जब एक आभासी वास्तविकता के निर्माता OASIS कहा जाता है मर जाता है, वह सभी OASIS उपयोगकर्ताओं के लिए एक मरणोपरांत चुनौती के लिए अपने ईस्टर अंडा है, जो खोजक अपने भाग्य और उसकी दुनिया का नियंत्रण... सभी पढ़ेंजब एक आभासी वास्तविकता के निर्माता OASIS कहा जाता है मर जाता है, वह सभी OASIS उपयोगकर्ताओं के लिए एक मरणोपरांत चुनौती के लिए अपने ईस्टर अंडा है, जो खोजक अपने भाग्य और उसकी दुनिया का नियंत्रण दे देंगे लगता है।जब एक आभासी वास्तविकता के निर्माता OASIS कहा जाता है मर जाता है, वह सभी OASIS उपयोगकर्ताओं के लिए एक मरणोपरांत चुनौती के लिए अपने ईस्टर अंडा है, जो खोजक अपने भाग्य और उसकी दुनिया का नियंत्रण दे देंगे लगता है।
- 1 ऑस्कर के लिए नामांकित
- 11 जीत और कुल 57 नामांकन
सारांश
Reviewers say 'Ready Player One' is visually stunning with impressive effects and nostalgic pop culture references, yet criticized for diverging from the novel and lacking depth. The film entertains with its homage to classics but is faulted for a weak storyline and underdeveloped characters. Performances by Mark Rylance and Ben Mendelsohn are praised, though the lead roles are seen as lacking. Overall, it offers a fun yet shallow experience, making it a mixed bag for audiences.
फ़ीचर्ड समीक्षाएं
Ernest Cline's fast-moving novel was a treasure trove for pop-culture junkies, but the endless references work better on the screen.
The year is 2045; the place is Columbus, Ohio. Our hero, Wade Watts, fills in the details while climbing past his grungy homes of his town, "the stacks," where trailer parks are piled on top of each other sky-high. Things are so miserable in Wade's world, everyone escapes to play in an immersive virtual reality game known as the Oasis. Its founder, James Halliday is worshipped like a god until his death some years before. However, before he left the mortal world, the creator left behind a series of games that would reward the winner with the prize of the keys to his virtual kingdom.
The book was a fast paced adventure that took its time to geek out on all of the 80's pop culture references but the film doesn't do that. . Spielberg doesn't have Wade (the titular character) talk audiences through it, and he doesn't spell out the references, he just quickly stamps down the Delorean in the middle of a action sequence and then continues onward. Fans can pause it frame by frame and analyse it thoroughly looking for the flux capacitor on the dashboard, checking the plates, and scanning for extra bonus material. Even to people who've never seen the Back to the Future movies and aren't vibing on the connection, the car doesn't need explaining. It's just a sleek piece of visual energy, one breathless element among dozens of others. That's why the movie works better than the books in terms of visual style and nostalgia.
The thin plot and the not so well done shallow characters make the film to be just a pop culture reference filled visual treat. Several plot holes( If movement is required to move an avatar in the game, how do people play in the Oasis while standing in their living rooms?) and a non-existent character arc makes it a fun, but a tangible watch. They're all already heroes, the big bad is evil from start to finish.
The story's breakneck speed, it's never ending references, make it a fun, exciting watch.
The year is 2045; the place is Columbus, Ohio. Our hero, Wade Watts, fills in the details while climbing past his grungy homes of his town, "the stacks," where trailer parks are piled on top of each other sky-high. Things are so miserable in Wade's world, everyone escapes to play in an immersive virtual reality game known as the Oasis. Its founder, James Halliday is worshipped like a god until his death some years before. However, before he left the mortal world, the creator left behind a series of games that would reward the winner with the prize of the keys to his virtual kingdom.
The book was a fast paced adventure that took its time to geek out on all of the 80's pop culture references but the film doesn't do that. . Spielberg doesn't have Wade (the titular character) talk audiences through it, and he doesn't spell out the references, he just quickly stamps down the Delorean in the middle of a action sequence and then continues onward. Fans can pause it frame by frame and analyse it thoroughly looking for the flux capacitor on the dashboard, checking the plates, and scanning for extra bonus material. Even to people who've never seen the Back to the Future movies and aren't vibing on the connection, the car doesn't need explaining. It's just a sleek piece of visual energy, one breathless element among dozens of others. That's why the movie works better than the books in terms of visual style and nostalgia.
The thin plot and the not so well done shallow characters make the film to be just a pop culture reference filled visual treat. Several plot holes( If movement is required to move an avatar in the game, how do people play in the Oasis while standing in their living rooms?) and a non-existent character arc makes it a fun, but a tangible watch. They're all already heroes, the big bad is evil from start to finish.
The story's breakneck speed, it's never ending references, make it a fun, exciting watch.
I've noticed quite a few reviews here from book fans complaining that the movie wasn't true to the novel. As a fan of the book, let me just say that's true but it's fine. The overarching story is the same. The fact of the matter is with a nearly 400 page novel packed full of pop culture references, some things would have to be cut to make it onto the big screen. Partially it's an issue of length. Partially it's just the reality that the planets were never going to fully align to allow use of many of the properties from the novel. Yes, I loved the 2112, WarGames, D&D, Joust, et al references from the novel as much as the next person, but still I felt that Spielberg captured the wonder and fun and the story of the novel accurately, even if he did so using different references. The are actually some things I even think were an improvement from the book, especially the way they re-imagined I-R0k. The bottom line is, if you're a book reader, just take this movie for what it is, an alternate version of the story, written by the same person who wrote the novel.
