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6,2/10
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Secondo la nonna, l'uomo avrebbe cercato di scappare con il corpo senza vita della piccola parlando in maniera confusa di un'offerta. Sul viso della bambina alcuni segni rossi indicano che s... Leggi tuttoSecondo la nonna, l'uomo avrebbe cercato di scappare con il corpo senza vita della piccola parlando in maniera confusa di un'offerta. Sul viso della bambina alcuni segni rossi indicano che si è trattato di omicidio.Secondo la nonna, l'uomo avrebbe cercato di scappare con il corpo senza vita della piccola parlando in maniera confusa di un'offerta. Sul viso della bambina alcuni segni rossi indicano che si è trattato di omicidio.
- Premi
- 1 vittoria in totale
Recensione in evidenza
The final installment of the Basque Trilogy, Ofrenda a la Tormenta (Offering to the Storm), is an action-packed, emotionally charged thriller that delivers a satisfying conclusion to the beloved series.
The film picks up shortly after the events of its predecessor, with Inspector Amaia Salazar (Marta Etura) still reeling from the traumatic birth of her son and the loss of her mother. As she struggles to balance her new role as a mother with the demands of her job, a new threat emerges in the form of a serial killer targeting infants.
The killer's MO is gruesome and personal: they kidnap babies and drown them in rivers, mirroring the near-death experience Amaia herself endured as a child, as depicted in the first film. This creates a deeply unsettling atmosphere and adds a layer of personal investment in the case for Amaia, pushing her to her limits both physically and emotionally.
The investigation takes Amaia back to her childhood hometown, where she must confront her own demons and the lingering shadows of her past. The stunning, misty landscapes of the Basque Country provide a haunting backdrop to the film, enhancing the sense of isolation and dread.
The performances in Offering to the Storm are exceptional. Marta Etura delivers a powerful portrayal of a woman grappling with postpartum depression and PTSD while trying to maintain her professional composure. Her vulnerability and strength are palpable, making her one of the most compelling characters in Spanish cinema in recent years.
The supporting cast is equally impressive. Leonardo Sbaraglia returns as psychiatrist Dr. San Martín, providing a calm and compassionate presence amidst the turmoil. Itziar Aizpuru is haunting as the ghostly presence of Amaia's mother, while Pedro Casablanc adds complexity as Amaia's father, whose role in the family's dark history is slowly unveiled.
Director Fernando González Molina masterfully builds tension, employing a mix of tight, intimate shots and sweeping landscape visuals. The film's pacing is relentless, with twists and turns that will keep viewers on the edge of their seats. The action sequences are expertly crafted, showcasing the production's impressive scale and attention to detail.
However, amidst the thrilling set pieces, the film occasionally loses focus on the deeper exploration of its themes. The intricate web of family secrets and the supernatural elements that were so effectively woven into the first two films feel somewhat rushed and underdeveloped here.
While the conclusion provides a sense of closure, it also feels a bit too neat and convenient, wrapping up various storylines in a way that might leave some viewers wanting more complexity. The inclusion of a few new characters, such as a potential love interest for Amaia, also feels unnecessary and takes away from the development of existing relationships.
Despite these minor shortcomings, Offering to the Storm is a gripping and emotionally resonant conclusion to the trilogy. It explores thought-provoking themes of motherhood, trauma, and the enduring impact of childhood experiences, all set against the stunning and evocative backdrop of the Basque Country.
The film picks up shortly after the events of its predecessor, with Inspector Amaia Salazar (Marta Etura) still reeling from the traumatic birth of her son and the loss of her mother. As she struggles to balance her new role as a mother with the demands of her job, a new threat emerges in the form of a serial killer targeting infants.
The killer's MO is gruesome and personal: they kidnap babies and drown them in rivers, mirroring the near-death experience Amaia herself endured as a child, as depicted in the first film. This creates a deeply unsettling atmosphere and adds a layer of personal investment in the case for Amaia, pushing her to her limits both physically and emotionally.
The investigation takes Amaia back to her childhood hometown, where she must confront her own demons and the lingering shadows of her past. The stunning, misty landscapes of the Basque Country provide a haunting backdrop to the film, enhancing the sense of isolation and dread.
The performances in Offering to the Storm are exceptional. Marta Etura delivers a powerful portrayal of a woman grappling with postpartum depression and PTSD while trying to maintain her professional composure. Her vulnerability and strength are palpable, making her one of the most compelling characters in Spanish cinema in recent years.
The supporting cast is equally impressive. Leonardo Sbaraglia returns as psychiatrist Dr. San Martín, providing a calm and compassionate presence amidst the turmoil. Itziar Aizpuru is haunting as the ghostly presence of Amaia's mother, while Pedro Casablanc adds complexity as Amaia's father, whose role in the family's dark history is slowly unveiled.
Director Fernando González Molina masterfully builds tension, employing a mix of tight, intimate shots and sweeping landscape visuals. The film's pacing is relentless, with twists and turns that will keep viewers on the edge of their seats. The action sequences are expertly crafted, showcasing the production's impressive scale and attention to detail.
However, amidst the thrilling set pieces, the film occasionally loses focus on the deeper exploration of its themes. The intricate web of family secrets and the supernatural elements that were so effectively woven into the first two films feel somewhat rushed and underdeveloped here.
While the conclusion provides a sense of closure, it also feels a bit too neat and convenient, wrapping up various storylines in a way that might leave some viewers wanting more complexity. The inclusion of a few new characters, such as a potential love interest for Amaia, also feels unnecessary and takes away from the development of existing relationships.
Despite these minor shortcomings, Offering to the Storm is a gripping and emotionally resonant conclusion to the trilogy. It explores thought-provoking themes of motherhood, trauma, and the enduring impact of childhood experiences, all set against the stunning and evocative backdrop of the Basque Country.
- CinematicLion
- 22 lug 2024
- Permalink
Trama
Lo sapevi?
- QuizAs with previous installments Il guardiano invisibile (2017) and Inciso nelle ossa (2019), the film was set to premiere theatrically in Spain (on March 27th 2020), followed by a streaming release in other countries through Netflix. However, due to the COVID-19 pandemic, it premiered on Netflix worldwide, including Spain.
- BlooperWhen Amaia goes to retrieve documents and finds that the woman working there has burned them all, she takes a picture of the woman landscape-style with her cell phone. In the next scene, she is talking to another woman and shows her the photo on her phone, but the photo is now portrait-style.
- ConnessioniFollows Il guardiano invisibile (2017)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Offering to the Storm
- Luoghi delle riprese
- Elizondo, Navarra, Spagna(Amaia's home town, scenes on the bridge)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione2 ore 19 minuti
- Colore
- Proporzioni
- 2.35 : 1
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