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मेटास्कोर
38 समीक्षाएं · द्वारा उपलब्ध कराया गया Metacritic.com
- 80The Hollywood ReporterFrank ScheckThe Hollywood ReporterFrank ScheckThe numerous fight scenes, which often lapse into extreme gore, are as amusing as they are exciting.
- 80Screen RantRachel LaBonteScreen RantRachel LaBonteBetween the humor and Quaid's performance, there's so much fun to be had here that it's easy to just sit back and enjoy the ride.
- 80ColliderJeff EwingColliderJeff EwingIt’s a gory, bonkers action-comedy premise anchored by a set of strong performances and a surprisingly poignant meet-cute, making for a wildly memorable action outing.
- 80IGNLena WilsonIGNLena WilsonNovocaine offers more depth than its gimmicky “man who feels no pain” premise may lead you to believe. This movie breathes new life into old ideas, with an original hero buoyed by the charm of Jack Quaid and a heroine who ably beats the damsel-in-distress allegations. Novocaine is smart, but not so self-aware that it’s likely to alienate anybody; sharp, but not without feeling.
- 80LooperAudrey FoxLooperAudrey FoxNovocaine is packed full of inventive action set pieces that are alternately gruesome, goofy, and sometimes even both at once. It may not be for everyone, but it kind of feels like the gold standard for this very specific brand of action comedy.
- 80TheWrapWilliam BibbianiTheWrapWilliam BibbianiJack Quaid was born for a role like this. The actor’s unassuming cheerfulness provides the perfect comedic counterpoint to the film’s increasingly absurd gross-out action gags.
- 63Slant MagazineRocco T. ThompsonSlant MagazineRocco T. ThompsonWe’re used to heroes who can take a licking and keep on ticking, but Novocaine takes action-movie invulnerability to brutal comic extremes.
- 58IndieWireKate ErblandIndieWireKate ErblandThe film makes a great case for Quaid as action hero, Midthunder as romantic charmer, and Berk and Olson as being ready to step out of their horror-centric background.
- 55The Film VerdictAlonso DuraldeThe Film VerdictAlonso DuraldeAt nearly every juncture, the filmmakers display a lack of nerve, exercising restraint precisely when restraint is anathema to their goals. They’re cautious rather than crazed.