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IMDbPro

Il gioco delle coppie

Titolo originale: Doubles vies
  • 2018
  • T
  • 1h 48min
VALUTAZIONE IMDb
6,4/10
6060
LA TUA VALUTAZIONE
Juliette Binoche, Guillaume Canet, Vincent Macaigne, Christa Théret, and Nora Hamzawi in Il gioco delle coppie (2018)
Set in the Parisian publishing world, an editor and an author find themselves in over their heads, as they cope with a middle-age crisis, the changing industry and their wives.
Riproduci trailer2: 11
3 video
71 foto
ComedyDramaRomance

Ambientata nel mondo editoriale parigino, la storia narra di un editore e un autore che sono sopraffatti dalle difficoltà nel far fronte a una crisi di mezza età, ai cambiamenti del settore ... Leggi tuttoAmbientata nel mondo editoriale parigino, la storia narra di un editore e un autore che sono sopraffatti dalle difficoltà nel far fronte a una crisi di mezza età, ai cambiamenti del settore e alla relazione con le loro mogli.Ambientata nel mondo editoriale parigino, la storia narra di un editore e un autore che sono sopraffatti dalle difficoltà nel far fronte a una crisi di mezza età, ai cambiamenti del settore e alla relazione con le loro mogli.

  • Regia
    • Olivier Assayas
  • Sceneggiatura
    • Olivier Assayas
  • Star
    • Guillaume Canet
    • Juliette Binoche
    • Vincent Macaigne
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,4/10
    6060
    LA TUA VALUTAZIONE
    • Regia
      • Olivier Assayas
    • Sceneggiatura
      • Olivier Assayas
    • Star
      • Guillaume Canet
      • Juliette Binoche
      • Vincent Macaigne
    • 40Recensioni degli utenti
    • 126Recensioni della critica
    • 78Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 9 candidature totali

    Video3

    Official Trailer
    Trailer 2:11
    Official Trailer
    Bande-annonce [OV]
    Trailer 1:35
    Bande-annonce [OV]
    Bande-annonce [OV]
    Trailer 1:35
    Bande-annonce [OV]
    Non-Fiction - Official Trailer
    Trailer 2:12
    Non-Fiction - Official Trailer

    Foto70

    Visualizza poster
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    Interpreti principali37

    Modifica
    Guillaume Canet
    Guillaume Canet
    • Alain Danielson
    Juliette Binoche
    Juliette Binoche
    • Selena
    Vincent Macaigne
    Vincent Macaigne
    • Léonard Spiegel
    Christa Théret
    Christa Théret
    • Laure d'Angerville
    Nora Hamzawi
    Nora Hamzawi
    • Valérie
    Pascal Greggory
    Pascal Greggory
    • Marc-Antoine Rouvel
    Laurent Poitrenaux
    • Maxime Caron
    Sigrid Bouaziz
    Sigrid Bouaziz
    • Victorine
    Lionel Dray
    • L'ami éditeur
    Antoine Reinartz
    Antoine Reinartz
    • Blaise - le libraire d'Arles
    Nicolas Bouchaud
    Nicolas Bouchaud
    • David
    Aurélia Petit
    Aurélia Petit
    • L'invitée de Marc-Antoine
    Thierry de Peretti
    Thierry de Peretti
    • L'invité de Marc-Antoine
    Violaine Gillibert
    • Paloma - l'amie de Marc-Antoine
    Jean-Luc Vincent
    Jean-Luc Vincent
    • Carsten - un écrivain
    Laetitia Spigarelli
    • Amélia
    Stéphane Roger
    • L'agent de Séléna
    David Blot
    • L'animateur radio
    • Regia
      • Olivier Assayas
    • Sceneggiatura
      • Olivier Assayas
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti40

    6,46K
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    Recensioni in evidenza

