Fuori dall'oscurità

So a group of Stone Age wanderers are searching the bleak wilderness for a new home when they begin to suspect that they are being stalked. Noises in the woods unsettle them, but they see nothing. Suddenly, though, one of their number is taken and the leader "Adem" (Chuku Modu) must make some difficult choices to ensure the survival of both his son and of his pregnant wife. The denseness of the Scottish forestry along with some creative use of light, shadow and audio goes some way to keep the film interesting but the plot itself is really weak and the actors - perfect teeth, skin, leather clothing that wouldn't look out of place at a gay pride gathering - all deprive the thing of any sense of menace or grittiness. It's difficult to watch without thinking the production caravan is just three feet out of shot! The redeeming feature may be an impressibly natural performance from Safia Oakley-Green ("Beyah") but I'm afraid for the most part, I struggled to remain engaged and the ending, well that was just rushed and a little disappointing too. I would still suggest you watch it, if you get the opportunity - but on the television is fine and don't expect to be scared.

The movie begins interestingly enough as we are introduced to the characters. There are subtitles as the characters speak a language developed for the film and the story telling around the fire does have a good atmospheric effect, but very quickly the characters begin to distract from that atmosphere. This group of Northern Europeans from 45,000 years ago is made up of what appears to be three people of at least partial African descent, one of Middle Eastern descent and one Caucasian, all of whom have short or close cropped haircuts you'd be unsurprised to see today. The skins they wear are almost modern in their appearance and they are sewn and stitched again in what appears a very modern way. From here the movie continues to be an uneven mashup of entertaining suspense followed by confusing choices while not quite allowing the viewer to suspend disbelief. Loose ends abound from the odd black goo discovered after a major plot point, to the gory "slaughterhouse" area found all the while decrying the lack of game to hunt. It seems forced and manufactured and worst of all the villainous force at the end is comical and absurd. Also, the slaughtered mammoth that is found seems to be related to the villain, but again, that too adds to the absurdity. By the end of the movie, I was out of patience and ready to leave. Very mediocre and ok to watch for free somewhere but don't pay for it.

One sentence summary: After embarking on a long voyage, a tribe of ancient humans must navigate a foreign land to find shelter while being hunted by unknown adversaries at night.

The idea for which this film's plot was formulated had some interesting potential. The setting was expansive, the practical effects were outstanding, and the acting was mostly admirable, but the progression of the story led to an ending that left a sour taste in my mouth, to say the least. The core conflict of morality versus survival is certainly a well explored topic, however when portrayed correctly, it still packs a punch. With another rewrite and some fine-tuning of the script, Out of Darkness could've achieved something great. But as it stands, I'll mostly likely look back on this film as something of a missed opportunity.

I watched Out of Darkness "early" as part of AMC's Screen Unseen. I put early in quotes because apparently this is a 2022 movie that took two years to reach theaters. I can see why. It doesn't belong in theaters. It belongs in the endless abyss of underwhelming and unmemorable streaming movies.

This movie has very little substance. Not much happens. I can summarize the entire thing in a few short sentences. The story is not engaging. You barely learn anything about the characters. So you don't care about them or understand their decisions.

They spend the entire movie teasing you until a fully underwhelming and generic "payoff." It made me roll my eyes. And it has a message we've seen a million times before, but executed in a clunky fashion.

(1 viewing, early screening Screen Unseen 1/29/2024)

A small, hungry, group of Stone Age hipsters are hunted through a harsh landscape (the wilds of Scotland) by an unseen, seemingly supernatural, presence. More of a low-key indie survival thriller than an actual horror film, which I think it is being marketed as. In fact, if you go in expecting a horror film, you may be quite disappointed (or even want your money back). Despite the occasional bloody scene, it's a little like a horror film that's been made by and for people who don't really like horror films, but want a bit of that 'Saint Maud' action.

Grumbling about lack of 'horror' aside, the performances are fine, the cinematography, sound and costumes are excellent, and it's impressive that it was made for a low budget, out in the cold and rain, under covid restrictions. It's a good-looking, atmospheric film. If someone you knew had made it, you'd be very impressed. But compared to films that share a similar plot, like Predator, The Ritual, Valhalla Rising, Deliverance...well, it just can't compete. It lacks the tension, suspense, thrills, catharsis, tight script, and great characterisation. It's just not that engaging. That said, if you enjoy slightly arty low-budget UK indie films, you might find something to enjoy here.