Slovenka

A 23 year old Slovenian girl, originally from a small town there but now studying at the university in the capital of Ljubljana, supplements her life as a student with stints as a prostitute (to show how distasteful her job is, the filmmakers have all her clients to be fat and/or old). One of them is a famous politician, and when he dies of a heart attack when he was in a hotel room with her, she flees not before telling the police. She is soon searched by the authorities and by the news media as the mysterious Slovenian Girl. She is also on the run from two sleazy, violent pimps, who want her to work for them instead of independently. A former boyfriend is stalking her also, and her mother back in her hometown doesn't look too happy when she shows up for a visit. Only her rock musician father and a female friend (who are obviously ignorant of her side job) are there supporting her. And all of the time she's having money problems, including coming with money to pay for a loan she incurred in to buy an apartment.

To me the movie works best as a showcase of the general aimlessness of many young people today, especially in the developed world. Without any spiritual or political belief, many young people today seem to fall into nihilism. The main actress is pretty, but it seems to me to be way too surly to be a prostitute. Shouldn't she at least feign she is a sweet girl in front of her clients (this is not a criticism of her acting, she clearly has been told to play her that way by the filmmakers). Alas, this surliness of her makes the audience not care too much of what happens to her. Still, this is an interesting, well made film, though not very emotionally involving.

This film comes off as a "slice of life" ...of an unusual life. Its pace is neither hurried nor slow. It doesn't rely on either symbolism (neither obvious nor obscure) or literary references. Except for a few places where bits of music are used to great effect to convey meaning, this film is a dialog-driven story that doesn't require any sense of style. Although a few events may be a little out of strict order, this film doesn't rely on cinematic techniques like flashbacks. Everything we know of the characters' motivations comes from what they say and do - there's no memory nor daydreams nor interior monologue nor voice over. There are no references to either previous or current "politics" (other than the inconvenient traffic snarls caused by the presence of EU officials). This film is not preachy, nor even moralistic; if anything it's somewhat ambiguous or understated.

It's too bad this film will probably be classified as "foreign" or "art house", as it's much more mainstream than that would suggest. While this film is not really about "sexiness", there are enough scenes with naked flesh to place it firmly in the current worldwide context. Likewise although this film is not really a "thriller", there's enough suspense (and even some danger) to make it clear it should be taken seriously. The filming and acting are quite good. One of the best examples of good supporting acting is portraying a band that's adequate but by no means great; the required level of mediocrity is played quite well.

The dialog is clear and easy to hear throughout. Subtitles are provided whenever necessary and are presented in large yellow letters that are consistently easy to read. I have one quibble though: several places an important message arrives on a cellphone as a text message in a language other than English, and is _not_ subtitled. I always eventually managed to figure out what was going on anyway ...but I would have very warmly welcomed the subtitling of the text messages as well as the dialog.

Much of what we see are all the practical problems and little details of a call girl life: multiple cell phones, code names, harassment by pimps, dying clients, mentally unstable clients, unattractive (downright ugly?) clients, continual fear of exposure, suspicion from hotel staff, inability to ask police to intervene normally, unwelcome carryover of massive lying and acting into other areas of life, difficulty balancing two separate lives (sleep, deadlines, finances, etc.), and so on. We also see more typical lives in both a smaller and a large Slovenian city. In the smaller city we're introduced to the overpowering presence and distortion caused by foreign (especially "American") culture. In the large city we see the architecture one would see every day, the disruption of normal life caused by the presence of EU officials, and the ubiquitous presence of the English language (both its very frequent use and all the attempts to learn it better - something like fully half the dialog doesn't even have to be subtitled for English speaking viewers).

The most important theme is the "alienation" of big city life, and the relatively reduced (but still substantial) alienation in a smaller city. The second important theme is the "meaninglessness" of life everywhere -- the film isn't saturated by the broodiness one tends to associate with nihilism, but adding together what all the various characters say (including things they _don't_ tell each other) it's hard to draw any other conclusion. Many other potential themes are given glancing attention: excessive materialism, fleetingness of relationships, essential isolation of each individual, growing to adulthood as a "launch" of a new lifestyle, inheritance of mental traits, inadvertently becoming what we despise, bleeding together of life spheres intended to stay "separate", and so on. The frequent references to the "Slovenian Girl" -and even the effects of the death of a client- provide convenient handles for describing this film, but aren't really what it's about.

This film started off with a strong and exciting plot. The tension between Alexandra, her friends and Greg piqued my interest in each character's development, and the horrifically realistic scene with the pimps had me on edge and biting my nails. These were two things that were done especially well. But soon after that, the plot and character development began to degrade, as nothing but minute details occurred from then on - none of which had any substantial effects on Alexandra's character or emotion. Many pressing aspects of the plot were left unfinished in this movie - from the "tumor" idea to her relationship with her mother; to the whole deal with the pimps; to her ambitions after the exam. There is also no real resolution with her father, Vesna or her mother. I felt like the middle and end of this film turned into nothing more than unnecessary scenes of her riding the train back and forth between her home and the city. Not to mention, Alexandra has no true inner desire - she seeks neither love nor a deeper relationship with her family and friends. This idea of living in her nice apartment overlooking a highway being the sole reason she sells herself is rather unsettling, because honestly, she shows little attachment to the place except when she's showing it off to her friends. Perhaps a slightly more compelling ambition would have made me like her character better. Overall, like another reviewer said, this film is very nihilistic. The lack of emotion and character change (besides the balcony scene) leave for a bland, repetitive and static storyline. I feel like if the film had continued its momentum from the first section of the movie, it would have been a gripping and worthwhile film.

It's Ljubljana, the capital of Slovenia. Aleksandra/Sasha is from a small town studying English. She's also working as a prostitute. Her customer has a heart-attack after taking Viagra. She leaves after taking his money and calling the front desk. The man dies. Her friend Vesna is shocked that she bought a flat. Her father reads about the dead man in the newspaper and the "Slovenian Girl" who was with him. The mystery becomes a media sensation and two thugs threaten her to work for them. She escapes but she is facing mounting mortgage payments.

The two thugs are scary and that section is thrilling. It's a harrowing escape. One expects the thrills to continue but it turns into something else. Sasha's lies and manipulations continue. She shows herself not solely a victim but she is also constantly being victimized. It's a compelling character. It would be great to have a more definitive ending instead of a fade-to-black. There is something left unsaid and unexplored.

Alexandra is a college student trying to make ends meet for her expensive apartment by becoming a call girl. She is attractive, but has a sullen personality that makes you wonder if she finds anything in her world interesting. And as the film progresses she manipulates others, including her father, through her constant scheming, and lying.

Unfortunately she eventually turns a trick with the wrong guy and while she manages to slip away from him, his presence remains throughout the film. Despite not liking Alexandra, I found I wanted her to reform, love her father and escape all that set her on the wrong path. Better than I thought for a low budget eastern European movie.