American Shaolin

Yeah, the only song this entire movie had (that I could remember) was "The Shaolin Temple Blues" which really didn't sound like the blues at all, but instead a strange perversion of a Bruce Springsteen song. All of the lyrics are about working minimum wage and going out on dates Saturday Night... But the chorus says "Shaolin Temple Blues", not "Summertime Blues" like they sing at first. Of course, this can all be forgiven once we are shown Shaolin Monks playing Air Guitar.

The movie's story is about as run-of-the-mill as run-of-the-mill can get. Ugly American (and BOY is he ugh-lee this time around!) gets beaten and humiliated in the first 5 minutes of the movie, then goes and gets trained by someone who doesn't accept him at first, until he begins to understand the ways of the martial arts. From that point, he goes on to defeat the bad guy in the last 5 minutes of the movie.

This happened in "The Karate Kid", "No Retreat, No Surrender", and countless others! Even "KING OF THE KICKBOXERS PART ONE"!

Anyway, Corey Yuen did the fight coreography for this film, and it shows by the overall quality. Unfortunately, the bright spots seen are overshadowed by some astoundingly bad parts... whether it be the Shaolin Temple getting exposed to Playboy Magazine, a group of Shaolin Monks going to a high school dance, or Drew poplocking in front of his fellow student monks. What can I say? It's goofy as all hell.

For $6.99 on DVD, I can't really say it's a loss of money, but at the same time you'd be better off sticking with something else. At least "No Retreat, No Surrender" has Jean-Claude Van Damme.

One last note: Am I the only person here disturbed by the fact that the only way the main villain seems to be able to win a fight is by pulling down his opponent's pants?!

Having been a great fan of the No retreat No Surrender films and King Of The Kickboxers since I was a boy in the 80's I had never got around to seeing this sequel to the series.

As a direct sequel to King Of The Kickboxers first off I must say that its no where near as good. The acting is more atrocious than usual in these kinds of films but the big flaw is that the fight's are almost no- where to be seen and for a martial arts film that's bad news. After the opening fight almost an hour passes with no action whatsoever. The ones that do crop up are acceptably choreographed but are slow, short and lack the intensity of any of the previous films due to some slow movements and very tight close camera-work.

It's an OK film though, most likely because it is a complete rip off of Bruce Lee's Kung-Fu starring David Carradine. A few monks talking with American accents sort of spoil the feel and the main character is pretty unlikable and a bit arrogant.

A few more regular fights and more imaginative choreography and it would have been great but as it stands it's not a patch on King of the Kickboxers, or any of the Karate Tiger series for that matter.

Some 'Gee whizz' kid goes to China to learn Shaolin Kung Fu after getting knacked and humiliated in a martial arts tournament. They teach him Kung Fu, he teaches them to rock n' roll with broomsticks. God bless America!

Producer and director Ng See Yuen (Secret Rivals) presents another Keith Strandberg penned production that is pretty much, just a Chinese take on The Karate Kid and his very own - No Retreat, No Surrender...

While far from being a classic, with basic production values and comedy that only Keith himself probably found hilarious (including a campy Shaolin take on classic rock song, 'Summertime Blues' retitled 'The Shaolin Temple Blues'), American Shaolin can only best be described as a kung fu comedy with a good cast, decent acting, and poor script only to be saved by some nice martial arts action under the watchful eyes of Peking Opera School brothers Corey Yuen Kwai and Yuen Tak!

I loved the nod to Kwai's very own film, Righting Wrongs (Above The Law) as he makes a fight between the drill sargent monk and some hoodlums a remake of the one featuring Rothrock in a gambling den - exchanging her handcuffs for his beads. Along with that, the scene at the disco reminded me very much of a similar one in Painted Faces, a film actually about the two Yuen's where all the students get into bother on a night out.

For his first ever role, Reese Madigan isn't too terrible in this role as Drew Carson - an all American boy who let his master (Kim Chan from Lethal Weapon 4) down in a martial arts tournament in his home town, after being ridiculously humiliated. He's a good looking guy with decent moves and it would have been nice to see him continue in more martial arts, action films whether with Seasonal Films, or not. In Shaolin, his master is the wonderful Henry O (Master Yu in Rush Hour 3) who sees potential in Drew and helps him on his journey.

Popular American/Korean actor Daniel Dae Kim (24, Lost, Hawaii Five-0) plays Drew's temple adversary who, much like the film itself, get better as time passes. The big Cliff Lenderman is great as their 'drill sarge' and joined Ng See Yuen a few years later for another Strandberg penned production, Superfights...

As expected, the finale of American Shaolin is all about good versus evil, and of course, showing that Drew's training in Shaolin Temple can help him beat smart ass and dirty fighter Trevor Gottitall (played by the gorgeous Trent Bushey in his only feature film and action role), in a fun end fight that has shades of No Retreat, No Surrender written all over it!

Just shy of a 2 hour running time and packed with Strandberg cheesiness, the film was clearly made for the American audience from its rock songs to its sports, as well as its attempt at humour. It's far from the 18 Bronzemen Of Shaolin or 36th Chamber Of Shaolin, but it director Lucas Lowe (No Retreat, No Surrender 3; King Of The Kickboxers) passes the time okay and entertains enough to warrant a watch.

Overall: I've seen worse. The Seasonal/Strandberg films are never amazing, but there is a certain charm that keeps you watching..!

An unofficial follow-up to the No Retreat, No Surrender movies and King of the Kickboxers, this movie continues to entertain with the same amount of quality as the earlier movies. Being the first movie in this series without Loren Avedon, it still delivers on all levels. And by that I mean it delivers on the fighting. The action is great. The rest of the movie is just total goofiness of the highest order, and that's the way it should be. It's a really lighthearted movie where the focus is on the action and the fact that you just don't take it seriously at all. Sit back, enjoy this movie for what it's worth and have a great time.