IMDb रेटिंग
7.3/10
40 हज़ार
आपकी रेटिंग
युवा नौसैनिक एंटोन फिशर को एक साथी चालक के खिलाफ हिंसक आउटबर्स्ट के बाद एक मनोचिकित्सक से मिलने के लिए मजबूर किया जाता है. उपचार के दौरान एक दर्दनाक अतीत का पता चलता है और एक नई उम्मीद की शु... सभी पढ़ेंयुवा नौसैनिक एंटोन फिशर को एक साथी चालक के खिलाफ हिंसक आउटबर्स्ट के बाद एक मनोचिकित्सक से मिलने के लिए मजबूर किया जाता है. उपचार के दौरान एक दर्दनाक अतीत का पता चलता है और एक नई उम्मीद की शुरूआत होती है.युवा नौसैनिक एंटोन फिशर को एक साथी चालक के खिलाफ हिंसक आउटबर्स्ट के बाद एक मनोचिकित्सक से मिलने के लिए मजबूर किया जाता है. उपचार के दौरान एक दर्दनाक अतीत का पता चलता है और एक नई उम्मीद की शुरूआत होती है.
- पुरस्कार
- 19 जीत और कुल 22 नामांकन
Salli Richardson-Whitfield
- Berta Davenport
- (as Salli Richardson)
Kente Scott
- Kansas City
- (as Kenté Scott)
Ellis Williams
- Reverend Tate
- (as Ellis E. Williams)
फ़ीचर्ड समीक्षाएं
10rbrb
A stunning film of high quality.
Apparently based on true events which, as told, has the clear ring of truth about it, this movie is highly emotional and deeply moving.
An abused and neglected child often becomes wayward in adulthood, as one of life's failures, be it as a gangster, drug addict or burden on society.
Antwone Fisher as a young adult in the navy, is troubled. He is on the brink of being a loser. He is counselled in therapy by a psychiatrist and it is that relationship which takes center stage in the play.
In flash-backs and therapy the source and remedies to Antwones angst are revealed.
Outstanding performances from the whole cast. The story is in effect a family tragedy with emotional and physical torment. All the actors give full blooded performances with conviction and realism.
One message from the movie is the importance of raising children decently.
The real Antwone deserves success. To have endured wickedness as a child but to rise above that, shows a magnificent character.
And to all those out there who have endured such torment but to have survived and succeeded: you are all winners. 10 out of 10.
Apparently based on true events which, as told, has the clear ring of truth about it, this movie is highly emotional and deeply moving.
An abused and neglected child often becomes wayward in adulthood, as one of life's failures, be it as a gangster, drug addict or burden on society.
Antwone Fisher as a young adult in the navy, is troubled. He is on the brink of being a loser. He is counselled in therapy by a psychiatrist and it is that relationship which takes center stage in the play.
In flash-backs and therapy the source and remedies to Antwones angst are revealed.
Outstanding performances from the whole cast. The story is in effect a family tragedy with emotional and physical torment. All the actors give full blooded performances with conviction and realism.
One message from the movie is the importance of raising children decently.
The real Antwone deserves success. To have endured wickedness as a child but to rise above that, shows a magnificent character.
And to all those out there who have endured such torment but to have survived and succeeded: you are all winners. 10 out of 10.
The violent and rebel twenty-five years old sailor Antwone Fisher (Derek Luke) is sent to three sessions for evaluation with the navy psychiatrist Dr. Jerome Davenport (Denzel Washington), after another outburst and aggression against a superior ranked navy man. Reluctant in the beginning of the treatment, he gets confidence in Dr. Davenport and discloses his childhood, revealing painful traumas generated in his foster house. Meanwhile, he meets Cheryl Smolley (Joy Briant), and they fall in love for each other. Resolving his personal problems, Antwone becomes a new man. This true familial drama is a touching and positive story of a man who finds a friend and is sent back to a regular life. The direction of Denzel Washington is excellent, making sensitive, attractive and with good taste, a story about child abuse. In the hands of another director, it might be a very heavy story. My vote is eight.
Title (Brazil): 'Voltando a Viver' ('Returning to Live')
Title (Brazil): 'Voltando a Viver' ('Returning to Live')
I went to see "Antwone Fisher" as an accident of multi-plex sold-out theaters and was girded for schmaltz, but was curious to see Denzel Washington's directorial debut.
Whoa, the whole audience--including me-- burst out into tears at the same time, with many also bursting out into applause at a later moment. But could anyone have ruined such strong material as this autobiographical story by the screenwriter?
