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I think people are a little confused on what this show is about. It is a murder mystery, but that takes the back seat a lot of the time, and focuses more on the psychology of our characters. This is a show about trauma and the way it affects people, especially Camille (Amy Adams). It can be gory, but doesn't really show much active violence. It's thrilling, but definitely isn't action packed.

This show isn't for everyone, but there's no denying that it's extremely well made. This was Jean Marc Vallee's final completed project before his passing in late 2021. The director and assistant editor, also known for Big Little Lies season one, really knows how to tell a compelling story.

The direction is amazing, and since he has a large role in editing both shows, it has a similar editing style to Big little lies that is very effective in the demonstration of trauma. We see flashbacks in short, few second bursts that give us insight into what a character is thinking about, which lends itself for an incredible viewing experience.

If you want a dark murder mystery that puts the psyche of its characters in the drivers seat, this is for you.

I love psychological thrillers, and I love films or shows that take their time to draw you in. This show, besides being well-cast and well-acted, definitely draws you in by allowing you to learn bits and pieces of the backstory and the overall main story. I love when filmmakers do this. I know for a while it's been the fashion to have quick cuts and get thrown tons of information at you in a short time, but I much prefer to go on a journey like this one. What we learn about the main character, why she's damaged, and how she moves through life to compensate for her pain is really interesting. That, coupled with the mystery she's trying to solve makes this a show that had me coming back with anticipation. I love the cinematography and the terrific dialogue. I wish we had more like this. Bravo to the filmmakers!

Absolutely amazing mini series. There were times that I was confused by quick cuts to flashbacks and flashes of gruesome scenes and wondered if they'd ever make sense, but all the while I knew they would come together in the end. This was absolutely true. By the end of the series, all these loose ends were neatly tied into a present with a bow on top, and then the very last scene of the finale blew my mind. 100% would recommend watching!

In an age of constant renewals and shows that refuse to bow out when they're on top, there's something to be said for the beauty of a self-contained story, well-told.

Camille, who was drunk almost every hour of the day from the moment she arrived in town, tries to repress the traumas she has experienced but she is not very successful in that regard. We understand with instant flashback scenes how emotions that Camille suppressed suddenly surfaced and she can't cope with her past. The town's suc-cessful drowning atmosphere, combined with masterful work of fiction and image management and with the convincing performance of Amy Adams, turns the series into a complete mood, so to speak. With the hypnotizing music that plays in the background while watching to the series we seem to be drunk in the Wind Gap with Camille. There are great soundtracks from Led Zeppelin to The Doors, from Bob Dylan to Johnny Cash.

The scene transitions between past memories and the present are very successful. It's like the scenes are intertwined. You're not leaving the general story of the series as you watch the past memories scenes. It's very well tuned. We see that the series doesn't go on a straight timeline. The scene at the beginning of the episodes is actually the final scene. Although not in each episode, some episodes have these time shifts.

In the background of the series, the words shown for 3-4 seconds may give hints about the series. At least when you watch it carefully, it makes you think. Who knows, maybe a subliminal message. You're unlikely to guess who the killer is. Because in each section you focus on different people. Ideas may change as new details emerge. So it's a little hard to guess. Something I like about this series. Because an unpredictable series is more attractive to me.

I found the acting very good. I think Amy Adams deserves the Golden Globe award with this performance. She conveys her character's mood very well to the audience. You feel deeply the feelings of Camille. Amy Adams and Patricia Clarkson are really good. I found the tension between them very good. Unfortunately, it is not possible to escape from the parents we are attached to. Camille also lives this situation deeply. I guess one of the most complicated things in life is the child-parent relationship. Eliza Scanlen who plays the character Amma is very successful. Like two separate characters in the morning and night. It's like there's someone else in Amma when it's night. Of course it is necessary to open a separate parentheses to Sophia Lillis. She performed very well.

Although the first episode starts with a slow pace, the next episodes are moving well. And it reflects thriller very well. The entire town, including the police, seems to be looking for the killer from a single perspective. It's like the killer is the whole town. I love watching horror movies but I can't say I'm scared most of the time. But in this series, there were a lot of scenes that creeped and disturbed me.

In the series the mystery of the killer is preserved until the last moment, but in the final, the series shoots the audience in the heart with a single sentences. The series manages to leave a shocking effect on viewers with its final. Sharp Objects gave the message that it wanted to give in eight episodes. I can recommend it for those who love the psychological thriller and killer themed. 9/10