The Last Rifleman

Pierce Brosnan has been an actor who gets roles based on his appearance, and perhaps he has suffered for that as an actor; other than for James Bond, he always seems to be not quite an A-list actor but perhaps an "A minus"-list actor, so maybe that is why he took this role in a low-budget film.

I understand that the story is "loosely" based on Bernard Jordan, and that Bernard didn't really even "escape" but had already discussed plans to go with his nursing home's approval, so that lessens the appeal of anything based on him. Also, any plans to release this movie to theaters seem to have been scuttled due to another movie based on the same person--The Great Escapist with Michael Caine--getting to theaters first and thus relegating this to streaming.

Thus, few will see Brosnan's performance, which I thought was extremely well-portrayed and deeply moving. There is one flashback of him at his current age, and I'm amazed that a 70-year-old can still be that suave. But as a 93-year-old, the makeup is spot on and his acting matches perfectly. Frankly, I hope that others in the industry see this and offer him the roles that have heretofore eluded him.

You know, I can't stand movie critics. They like to diminish wonderful films with their haughty attitudes. This was a charming movie. Touching. Lovely. One of Brosnan's finest, in my opinion. I will be recommending it to my friends. A touching twist at the end. And thankfully, an appropriate ending for closure.

I enjoyed the supporting characters. They highlighted Arty's natural charm on people throughout his journey and how one could not love the man. No over acting. All nicely done and genuine. Each was touched by his resolve and gentleness.

Brosnan artfully played a "92 and three quarters" year old man. The way he cared and doted over his aged wife and mourned her death, his mannerisms, his speech, his body movements. Everything was genuine. The makeup artists were masterful in creating a character 20 years older than his actual age.

I only would give 10 stars to a movie that I would see again, wouldn't mind owning, and would recommend to my friends to see. This earns it.

Set in modern day with flash backs to the second world world. Mostly English spoken with French, subtitles in English, presents the story of a 92 and a quarter year old Artie looking to attend the celebration of D-day in France.

Our hero, played by Pierce Brosnan, escapes a regiment of pills in a care facility to mission from Dublin to Normandy.

He has to overcome failing health, bureaucracy, and his prejudice to accomplish his mission. The whispers of the horrors of loss in a war taint his memory, however, his determination to represent his regiment stand firm.

At the time of writing this the world is plunged into skirmishes in both Ukraine and Israel; but this is a reminder of a war with a clear clash of ideology and not the rhetoric of today.

Highly recommend.

I found the film to be a moving and well-acted drama that explores important themes of memory, loss, and friendship. Pierce Brosnan delivers a compelling performance as Artie Crawford, a World War II veteran who embarks on a journey to France to pay his respects to his best friend. The film's cinematography is beautiful and the narrative unfolds with a gentle pace. While the plot may not be entirely unpredictable, it is the strength of the performances and the emotional depth of the story that make The Last Rifleman a worthwhile watch.

I would recommend The Last Rifleman to anyone who enjoys a good drama or who is interested in World War II history.

In 'inspired by truth' Brit drama "The Last Rifleman" 92 yr old WWII vet Pierce Brosnan (outstanding), on losing his wife of 68yrs, escapes his Northern Irish care home to get to Normandy on the 75th anniversary of the landings, to complete a personal mission for a fallen friend & comrade. En route, as news of his story spreads (via Ian McElhinney) he meets the likes of Clémence Poésy, John Amos & Jürgen Prochnow... all offering fine support, brought warmly home by director Terry Loane from Kevin Fitzpatrick's terrific debut screenplay. It starts slow, but gently builds in both charm & emotional intensity to end up as a wonderful tribute to that whole incredible generation.