Washington's prim, prudish fingers are all over the structure-- I read that it was his decisions to tone down the abuse Fisher actually suffered, and to add in more of his character's, the shrink, role with his (yet another light-skinned, straight-haired) wife because he thought the audience needed a break from Fisher, and I disagree with both choices.
Where Washington is especially effective - and the scenes that prompted the tears and the applause-- is in showing African-American families so naturally, with a diversity of personalities, reactions, motivations, and interactions, comparable to Barry Levinson's Jewish family sagas. He's more pedestrian in the macho military environment, unlike, say, how comfortably in-your-face Curtis Hanson's "8 Mile" is with guys together.
This is very much like a black "Three Faces of Eve" showing the solution to psychological problems as remembering, talking about, and reconciling with the past.
The scenes with Fisher and his too-nice girlfriend are charming. But we don't really get an answer to the question, as to how it is that Fisher, who even at the beginning of the movie is not hardened but is basically a sweet guy who just happens to throw punches a lot, ended up all right when everyone else in his milieu ended up in jail or worse.
Whoa, the whole audience--including me-- burst out into tears at the same time, with many also bursting out into applause at a later moment. But could anyone have ruined such strong material as this autobiographical story by the screenwriter?
Washington's prim, prudish fingers are all over the structure-- I read that it was his decisions to tone down the abuse Fisher actually suffered, and to add in more of his character's, the shrink, role with his (yet another light-skinned, straight-haired) wife because he thought the audience needed a break from Fisher, and I disagree with both choices.
Where Washington is especially effective - and the scenes that prompted the tears and the applause-- is in showing African-American families so naturally, with a diversity of personalities, reactions, motivations, and interactions, comparable to Barry Levinson's Jewish family sagas. He's more pedestrian in the macho military environment, unlike, say, how comfortably in-your-face Curtis Hanson's "8 Mile" is with guys together.
This is very much like a black "Three Faces of Eve" showing the solution to psychological problems as remembering, talking about, and reconciling with the past.
The scenes with Fisher and his too-nice girlfriend are charming. But we don't really get an answer to the question, as to how it is that Fisher, who even at the beginning of the movie is not hardened but is basically a sweet guy who just happens to throw punches a lot, ended up all right when everyone else in his milieu ended up in jail or worse.
This is the ONLY movie I've ever been moved to write about. I rarely even watch movies let alone offer opinions, but this movie is exceptional in so many ways. The acting is powerful and believable (duh.. it's real..), and the entire story is totally captivating. I was watching on satellite and had to endure commercials, and it was sheer torture waiting for the movie to resume.
This has to be one of, if not THE finest film ever made. Congratulations to EVERYONE, especially MR. Fisher. I'm a 55 year old guy that teaches in Cleveland and I never thought I would cry, but there I was with tears streaming down my face, all alone in my living room late at night. This story should be told and retold for generations to come. Thank you Mr. Fisher, Mr. Washington, and everyone else. This was a life-changing experience - not a movie. God bless you all for putting this together. I just can't figure out why this movie is not huge forever. Well, I suppose I can hazard a guess, but I truly hope I'm wrong - I think we all know what that guess is...
Thanks again - not just for the movie, but for the most powerful message possible. If you haven't seen this movie, SEE IT NOW! You won't be sorry, but if you don't see it, you'll be missing the experience of a lifetime. BJL
This has to be one of, if not THE finest film ever made. Congratulations to EVERYONE, especially MR. Fisher. I'm a 55 year old guy that teaches in Cleveland and I never thought I would cry, but there I was with tears streaming down my face, all alone in my living room late at night. This story should be told and retold for generations to come. Thank you Mr. Fisher, Mr. Washington, and everyone else. This was a life-changing experience - not a movie. God bless you all for putting this together. I just can't figure out why this movie is not huge forever. Well, I suppose I can hazard a guess, but I truly hope I'm wrong - I think we all know what that guess is...
Thanks again - not just for the movie, but for the most powerful message possible. If you haven't seen this movie, SEE IT NOW! You won't be sorry, but if you don't see it, you'll be missing the experience of a lifetime. BJL
Not having seen the film in the original theater release, I was happily surprised when the DVD arrived, since this film did not have the wide distribution it merited.
Denzel Washington directorial debut and the finished product have nothing to envy other films about the same theme by more accomplished directors. The film has a very professional look. It shows that Mr. Washington has learned a lot being on the other side of the camera. He brings a different angle to this film.
One of the best things the film has is, without a doubt, the fine performance by Derek Luke. He is an actor who, with the right guidance, will go far, no doubt. His take on the troubled young man, at this point of his life, in turmoil and suffering for a bad hand life, up to now, has dealt him, is very true. His Antwone is a fine portrait of a man in pain who is basically very good and has so much to give, but no one seems to see that side of his character.
