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All in all, Get Away becomes surprisingly effective by the time all is said and done, bleakly satirical, bloody and a far cry better than the trite parody of director Steffen Haars other 2024 collaboration with Nick Frost, Krazy House.

Get Away is a deceptive blast that properly exploits vacationer stereotypes to conceal vastly more wicked intentions.

Get Away does a lot with the resources it possesses and isn't hindered by them, delivering a strong story with fun performances. It has a strong future as a cult comedy horror movie.

Here’s something you haven’t seen before, masquerading as something you have 1,000 times. It may be a one-trick pony, but it’s well worth the ride when the pony is this unhinged.

Cheerfully horrifying.

Get Away works better on paper than as a visceral entertainment experience, as its raison d’etre of subverting folk horror expectations sometimes feels more like a screenwriting class exercise than a fully immersive world.

Funny and shocking, Get Away is not always a successful holiday-gone-wrong, but its bloody bonkers final act makes it worth the trip.

While the performances are rooted in comedic tact, the film’s thematic interests are completely scattershot, leading to an overwhelmingly uneven tone.

Get Away attempts to blend Withnail-like irreverence with Wicker Man-tinged folk horror but, while some of those elements hit their mark, the film’s tonal swerves undermine its more original aspects.

The trouble with Nick Frost’s knowingly cartoonish and silly comedy paying homage to folk horrors such as The Wicker Man and Midsommar is that Frost has done this kind of movie before, and better.