    8christopher-underwood

    I enjoyed it and if there is not much story to relate there is pleasure enough

    I have, of late, become quite a fan of the films of Olivier Assayas, though I was put off this, his last to show in London, by some very iffy reviews. It is, however, fine. I enjoyed it and if there is not much story to relate there is pleasure enough, for me anyway, listening to the various conversations. Conversations about the writing and reading of books and each others wives. The French title is Doubles Vies which translates directly as Double Lives and is perfect, so much so that it amazes me that it was ever changed for the US/UK market. Surprisingly devoid of politics, which is a surprise considering some of the director's previous films. The only real reference is to a disgraced would be leader and comments made suggesting people go into politics to satisfy their own ego rather than to effect change and perhaps this is Assayas' justified snide political comment.
    5firoozh

    Disappointing

    Very disappointing film from a good director. First of all after twenty minutes you notice that all the discussions about the effects of internet on publishing industry is passé, characters conversations about ebooks versus paper books are repetitious and boring. All main characters are one dimensional and we don't learn anything about them expect that they all have affairs and husbands infidelities are surprisingly acceptable by their wives. There is no drama or plot to follow except affairs and talks about ebooks !!
    8Red-125

    "The most French movie you will ever see"

    Doubles vies (2018) (literally Double Lives) is a French film that was shown in the U.S. with the title Non-Fiction. The movie was written and directed by Olivier Assayas.

    Guillaume Canet as publisher Alain Danielson, who is married to the TV actress Slena (Juliette Binoche). They are friends with another couple, author Léonard Spiegel (Vincent Macaigne) and political consultant Valerie, portrayed Nora Hamzawi. Into the mix comes Laure d'Angerville played by Christa Théret. She works for Alain as "Head of Digital Transition."

    Because this is a French film, everyone sleeps with everyone else, and everyone gathers in groups of four, six, or eight to talk, talk, and talk. (They also gather in cafes to talk.)

    Nothing is going quite right for any of them, and they are all dissatisfied with their lives. This is despite the fact that they are beautiful, successful, relatively wealthy people. (Remember this is a French film.)

    On the positive side is that the acting is excellent, the plot moves forward steadily, if slowly, and the movie embodies everything I know about French intellectuals. OK--it's true that all I know about French intellectuals is what I've seen in movies about French intellectuals. Even so, by that criterion it looks right.

    If you like dialog films, with great French actors, this film is for you. If you like movies with more action and less talk, then Non-Fiction isn't for you.

    We saw on the large screen at Rochester's great Little Theatre. It will work well enough on the small screen.

    I think it's worth seeing, but I'm somewhat prejudiced, because I have wanted to see La Binoche act ever since "The Unbearable Lightness of Being" in 1988.
    7ferguson-6

    oh so French, and funny

    Greetings again from the darkness. Kids today (shake your head while saying it). No one reads anymore, and when they do, it's only e-books and blogs. Such is the ongoing discussion throughout this latest from writer-director Olivier Assayas (PERSONAL SHOPPER 2016, CLOUDS OF SILS MARIA 2015). Lest you think the debate between traditional hardback books and digital literature takes up the full run time, you should know that such serious discussion is wrapped in a more traditional French sex farce ... and a quite entertaining one at that.

    Guillaume Canet (the excellent TELL NO ONE, 2006) stars as publisher Alain Danielson. He has a lunch meeting with his client and friend, author Leonard Spiegel (a very funny Vincent Macaigne) where he declines to publish Leonard's latest manuscript. Alain claims it's too easy to identify the real people mentioned in the story, despite the name changes. Leonard says it's "auto-fiction", meaning his writing takes inspiration from his life. One of the ongoing gags (no pun intended) revolves around an inappropriate act in the theatre during a screening of Michael Haneke's WHITE RIBBON - or was it during STAR WARS: THE FORCE AWAKENS? Such is Leonard's sly way of disguising his characters and life.

    Juliette Binoche co-stars as Alain's wife Selena, and Ms. Binoche takes full advantage of one of the few films where she can flash her comedic chops. Nora Hamzawi plays Valerie, Leonard's wife, and she is delightful as the spouse who refuses to build up Leonard's ego or provide any boost whatsoever to his confidence. Instead she spends a great deal of time reminding him of what his critics are saying. The final piece to this puzzle is Christa Theret, who plays the Head of Digital Transformation for Alain's publishing house, and is the constant instigator in the push towards digital.

