The Naked Man

This movie is more than just a film co-written by Ethan Coen (of the Coen brother fame). And if your expecting a Coen brother movie, its different but it does have some familiar ties to films made by the Coen brothers. What else would you expect from Director J.T Anderson who has been the storyboard artist on almost all of the Coen brothers projects, and J.T's characters are every bit as interesting as any created by his co-writer and his brother. This movie lives on the dynamics between its characters, and of course great photography by Jeff Barklage. (I think every Coen brother film has had great photography that pushes the story and the characters.) But enough about Coens. This is a fun film and a good film, and I cannot understand why OCTOBER and UNIVERSAL did not release this sucker.

I admit it - the reference to Ethan Coen on the sleeve of this straight-to-video oddity secured a rental. I wasn't disappointed.

The Naked Man bears all the hallmarks of a Coen-penned script - albeit from the more fantasy oriented side of their cadre (see also The Hudsucker Proxy and the Sam Raimi directed Crimewave). Also, the very first sound you hear is a man screaming - another Coen favourite.

This is not to detract from J. Todd Anderson's direction. The whole production has a surreal air. He places events in a small town in middle America, but it doesn't seem out of place. You never forget this is supposed to be a fantasy.

Look out for it next time you're in Blockbuster. If you don't expect something as masterly as The Big Lebowski or The Hudsucker Proxy, you'll love it. A lo-fi Coens flick, if you will.

One half of the Coen Brothers has co-written one of the weirdest and most intelligent comedies I've ever had the pleasure of viewing. Underrated actor, Michael Rappaport excellently portrays the inscrutable chiropractor/wrestler of which the title refers. The Naked Man features wonderfully quirky performances, equally quirky dialogue and a storyline just strange enough to keep anyone interested. Fans of David Lynch or John Waters, don't miss this!

Quirky? You bet. This surreal tale of a man torn between two worlds is populated with supporting characters from both sides of the rainbow. The dialogue, the pacing, even the camera angles scream "Sit up straight for an evening of romance, revenge, and spinal integrity."

Of course, this isn't a Coen brothers film, but it does have a strong connection to their films with Ethan Coen contributing to the script (but not producing) and with the Coen's storyboard artist J. Todd Anderson directing and also co-writing. As to be expected, it's not as good as a full Coen brothers effort, but worth a look for anyone who is a fan of the Coens (as I am).

That said, it's not a great movie. It does have a pretty funny central concept, but to me, it never seemed to completely get off the ground. J. Todd Anderson directs the film in a similar style to Joel Coen, but he isn't near as good as writing funny dialog. There is some stuff here that people with a weird sense of humor (like me) will appreciate, but mostly the film is meandering and pointless.

Definately not on the same level as the Coen brothers' classics, but worth seeing for anyone who likes the Coens, or weird comedies in general.