अपनी भाषा में प्लॉट जोड़ेंA disaffected soldier returns to his hometown to get even with the thugs who brutalized his mentally-challenged brother years ago.A disaffected soldier returns to his hometown to get even with the thugs who brutalized his mentally-challenged brother years ago.A disaffected soldier returns to his hometown to get even with the thugs who brutalized his mentally-challenged brother years ago.
- निर्देशक
- लेखक
- स्टार
- 1 BAFTA अवार्ड के लिए नामांकित
- 4 जीत और कुल 14 नामांकन
Seamus O'Neill
- Big Al
- (as Seamus O'Neal)
फ़ीचर्ड समीक्षाएं
It doesn't rely on CGI or explosions, small town, small budget but an epic film. The acting is superb, the plot is fantastic. I've rewatched several times now and it never gets old. A must watch. 10/10
On paper I can see the argument that there is little morally redemptive quality to a film like Dead Man's Shoes, no diamond polished by the end credits to reward an audience going through the trauma. But to actually sit through the film, and most importantly, to be subjected to another of Paddy Consadines' electric performances, is an extra-ordinarily vital, if viceral experience.
In 'A Room for Romeo Brass' Considines character shifted from comical to threatening in a truly unsettling way, although in the end his promise 'to go dark on you' is easily thwarted by the decisive action and confidence of a father-figure. In this film, again, there is some uncertainty on the audience's part as to how far the character will go, as until the end, we are uncertain of exactly what he is revenging.
Rest-assured, Considine delivers an absolutely convincing depiction of a man struggling to balance his desire for revenge and redemption, he invokes sympathy and fear from the audience in a performance to rival DeNiro in 'Taxi Driver'.
I judge a film on the value of the experience it gives you, and 'Dead Man's Shoes is more than worthy of your time.
In 'A Room for Romeo Brass' Considines character shifted from comical to threatening in a truly unsettling way, although in the end his promise 'to go dark on you' is easily thwarted by the decisive action and confidence of a father-figure. In this film, again, there is some uncertainty on the audience's part as to how far the character will go, as until the end, we are uncertain of exactly what he is revenging.
Rest-assured, Considine delivers an absolutely convincing depiction of a man struggling to balance his desire for revenge and redemption, he invokes sympathy and fear from the audience in a performance to rival DeNiro in 'Taxi Driver'.
I judge a film on the value of the experience it gives you, and 'Dead Man's Shoes is more than worthy of your time.
As powerful a film as ever. This one is a builder, so if you're not convinced by the beginning, the chances are you will be by the end.
Perhaps the type of revenge film that append more to the British public than the U.S, as I remember reviews from there, cladding this as a slasher and it certainly isn't that.
There are dark humour moments, but this really is about the past catching up.
Both Paddy Considine and Toby Kebbel were excellent and the considine/meadows collaboration was a match we'll made.
Perhaps the type of revenge film that append more to the British public than the U.S, as I remember reviews from there, cladding this as a slasher and it certainly isn't that.
There are dark humour moments, but this really is about the past catching up.
Both Paddy Considine and Toby Kebbel were excellent and the considine/meadows collaboration was a match we'll made.
If you do not like dark, challenging films, don't bother.
If you are ready for something unlike anything you've ever seen, and are not afraid to confront difficult emotions, give this film a go, you won't be disappointed.
From the start the tone is set. A bleak town in Northern England, like many bleak towns in northern England. With petty, small time drug dealers, like petty small time drug dealers everywhere, vicious and stupid. Then into their lives comes a mysterious figure, in a green parka. And nothing will ever be the same.
It's difficult to describe the movie without spoilers, and I do not want to spoil a single second of what is possibly the most powerful and emotionally wrenching film I have seen for a decade and more (made all the more powerful by the haunting music). Paddy Considine (who wrote and stars in the film) is stunning as, for want of a better phrase, an avenging angel, albeit a fallen one. The menace and tension builds and builds (including perhaps the best depiction of a bad LSD trip ever set down on film - it's an extremely discomforting experience if you've ever been on the wrong end of a bad trip, believe me) until the harrowing climax. This is not a nice film. This is not a fun film. This is, however, an exceptional film, and perhaps more importantly it is an honest film, a true film if such a thing can be said of fiction.