    Quintessentially French may be the best description for the film and these characters. At the dinner party, the conversation is stimulating and intellectual, while in their personal lives, it seems everyone is sleeping with someone else. Most every character worries about infidelities, while it's a part of their own life. Even Twitter is treated as "very French" in that it consists of '4 very witty lines'. Clever lines are spoken frequently, especially from Leonard who says he writes "feel-bad books" rather than the usual "feel good" ones. And Alain refers to Leonard's last book as "a worst seller".

    Fewer readers, books vs digital, and the popularity of blogs all play into the generational debate of change/progress vs traditional ways. Whether books and libraries are a relic of the past is certainly a viable topic, but the comedy-infused relationships keep the film from ever feeling too heavy. Ms. Binoche has a recurring bit where her TV role is misidentified as a cop, and she (in character) plays along with what may be the first ever Juliette Binoche on screen joke.

    Filmmaker Assayas previously tackled art appreciation, or the lack thereof in modern times, with his 2008 film SUMMER HOURS. This time he turns his attention to literature and we can't help but notice some similarities to the works of Woody Allen and Eric Rohmer with the vibrant dialogue and awkward relationships. The French title translates to "Double Lives" which is not only a better title, but also a more descriptive one. However, by the time the 'Martian Martian' song plays over the final credits, you will likely feel entertained ... in a mostly French manner.
    JohnDeSando

    So very French, so very entertaining, so very smart.

    "Books are no more threatened by Kindle than stairs by elevators." Stephen Fry

    If you like things French such as conversation, books, love, infidelity, bourgeoise comforts, Eric Rohmer, and Juliette Binoche, then go right to Olivier Assayas' Non-Fiction. Here's a fiction film about incessant arguing over books vs. e-books, roman a clef, and the politics of publishing in a world where the Internet is shaping even the way talented authors structure their dramas.

    Books and the Internet, along with the shape of e-books, informs almost every heated discussion of the fetching comedy with a bit of darkness to make it oh-so French interesting. Publisher Alain (Guillaume Canet) refuses to publish long-time writer and client Leonard's (Vincent Macaigne) newest novel possibly because Leonard has a habit of disguising well know people in his characters, this time may be Selena, wife of Alain, and lover of Leonard. After six years of this tomfoolery, do you think Alain might know?

    While Assayas has a good old time with this old-time French drawing room stuff, all get togethers evolve into arguments about the viability of hard-bound books versus digital newcomers. No conclusion is made, except for the viewer who delights in the robust shenanigans that disguise the obsession writers and publishers now have over the mortality of books, hard or soft.

    Regardless, the middle-aged literati are disguising their own fear of extinction in the face of Tweeted emotions in so many words and young folk who may not read anymore anyway. Even promotion of a book must attend to the right navigation on social media.

    It's all heady words for this word lover who is delighted by such clever screwball setups and the idea, like any debate about the existence of God, that because we talk about books, they will endure. This comedy is not so much raucous as it is profound with a whole bunch of French sensibility and sex. I vote for that to endure right along with books.

    "Lovers of print are simply confusing the plate for the food." Douglas Adams

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      A running joke throughout the film is Léonard (Vincent Macaigne) altering the story of a sexual liaison with Selena (Juliette Binoche) in a movie theater to take place during Michael Haneke's Il nastro bianco (2009) rather than Star Wars - Il risveglio della Forza (2015) because it sounded more chic. Binoche has collaborated several times before with Haneke.
    • Connessioni
      References Il gattopardo (1963)
    • Colonne sonore
      Beach Club
      Written by Per Bluitgen Andreasen and Yannick Kalfayan

    I più visti

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    Domande frequenti17

    • How long is Non-Fiction?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 3 gennaio 2019 (Italia)
    • Paese di origine
      • Francia
    • Siti ufficiali
      • Official site
      • Official site (Japan)
    • Lingua
      • Francese
    • Celebre anche come
      • Non-Fiction
    • Luoghi delle riprese
      • Majorca, Spagna(final scenes)
    • Aziende produttrici
      • CG Cinéma
      • Vortex Sutra
      • Arte France Cinéma
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 704.919 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 29.853 USD
      • 5 mag 2019
    • Lordo in tutto il mondo
      • 3.649.042 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 48 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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