I Don't Feel at Home in This World Anymore.

Loved this film! Melanie Lynskey does a great job as depressed nurse with a penchant for justice who unwillingly becomes a vigilante. Elijah Wood is hilarious as her sidekick. The story is absurd and fast-paced. Cinematography is spot-on, with camera-work and colors that create a moody, slightly surreal atmosphere. And all throughout the movie breathes with life and love for its wonderful characters.

You gotta be able to withstand some violence though—there definitely is some in here. To me, the violence felt natural and was still humorous enough not to be overly shocking, reminiscent of movies such as Super and Kick Ass. So, go and watch this cute little gem!

No matter what the genre line says, this is a black comedy and a good one at that.The acting is spot on and sometimes especially in the later parts of the film a little over the top but it does add to where the story is going at the time and fits very well.

I think I can count on one hand the amount of movies lately that have made me laugh out loud, thankfully this one had me on more than one occasion.

Obviously the director is a Coen bros fan, it has touches of Fargoish mundane reality mixed with comedic gore filled violence.

The soundtrack was effortless and complimented the mood of each particular part of the movie.

Overall a good watch and not overly long or drawn out so 9/10.

The bad: some loopholes in the plot irritated me. And there are some unnatural editing jumps in the story. Elijah Wood's character isnt very convincing. But besides these 3 minor flaws this is an enjoyable black comedy.

The good: what is particular funny is the "snowball effect" of the story. It starts out with a woman's small frustration that the police wont retrieve her stolen notebook for her, when she knows the exact adress where her notebook is residing, because of a gps tracker. She decides to take the law into her own hands and asks her neighbour Elijah Wood to help her retrieve her notebook. After that things start spiralling out of control quickly in an amusing way.

Funny and quirky "out of control" story. Great acting performance by Melanie Lynskey, who plays the part of the "sweet" lady, who wont take the injustice any more. She is true to life in her acting, which lift this black comedy up to an enjoyable level, which it wouldnt have been, if this over the top story had been portrayed in a farcical way.

I need credibility, even in a comedy, to enjoy a movie better. And however weird this story might seem, one could imagine, (up to a certain point), that things really got out of hand, the way it is being portrayed here.

In the end this story unfortunately does become somewhat farcical, yet it was still suspenseful and funny enough to watch it through to the end.

Nice black comedy, with a few minor flaws.

There's definitely something to be said about a film that seems to be as demented and as outrageous as this one. I say that as a very high compliment. The passion driving the filmmakers is clearly visible on screen and there is a lot to be said about a film that you watch that doesn't let you have any idea of where it will go. The two leads are also very strong, especially Melanie Lynskey who has proved herself to be more than capable of leading roles time and time again. She deserves more attention in general. I do think the film suffers from mixing genres a little too much and a little too often, sometimes to the point that I was not sure how to take certain scenes and what their intention was. Still, a very interesting and entertaining film and one that will hopefully gain a large audience.

Macon Blair's feature film debut is a wicked blend of violence & hilarity that balances the elements of crime & comedy with flair, offers an interesting insight into the norms of lower-class American society, and is wonderfully uplifted by quirky inputs from its cast to succeed as an indie that's as amusing as it is rueful.

I Don't Feel at Home in This World Anymore tells the story of a lonely woman who's sick of people being indecent all around her and is pushed to the limit when her home gets robbed. Enlisting the help of a neighbour, the two decide to go after the ones who burglarized her house but soon find themselves out of their depths.

Written & directed by Macon Blair in what's his directional debut, the film exhibits a shade or two of Jeremy Saulnier's thrillers when it comes to depicting violence but most of it is pierced by well- dosed humour that serves as a counterpoint. The plot takes a while to get going but once it gains the momentum, it is expertly maintained till the end.

Featuring an idiosyncratic list of characters whose arcs are embedded with serviceable depths, the first act attempts to establish our protagonist's lonely state & morals before bringing more people into the play. Melanie Lynskey plays her leading part brilliantly and supporting her throughout is Elijah Wood who delivers a downright hilarious performance as her neighbour.

On an overall scale, I Don't Feel at Home in This World Anymore is a confidently crafted beginning of Macon Blair's directional career and is a morality play that's quite timely but there was still room for improvement, for few segments are drawn out, narrative flow is inconsistent at times, and it settles for a safe conclusion. Nevertheless, for a debut feature, it is as good a start as any. Worth a shot.