At the worst time of his despair, Antwone is sent to Dr. Davenport, played by Mr. Washington, in a very sober, if somehow subdued manner. Because of the angst within Antwone, he misses the opportunity of opening himself to this man, who wants to help, but because of the constrains placed on his office, just have three sessions and then has to dismiss his patient.
Things work out, as Antwone is able to convince the doctor to keep on working with him. Antwone's past is revealed in detail. The abuse he suffers at the hands of Mrs. Tate, his foster mother, is brutal, to say the least. The attempt at the hand of an older woman in the Tate's household of a sexual molestation, gives Antwone a bitter taste that stays with him throughout his adult life, as he has been scarred by the shame he carries with him.
Antwone finds love at last with Cheryl, who is patient enough to make him see a different world by the love she and support she gives him.
The lead performances are very good indeed. Denzel Washington's Dr. Davenport has his own problems too. He is not a happy camper either. He can help Antwone, but he cannot help himself, or his relationship with an adoring wife.
The talent in the film is incredible. Joy Bryant makes a fine Cheryl. Novella Nelson, who is a fine actress is superb as Mrs. Tate, the abusing foster mother.
The reunion of Antwone with his unknown family is a bit too sugary and sentimental, but of course, if one is to believe that Fisher finds happiness at last, one has to accept that part of the film as well.
Denzel Washington directorial debut and the finished product have nothing to envy other films about the same theme by more accomplished directors. The film has a very professional look. It shows that Mr. Washington has learned a lot being on the other side of the camera. He brings a different angle to this film.
One of the best things the film has is, without a doubt, the fine performance by Derek Luke. He is an actor who, with the right guidance, will go far, no doubt. His take on the troubled young man, at this point of his life, in turmoil and suffering for a bad hand life, up to now, has dealt him, is very true. His Antwone is a fine portrait of a man in pain who is basically very good and has so much to give, but no one seems to see that side of his character.
At the worst time of his despair, Antwone is sent to Dr. Davenport, played by Mr. Washington, in a very sober, if somehow subdued manner. Because of the angst within Antwone, he misses the opportunity of opening himself to this man, who wants to help, but because of the constrains placed on his office, just have three sessions and then has to dismiss his patient.
Things work out, as Antwone is able to convince the doctor to keep on working with him. Antwone's past is revealed in detail. The abuse he suffers at the hands of Mrs. Tate, his foster mother, is brutal, to say the least. The attempt at the hand of an older woman in the Tate's household of a sexual molestation, gives Antwone a bitter taste that stays with him throughout his adult life, as he has been scarred by the shame he carries with him.
Antwone finds love at last with Cheryl, who is patient enough to make him see a different world by the love she and support she gives him.
The lead performances are very good indeed. Denzel Washington's Dr. Davenport has his own problems too. He is not a happy camper either. He can help Antwone, but he cannot help himself, or his relationship with an adoring wife.
The talent in the film is incredible. Joy Bryant makes a fine Cheryl. Novella Nelson, who is a fine actress is superb as Mrs. Tate, the abusing foster mother.
The reunion of Antwone with his unknown family is a bit too sugary and sentimental, but of course, if one is to believe that Fisher finds happiness at last, one has to accept that part of the film as well.
क्या आपको पता है
- ट्रिवियाAntwone Fisher was working as a security guard at Sony Studios. Studio executives began hearing about his life story and offered to buy the rights. But Fisher refused, insisting that he write the screenplay himself. Fisher wrote 41 drafts, until he sold it to 20th Century Fox.
- गूफ़The character of "Antwone Fisher" is shown reporting to his psychiatrist while on restriction. Any military personnel on restriction (or, confinement) is not allowed to wander freely from their assigned duty station while on restriction unless escorted by another person of a higher-ranking paygrade, including medical appointments.
- भाव
Antwone Fisher: It don't matter what you tried to do, you couldn't destroy me! I'm still standing! I'm still strong! And I always will be.
- क्रेज़ी क्रेडिटThanks to Commander, Navy Region Southwest; Commander, Naval Air Force, U.S. Pacific Fleet; Navy ships USS Tarawa (LHA-1), USS Belleauwood (LHA-3), USS Nimitz (CVN-68), USS Constellation (CV-64) USS Peleliu (LHA-5).
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Antwone Fisher?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- El triunfo del espíritu
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,25,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,10,78,145
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,10,013
- 22 दिस॰ 2002
- दुनिया भर में सकल
- $2,33,67,586
- चलने की अवधि2 घंटे
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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