This movie surprised me. Wasn't expecting much other than the animation. For those who compare it to the book, it's a movie. If you are disappointed stick to reading. From start to finish the story was entertaining and kept you engaged. If you want to see something different with your family I highly recommend. Bring out the popcorn.
Spielberg remains to this day one of the most misunderstood film-makers of his generation. He has been labeled both a peddler of popcorn and a saccharine manipulator (Those who say the latter have clearly forgotten Alex Kitner erupting in a geyser of blood in Jaws, exploding Nazi heads, the horrors of the Holocaust in Schindler and the river of corpses in War of the Worlds).
There are two Spielbergs. There's the man who makes somber, academy award winning dramas (Empire of the Sun, Saving Private Ryan, Munich, War Horse, Lincoln etc). Then's there's the 10 year old playing in the sand box (The Indy films, Hook, Jurassic Park, Tintin etc). What I enjoy most about the 'Berg, is how he can zigzag between disparate genres. But after a stretch of SF films (A.I, Minority Report and War of the Worlds), I was looking forward to a return to the free wheeling fun with Crystal Skull. It turned out to be an uncharacteristic dud that despite the boffo box office, proved to be deeply unpopular with fans of the series.
This made me cautious about Ready Player One. Had Spielberg lost his touch? I was wrong. This may be one of the most visually amazing and effortlessly fun films I've seen in a long time. I have not read Ernest Cline's novel, so fans of the popular novel may have issues, but I rarely read the books before seeing the film.
The cast are great. Tye Sheridan are Olivia Cooke are the standouts. Mark Rylance and Simon Pegg are fun in supporting roles. Alan Silvestri's robust score is one of his most memorable. I miss John Williams, but it's still a great score. Longtime 'Berg collaborator Janusz Kaminski's cinematography is beautiful. And it's the only film where you'll see a DeLorean chasing a T-Rex on the big screen. That image alone is worth the ticket price. He never went away, but it's nice to see him back playing in the sand box.
There are two Spielbergs. There's the man who makes somber, academy award winning dramas (Empire of the Sun, Saving Private Ryan, Munich, War Horse, Lincoln etc). Then's there's the 10 year old playing in the sand box (The Indy films, Hook, Jurassic Park, Tintin etc). What I enjoy most about the 'Berg, is how he can zigzag between disparate genres. But after a stretch of SF films (A.I, Minority Report and War of the Worlds), I was looking forward to a return to the free wheeling fun with Crystal Skull. It turned out to be an uncharacteristic dud that despite the boffo box office, proved to be deeply unpopular with fans of the series.
This made me cautious about Ready Player One. Had Spielberg lost his touch? I was wrong. This may be one of the most visually amazing and effortlessly fun films I've seen in a long time. I have not read Ernest Cline's novel, so fans of the popular novel may have issues, but I rarely read the books before seeing the film.
The cast are great. Tye Sheridan are Olivia Cooke are the standouts. Mark Rylance and Simon Pegg are fun in supporting roles. Alan Silvestri's robust score is one of his most memorable. I miss John Williams, but it's still a great score. Longtime 'Berg collaborator Janusz Kaminski's cinematography is beautiful. And it's the only film where you'll see a DeLorean chasing a T-Rex on the big screen. That image alone is worth the ticket price. He never went away, but it's nice to see him back playing in the sand box.
Pretty good movie visually and even though the changes from the book are obvious but they don't spoil it. They are changes that have to be made so it translates well on to screen.
The comedy in the film is charming and not over the top. It fits in well with the film.
The visuals are awesome. There are so many Easter eggs and references from pop culture it's unbelievable that they managed to add so many. It'll take a long time to spot them all.
Overall I'd say this film is definitely worth a watch.
The comedy in the film is charming and not over the top. It fits in well with the film.
The visuals are awesome. There are so many Easter eggs and references from pop culture it's unbelievable that they managed to add so many. It'll take a long time to spot them all.
Overall I'd say this film is definitely worth a watch.
क्या आपको पता है
- ट्रिवियाIn an interview, Steven Spielberg said this was the third most difficult movie he has made in his career, behind जॉज़ (1975) and सेविंग प्राइवेट रायन (1998).
- गूफ़Parzival doesn't count to 3 before throwing the Holy Hand Grenade, as depicted in Monty Python and the Holy Grail (1975). In that film, King Arthur counts "One, two, five," is corrected, and shouts "Three!" before throwing the grenade. However, these instructions are never specified in the Oasis so there is no particular reason to expect them to match the Monty Python version.
- क्रेज़ी क्रेडिटThe title doesn't appear till about 10 minutes into the movie
- कनेक्शनFeatured in Kain's Quest: The Terminator (2017)
- साउंडट्रैकJump
Written by David Lee Roth, Edward Van Halen and Alex Van Halen
Performed by Van Halen
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Ready Player One: comienza el juego
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $17,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $13,77,15,350
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,17,64,050
- 1 अप्रैल 2018
- दुनिया भर में सकल
- $60,78,74,422
- चलने की अवधि2 घंटे 20 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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