates anti-government sympathy: he was well-trained as a killer by the feds, and apparently well paid, too (he self-funds his assassination plot, once dropping $50G without batting an eye). Meanwhile, all Frank does during these calls is growl, threaten, and swear.
It's an intricately structured movie, cleverly manipulating the plot to deliver some very close encounters, including a rooftop death scene that is meaningfully filmed. The showdown scene in the glass elevator where Frank says "Aim high" works nicely, too, but the ending is standard nick-of-time Hollywood, triggered when Frank has a sudden insight into the when-and-where of Leary's plot.
It's a well-made film, start to finish, but seriously flawed by Frank's character, who they don't bother to make admirable or credible, let alone alluring. Just never let us forget that he's Clint Eastwood.
"In the Line Of Fire" is an expertly crafted thriller that has a fantastic climax. The film starts building suspense a half hour into the movie and it doesn't let up until the final scene. Clint Eastwood does exceptional work as does John Malkovich as the villian, the rest of the cast turns in good performances as well. Director Wolfgang Peterson knows how to build suspense and he does it extremely well, he also directed another top notch suspense thriller "Air Force One."
Clint Eastwood scores big in this thriller from 1993.Teamed with an absolute master of edge of your seat suspense,Wolfgang Peterson, Eastwood delivers as only he can.Also,John Malkovich goes on my list of most effective screen villains in the history of cinema as the demented assassin.As for Rene Russo as Clint's love interest,I think Kirk Douglas said it best when he said,referring to his own career,"I keep getting older,and my leading ladies keep getting younger".This film is a very effective thriller with enough plot twists and surprises to keep you going.Eastwood and Peterson should team together more often. Top notch movie.
क्या आपको पता है
- ट्रिवियाThe 62-year old Clint Eastwood (with the help of a safety belt) actually did hang six stories above the ground on the ledge scene, although stuntmen did the jump and the fall onto the fire escape.
- गूफ़Lilly's gown during the party scene would be inappropriate for a female Secret Service agent, as it would prevent her from performing her duties should there be an attempt on the President's life. In those situations female agents instead wear dress pants and more practical shoes. (With the gown, there is also the problem of where to hide the service weapon.)
- भाव
Frank Horrigan: [over the phone] I want you to give yourself up.
Mitch Leary: So I can live a long and fruitful life?
Frank Horrigan: Oh, we can work something out.
Mitch Leary: [laughs] Jesus, Frank, don't fucking lie to me. I have a rendezvous with death, and so does the President, and so do you, Frank, if you get too close to me.
Frank Horrigan: You have a rendezvous with my ass, motherfucker!
- इसके अलावा अन्य वर्जनThe original UK cinema and video releases were cut by 8 secs (10 secs for video) by the BBFC to heavily edit shots of Al being suffocated with a plastic bag, some bloody gunshot impacts, Sally's head being beaten against a wall, and to remove the neck-breaks of Sally's flatmate. The cuts were fully waived in 2008 for the Blu-ray.
- कनेक्शनEdited into In the Line of Fire: The Ultimate Sacrifice (2000)
- साउंडट्रैकWillow Weep For Me
Written by Ann Ronell
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- In the Line of Fire
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $4,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $10,23,14,823
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,52,69,388
- 11 जुल॰ 1993
- दुनिया भर में सकल
- $17,69,97,168
- चलने की अवधि2 घंटे 8 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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