If you want smiles, or empty action, or to put your brain on hold, this is not the film for you.
If, however, you want a film with genuine emotional depth, that makes you think and resonates far after the end credits have finished, then this may be what you're looking for.
Just don't expect an easy ride.
An overused word, but the closest I've seen to a masterpiece for many a long year.
If you are ready for something unlike anything you've ever seen, and are not afraid to confront difficult emotions, give this film a go, you won't be disappointed.
From the start the tone is set. A bleak town in Northern England, like many bleak towns in northern England. With petty, small time drug dealers, like petty small time drug dealers everywhere, vicious and stupid. Then into their lives comes a mysterious figure, in a green parka. And nothing will ever be the same.
It's difficult to describe the movie without spoilers, and I do not want to spoil a single second of what is possibly the most powerful and emotionally wrenching film I have seen for a decade and more (made all the more powerful by the haunting music). Paddy Considine (who wrote and stars in the film) is stunning as, for want of a better phrase, an avenging angel, albeit a fallen one. The menace and tension builds and builds (including perhaps the best depiction of a bad LSD trip ever set down on film - it's an extremely discomforting experience if you've ever been on the wrong end of a bad trip, believe me) until the harrowing climax. This is not a nice film. This is not a fun film. This is, however, an exceptional film, and perhaps more importantly it is an honest film, a true film if such a thing can be said of fiction.
If you want smiles, or empty action, or to put your brain on hold, this is not the film for you.
If, however, you want a film with genuine emotional depth, that makes you think and resonates far after the end credits have finished, then this may be what you're looking for.
Just don't expect an easy ride.
An overused word, but the closest I've seen to a masterpiece for many a long year.
This is not just a "kitchen sink" film. It's an thriller with an edge, a story and believable characters.
It is a fairly violent film, but that violence is given a realistic, documentary treatment, which is some ways makes it all the more shocking. There is no gore splatter, just cold, well-defined revenge. The trailer did leave me with the impression it was going to be much bloodier, but I feel that Shane Meadows got the balance right.
Paddy Considine's script is very good, and leaves enough room for the audience to be surprised at the next turn, and his portrayal of a vengeful brother is spot-on.
Provided they are happy with the lack of Hollywood polish, this is a film I'd recommend to any lovers of the thriller genre. It's well-paced and there are sufficient surprises to keep you guessing throughout.
Overall, it kept me well occupied and it gets a good 8/10 from me.
It is a fairly violent film, but that violence is given a realistic, documentary treatment, which is some ways makes it all the more shocking. There is no gore splatter, just cold, well-defined revenge. The trailer did leave me with the impression it was going to be much bloodier, but I feel that Shane Meadows got the balance right.
Paddy Considine's script is very good, and leaves enough room for the audience to be surprised at the next turn, and his portrayal of a vengeful brother is spot-on.
Provided they are happy with the lack of Hollywood polish, this is a film I'd recommend to any lovers of the thriller genre. It's well-paced and there are sufficient surprises to keep you guessing throughout.
Overall, it kept me well occupied and it gets a good 8/10 from me.
क्या आपको पता है
- ट्रिवियाWhen Richard breaks into the flat he spray paints "Cheyne Stoking" on the wall. In very sick patients, this is the name of the breathing pattern that is a sign of impending death.
- गूफ़When Sonny, Soz and Herbie set off up the stairs with weapons to check for Richard's presence, they get to the top of the stairs in a different order than they started.
- साउंडट्रैकVessel in Vain
Written by Bill Callahan
Performed by Bill Callahan (as Smog)
(p) Domino Record Company
© Rough Trade Publishin
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Dead Man's Shoes?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- £6,95,393(अनुमानित)
- US और कनाडा में सकल
- $6,408
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,825
- 14 मई 2006
- दुनिया भर में सकल
- $2,41,688
- चलने की अवधि1 घंटा 30 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें