OSS 117: Le Caire, nid d'espions

I just saw this film last night, and I have to say that I loved every minute. If taken in the spirit of a parody of Bond-esquire films, it's truly superior. The true comedy of the film is in its blatant disregard for political correctness. The misogyny, cultural insensitivity, and almost laughable macho-ism of the films of this genre are used for major comic effect. It also calls the illogic and formulaic elements to task, with Agent OSS 117 constantly learning difficult things insanely quick (such as Arabic and how to play a traditional instrument) while missing some pathetically obvious clues. Some of the lines from the film left me laughing for hours after the movie was finished...and I have to say I have learned some...interesting...French vocabulary that would probably have my Professors quite exasperated with me were I to use. All in all, I thought this film excellent. Intensely funny and the first film I've ever seen that truly parodies all aspects of the spy film.

A spoof on James Bond about OSS operative stunningly performed by Jean Dujardin . Comedy spy-thriller with Jean Dujardin as inept secret agent versus nasty high-ranking Nazis and arms smugglers . Secret agent OSS 117 foils Nazis , beds local beauties , and brings peace as well as mayhem to Cairo . It's 1955 by time of dictator Nasser and the secret agent Hubert Bonisseur De la Bath, a.k.a. OSS 117 is ordered a dangerous investigation in Cairo , there he has to take his place at the head of a poultry firm . Hubert Bonisseur is the French spy considered by his superiors to be the best in the business , this time his assistant is the charming Egiptyan agent Larmina performed by Berenice Bejo , director's wife . He's been sent on a mission to El Cairo , Port Said , to look for a former agent who has been eliminated . His eventful mission takes him all across Egypt accompanied by a beautiful girl and taking on a lot of adventures , risks and double-crosses . The man is charming , and so is the young girl spy . Filmed on luxurious sets their tale is by turns an exciting intrigue and a love story . He acts as a playboy , this results to be his cover while he is busy investigating , foiling Nazi holdout and bedding local beauties . Hubert Bonisseur De la Bath, a French spy, is in Cairo to investigate the disappearance a French agent . He is he smart spy , or is he an imbecile ? He fights well but he's supremely smug and self-confident, even as he's deaf to cultural nuance and others' feelings , so the odds are even that he might survive .

Funny moments along with embarrassing in this first entry about secret agent OSS 117 with a likable Jean Dujardin , role of the accidental spy who doesn't know fear or danger in this comedy spy-thriller . In this entertaining adventure , the most unlikely intelligence officer in French Secret Service must stop a group of international Nazi conspirators , quelling a fundamentalist rebellion and deal with an intrigue about weapon smuggling . Hubert Bonisseur, a French secret agent who dreams of rising beyond his menial job within the OSS organization, after all the other agents are bumped off is hired to discover a mysterious ring . With one shot at redemption, he must employ all kind of means to unravel a web of conspiracy that runs throughout an ambitious plot . Hubert must use every trick in his play-book to achieve his objectives . For Hugo Bonisseur, disaster may be an option, but failure never is.

This original installment is an acceptable comedy though the formula is well known with 'The Pink Panther' series and recently with 'Johnnny English' by Rowan Atkinson . It stars clumsy Jean Dujardin as one man show accompanied by a gorgeous Berenice Bejo . The movie gets entertaining and hilarious moments here and there. This slapstick picture contains amusing , funny scenes , fresh and diverting moments but also flaws and gaps . Jean Dujardin steals the show parodying the ordinary international secret agent , James Bond-alike , including his ordinary faces , grimaces and gestures ; he plays stunningly the highly unorthodox agent, the inept and bungler secret agent from OSS . There appears two beauties as Berenice Bejo and Aure Atica . The actors seem to enjoy themselves immensely giving funny interpretations . Lively and atmospheric music by Ludovic Bource . Colorful and glimmer cinematography by Schiffman . Other films about this famous spy are the followings : "O.S.S. 117 Is Not Dead" with Ivan Desny ; "Panic en Bangkok" with Kerwin Mathews ; "OSS 117: Mission for a Killer" with Frederick Stafford ; "OSS 117 Double Agent" played by John Gavin and "Vendetta of espies" performed by Luc Merenda .

The film was well penned and directed by Michel Hazanavicius that maintains the slapstick franchise . He also directed in similar style to the original film a sequel titled ¨OSS 117 Lost in Rio¨ with Jean Dujarjin , Rudiger Vogler and Louise Monot . Director and actors , Dujardin and Berenice Bejo , will repeat in the successful and recent ¨The artist¨ including Golden Globes and Oscars . Several chuckles and gags , the result of which is one acceptable entry on spoof genre . The flick will appeal to comedy buffs and Jrean Dujardin fans .

OSS 117 was fun from start to finish.

It's difficult to define why one film touches or connects with you or not, and I won't try to analyze such perfect comedy, so politically incorrect that even academic papers should be dedicated to it :)!

Everything is old fashioned here, from women's clothes (sigh!), Mambo dance, the "hero singing"... ("Bambino" sounds like an Italian canzonetta sung in... arabic :)!).

Hubert is physically imposing, but dumb as hell. From all the 007s, he looks like Sean Connery, but is definitely more sympa because he's... silly, speaks his mind all the time, giggles, even has some homoerotic fantasies and there are rumours about him. In short, as an anti hero, he rocks :)! Sometimes he only raises his eyebrows or frowns, and that's all it takes to make you laugh.

Bérénice Bejo is the true queen of the film. Graceful, treacherous but with ideals. Aure Atika, to the contrary, is reduced to a femme fatale of sorts. It's surprising to see her that "sexy bomb", thou.

You just can't compare it with "Austin Powers"! I agree with Amazon's D. Hartley (Seattle, WA) on it being respectful to the genre.

Which is your favourite scene? One of my favourite scenes is the "fight of the chickens" with the masked villain. But the truly perfect one is when chatting at the cocktail with his contacts, how they all mutter platitudes with confidence... This scene alone makes the comedy genre worthwhile.

Excellent exercise on multiple plans:

• showing the not yet ended colonialism spirit in France

• more generally the boring mindset of superiority from all western people

• a renewal of the spy and thriller movies: OSS 117 is uncultured and stupid!

The good idea is that, in spite of all these messages, it is a funny film, plenty of jokes and gags, very light and sparkling.

Special mention to Jean Dujardin and Berenice Bejo.

Definitely worth seeing. Wonder how it will be appreciated in US?

Seems to be a success in France, so probably a next version will come.

OSS: 117 (2006)

I wish for a couple hours I was French, because I'm sure there were twice as many gags as I could get as an American reading subtitles. Even so, what a funny funny movie. It's not quite as zany as a spoof like "Airplane" (nor quite as funny, which of course is hard to do), but it takes the Sean Connery vintage James Bond film model and really does a parody worthy of 007. And of the franchise, which of course is bigger than Bond, bigger than Ian Fleming could have ever dreamed.

But hold your horses--this is a parody of the real OSS:117. Yes, a French author created a Bond-like spy in the 1950s, and this movie and its 2009 sequel are really playing a double-edged game. They bring the old French spy to life (the original was a French-speaking American, bizarrely enough), and they make fun of him, of Bond, and of 1960s super slick sexist movies all around.

The star here, the Sean Connery of this spoof (he even looks a bit like the Scottish actor), is Jean Dujardin. He's brilliant. He's funny, campy, silly, serious, and subtle about it all. He plays the role with a kind of oblivious self-ridicule that Woody Allen and Peter Sellers were so good at. It's great stuff.

And he's backed up by a strong, if somewhat predictable, assortment of international thugs, beauties, and oddballs. There are shades of "Charade" here as well as the original "Pink Panther" movies. The scoring is amazing, composed with that Henry Mancini flair to a T and recorded with the familiar bright, echoey sound studio fullness of the time. Equally authentic are the opening credits, which were so convincing I had to double check when the movie came out. I was thinking, wow, a lost 1960s gem.

But it's a brand new gem, or almost gem. Time will tell if this will hold up over the years, but it's a kind of must-see now for anyone into Bond films, the 60s, French humor, or just a well made movie with lots of gags. Like the gag where the noisy chickens go silent when the lights go off, and so our hero delights in turning the lights on, and off, and on, and off. Just wait and listen. It'll slay you.