पीट और डेबी दोनों चालीस साल के हैं, उनके बच्चे एक दूसरे से नफरत करते हैं, उनके दोनों व्यवसाय विफल हो रहे हैं, वे अपने घर को खोने की कगार पर हैं, और उनका रिश्ता टूटने की कगार पर है. अब देखना ... सभी पढ़ेंपीट और डेबी दोनों चालीस साल के हैं, उनके बच्चे एक दूसरे से नफरत करते हैं, उनके दोनों व्यवसाय विफल हो रहे हैं, वे अपने घर को खोने की कगार पर हैं, और उनका रिश्ता टूटने की कगार पर है. अब देखना होगा कि कैसे वे इन सबका सामना करते हैं.पीट और डेबी दोनों चालीस साल के हैं, उनके बच्चे एक दूसरे से नफरत करते हैं, उनके दोनों व्यवसाय विफल हो रहे हैं, वे अपने घर को खोने की कगार पर हैं, और उनका रिश्ता टूटने की कगार पर है. अब देखना होगा कि कैसे वे इन सबका सामना करते हैं.
- पुरस्कार
- 2 जीत और कुल 11 नामांकन
फ़ीचर्ड समीक्षाएं
A good rule of thumb is any movie where Jason Segal has the funnier lines probably shouldn't have been made. This seemingly endless stream of hormonal tirades was difficult to say the least. Leslie Mann pulled this off once in Knocked Up. Which was a delightful film by comparison. But in This is 40 I could not find one sympathetic thing about her character or any of the characters for that matter. Part of the problem is KnockedUp was made before this basic cast was in every other film that came out. I kept waiting for Jonah Hill to happen by and suck up what little oxygen Leslie Mann hadn't already used. I am a fan of Judd Apatow. He's a comedy geek's comedy geek. Hence the casting of the brilliant veteran comedy writer Robert Smigel as the buddy of Pete. So I settled in to watch and see what Smigel could do as an actor. But he had two scenes in this nearly two and a half hour film. Guess they cut some of his scenes to make room for some more where Leslie Mann gets angry over nothing and curses and screams for half an hour. I was also excited to see Jim Brooks as Pete's father. He receives lots of screen time and is the second least sympathetic character. I do admire Apatow for having the courage to try and combine work and home by just putting his family on screen. But why so mundane? It's compelling when a film depicts regular people in not so regular situations. This film is made up of regular people who live in southern California and drive BMW's and Lexi and complain constantly about things that happen to everyone. It's exhausting. I will not give any attention to the children in this review as it is clear that they have received far too much attention already. On a strictly "laugh o meter" scale this film is not completely devoid of humor. Like say, Funny People. In fact, Funny People makes This is 40 look like The Jerk. Paul Rudd does fine as usual,and Megan Fox is great eye candy and "hottie relief". Here's hoping that this is the end of Apatow's tacky Cassavetes period.
Wow, this film seems to be generating a lot of hostility: I am not quite sure what's behind it. I guess people went into this expecting a sitcom-like, snappy feel good film, like 40 Year Old Virgin? Or goofy, happy-go-lucky characters such as Seth Rogen's posse in Knocked Up? Did these people not see Funny People? I am all in favor of letting Mr. Apatow develop as a director. To be clear here: this film follows Pete and Debbie's story arc from a few years after the events in Knocked Up. The are both turning 40, and neither is handling it particularly gracefully, but they weren't handling their lives and relationships particularly well in the earlier film. I found this movie to have a Larry David Show quality to it: however irrationally and offensively our protagonists behave, there are always others who will go them one better (or worse). Yes, Debbie and Pete are defective human beings; but so, I would argue, are all the people inhabiting this world, excepting the very gentlemanly Graham Parker (and Billie Joe Armstrong). Such is the stuff of comedy. Are these caricatures? Surely, and yet they are caricatures of realities which I see every day. Is the teenage daughter given to histrionics? You bet, but that is what teenagers are like, and the fact remains that teenagers turn their parents into equally irrational and histrionic characters in that relationship; I actually found it refreshing to find a teenager in a movie, played by a teenager, who isn't a wisecracking savant commenting on the follies of her elders.
To sum up, this felt to me like a mature work from a good director. There are moments of farce, slapstick, and outrageous humor, surrounded by moments where things just happen. For people who can't handle that kind of pacing, you are welcome to stay out of movie theaters, and sit in front of your TV sets: the networks are sure to have plenty of non-challenging sitcoms that are specially designed to pander to you.
To sum up, this felt to me like a mature work from a good director. There are moments of farce, slapstick, and outrageous humor, surrounded by moments where things just happen. For people who can't handle that kind of pacing, you are welcome to stay out of movie theaters, and sit in front of your TV sets: the networks are sure to have plenty of non-challenging sitcoms that are specially designed to pander to you.
This movie has its moments, but overall its ruined by being overly long and tons of tired foul language. Highlights include the scene with Melissa McCarthy where her language is perfect, most any scene with the two actresses playing the two daughters and the Asian actress who plays one of the lead's employees. Worth a view for sure, but sad as it could have easily been a 10.
This is 40 is a complete surprise. A straight-forward slice of life that follows its protagonists as they cross the great, unseen barrier into their fifth decade, the film is naturally funnier, more poignant, and more engaging than might be expected. With laughter coming from the both the banalities of life and its heavier moments, the film rarely sinks into caricature and keeps tone-killing silliness to a minimum.
I've read the other reviews. Yes there are fart jokes and too many Apple products. Yes, the the people are arrogant and self centered and broken. Yes, Judd Apatow put his entire family in yet another movie. Yes, there is not plot and the story is kind of depressing and all over the place and there really isn't much reason to show Debbie's shop except to show Megan Fox in a bra... but if you like crude humor, this movie is exceptional at it.
I have not laughed so much and so hard in a long time. This is a great movie about funny people dealing with life's serious things with lots of crude disgusting humor and it was awesome.
I have not laughed so much and so hard in a long time. This is a great movie about funny people dealing with life's serious things with lots of crude disgusting humor and it was awesome.
क्या आपको पता है
- ट्रिवियाIn one of the bedroom scenes, Paul Rudd's farts were unscripted. The crew were not amused by this but Leslie Mann stayed in the moment and improvised her outraged reaction.
- गूफ़The name plate for Debbie's OB GYN reads Dr. Pellegrino but the embroidery on his jacket reads Dr. Pellagrino.
- क्रेज़ी क्रेडिटAfter the first half of the credits, there's an extended alternate take of Catherine ad-libbing insults during the conversation with Julie, Pete, and Debbie.
- इसके अलावा अन्य वर्जनThe Blu-ray release included an exclusive extended version with three minutes of additional footage not seen in the theatrical version.
- कनेक्शनFeatured in The Big Review: Fall Trailer Park (2012)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Bienvenido a los 40
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,75,44,505
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,15,79,175
- 23 दिस॰ 2012
- दुनिया भर में सकल
- $8,82,15,156
- चलने की अवधि2 घंटे 14 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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