Sublime

I would say that this film didn't meet the expectations i had after reading all the positive reviews and recommendations.

The story is indeed interesting and original. What didn't really amaze me is the way the story develops, since I found the characters' interaction with each other particularly static and with no actual profound moment.

The storytelling is very slow and monotonous, without a single hint of enhancement throughout the whole movie.

What I did appreciate about this film is the way the main character is portrayed, a depiction of LGBT people that stays true to the reality of the majority of queer people in Argentina and in many other parts of the world.

It seems a sum of virtues. From the admirable young actors to the beautiful music, plot and gentle - precise exploration of youth , in its basic traits ,its feelings, reactions, love and revenge, try to be like others and torture of unspoken truths with simplicity and rare science to explore details.

A film about friendship, love and ( self ) discover.

Seductive at whole, powerful, delicate and wise crafted scene by scene.

In short, for reasons to discover step by step, a pure delight because its realism is far to be essence of manifesto or demonstration of forms of correctness.

A beautiful film , impressive for authentic freshness, for dialogues and for cinematography.

Easy to love it.

Apart from the Hollywood world, which warms and warms up stereotype LGBTQ characters like Call Me By Your Name and brings them before us, more grounded scenarios from non-English speaking countries (especially Spanish speaking) are not at the box office, but are met by the audience at festivals and in the subsequent sales process.

A escondidas, Hoje Eu Quero Voltar Sozinho, Ete 85 and Close and Berdreymi, which are currently shown in cinemas and fertile, are some good examples of this.

Born in 1980, director Mariano Biasin (except for his previous short films and assistant directorships) is his directorial debut, Sublime, and is a very good Coming-Of-Age story.

Still circulating at festivals, Sublime is one of the productions you should add to your Watchlist this year.

Sublime is a beautifully understated film that captures the quiet intensity of unspoken emotions. Martín Miller and Teo Inama Chiabrando bring a raw, natural chemistry as Manu and Felipe, making every glance and hesitation feel achingly real. The film thrives in its silences, letting the tension and confusion of first love unfold organically rather than through dramatic declarations. Its strength lies in its authenticity-no forced tropes, just the delicate, sometimes messy process of realizing feelings you can't quite name. It's a film that doesn't shout its message but lingers in your mind, much like the first love it portrays.

Despite some glowing reviews here, I simply cannot agree that this is a good film. A lot of screen time is spent on showing a band that has hopes for success. Perhaps they will, perhaps they won't. This sums up too the off and on platonic closeness between two teenage youths and despite yearning gay glances they pay rather lack lustre ' love ' attention to teenage girls. Like the music it is annoyingly repetitive and must have been annoying for at least one of the girls (if this was real life, as this film seems to aspire to that debatable state of reality.) I know that teenagers go through questioning agonies over their sexual orientation, but then a lot of so-called adults have the same problem. It comes with a lot of gay film territory, and as long as homophobia within and without continues it will continue to do so. There is one kiss (gay or perhaps platonic love ? Hard to tell as it had absolutely no give away signs as to feelings.) Not much more to say than this is an Argentinian film and the acting was adequate.