L'incredibile realtà

Surprisingly good and well acted film about a scientist (Onslow Stevens) who spends years of his life working on a formula to bring the dead back to life. His goal overshadows other important things in his life, like his wife, job and son (George Breakston).

The film was made in 1935, but was not released until 1937. The footage of the operation is actual footage performed by Dr. Robert E. Cornish, in which he brings a dead dog back to life. One is left to think today that if the experiment had really been successful that Dr. Cornish would have gone down in history.

Valerie Hobson plays the doctors friend. This is years before her later humiliation, when her husband, John Profumo, an elected British official, had an affair with a chorus girl.

Life Returns (1935)

** (out of 4)

Dr. John Kendrick (Onslow Stevens) is obsessed with bringing the dead back to life but everyone laughs at him. This pretty much forces him out of the profession and before long his wife dies and his young son ends up in a gang where his life goes all wrong. Pretty soon a chance comes along and the doctor can prove his scientific theories.

LIFE RETURNS is often confused as to being a Universal horror movie but that's not the case. Thsi was just distributed by Universal for some reason but it wasn't actually produced by them. Another bit of confusion is that Valerie Hobson has a brief role here and we know she appeared in Universal's BRIDE OF FRANKENSTEIN and WEREWOLF IN London the same year. If you're expecting a flat out horror film then you'll certainly be disappointed as this is more family drama mixed with science fiction.

The weirdest thing about this ultra weird movie is the fact that it tries to do so many things yet it isn't successful at any of them. For starters, this is a personal drama dealing with the doctor losing everything while he battles to try and prove himself. The film also rips off the Our Gang shorts with the story of the son who falls in with a group of misfits. I'm really not sure why Universal would want to distribute this film because even for a "C" studio this thing would be pretty embarrassing.

Onslow, who would eventually appear in HOUSE OF DRAULA, at least manages a decent performance and I'd also argue that Hobson is better here than in the two Universal horror movies she appeared in. The problem is that there's just nothing overly interesting here. This was based on the life of Robert E. Cornish but I'll let you look up what he did and how. As far as the film goes, LIFE RETURNS briefly hits the "horror" genre with the doctor trying to bring life back to a dog but the weirdness level of the picture keeps it somewhat entertaining.

This is a truly bizarre little film that really baffled me--so much so that I tried to research a bit about the odd work of Robert E. Cornish and would like to know what made this odd man tick. Apparently in the early 1930s, this odd man was interested in reviving the dead--though the practicality of such work is rather dubious. Apparently he'd hoped to use this technique on humans but why is beyond me. His work, thankfully, was restricted to dogs. First, they'd euthanize a dog. Then using a combination of stimulants, artificial respiration and a teeter-totter-like device, they were able to BRIEFLY revive a couple dogs...who died PERMANENTLY soon after!!! So what possible use is this procedure?! Well, I guess if a person would be euthanized, you MIGHT be to bring him or her back BRIEFLY--and then they'll die! Wow, no wonder this guy never became all that famous! Apparently, the film makers who brought us this film decided to make use of film footage they had of one of Dr. Cornish's dog revivals. BUT, they had to create a story in which to insert this footage. As for the story, it's pretty dull and is great if you like bad 'boy and his dog' films. Ultimately, the film is sunk because this story and the footage really aren't integrated well together. First, the dog in the experiment is NOT the same one they used as an actor in the film. Second, the stuff is pretty cloying and has a crappy low-budget look and feel to it. The overall effect is poor but not bad enough to make it funny or entertaining as kitsch.

I'm a huge fan of the classic horror & sci-fi films of the 1930s and 1940s, particularly those of Universal. So when I came across this obscure title, starring Onslow Stevens and Valerie Hobson (both of much better Universal titles), I thought I'd struck paydirt. Unfortunately, I struck just plain old ordinary dirt. For starters, this movie looks cheap. If you're expecting any of the Universal polish that you find in most of their classic films, forget it. This looks like the kind of Poverty Row cheapie Bela Lugosi would be doing in years to come. The story is basically about bringing dead dogs back to life.

The main selling point is supposedly this guy Robert Cornish, who appears in the movie but hardly speaks and rarely has the camera focused on his face when he does. Apparently for about 5 minutes back in the day he made headlines for bringing a dog back to life. The actual footage of that is crammed into this movie and it's about as cheap and bland as you might expect. Although seeing the guy give the dog mouth-to-mouth is worth a gander. However, despite this movie basically only being made because of Mr. Cornish, he's not the real star of it. The star is Onslow Stevens, turning in a dreary performance as Dr. John Kendrick. He staggers around in a daze for most of the picture (when he's not acting crazy, that is). But it's not entirely his fault. The character is written so unlikeable that you can't root for him even though the movie's objective is to make you do just that. After suffering ONE setback, Dr. Kendrick turns into a total loser wandering around like he's lost and looking disheveled. The guy lets his practice go to ruin, lets his wife die and kid live on the street, all the while whining and moping. He's a mess. Speaking of the kid, he's very annoying and the actor playing him is awful ("Scoota! Scoota!").

Anyway, the best part of this whole movie to me was a minor tidbit. When they show the newspaper article announcing Kendrick's engagement, the headline below that reads "Dog Saves Lad From Wasps." That would have made for a much more interesting film, I think. I was pretty disappointed in this movie and I wouldn't recommend it to anybody but Universal completists and people who like movies they can make fun of.

The tale of LIFE RETURNS is more interesting in what they're not showing you, rather than what they are. I was intrigued by the title card preceding the movie proclaiming, "This part of the picture was originally taken to retain a permanent scientific record of our experiment" and "Everything shown is absolutely real." It was presented as a sort of letter to the audience and it closed with the name Robert E. Cornish. Then it continues with yet more text, this time a scrawl that dedicated this "unusual screen play" to the "determination and genius of those men who have unselfishly devoted their lives to the service of humanity." So it's got a nice pro-science message, as opposed to the usual doom and gloom sci-fi morality tales. We then join three friends in college: Louise Stone (Lois Wilson), Robert Cornish, and John Kendrick (Onslow Stevens). For the record, Cornish actually plays himself for this movie. This matters little because, once our three friends graduate college with their doctorates following a brief montage, Kendrick breaks off from the trio to pursue the chance of performing his research at the Arnold Research laboratories. Rather than follow Cornish, who wrote us that nice letter for the opening and referenced his own experiments, we go along with Kendrick to his new life at Arnold Research. So Kendrick's our main character? All right, then. We're treated to some more quick glimpses of life moving along with news that Kendrick has married a socialite and had a son.

Life seems to be going smoothly for Kendrick for a while, practicing medicine while also continuing his research. What's his research involve? Oh, that's right: returning people from the dead. Not like zombies unfortunately; that'd be too fun. It's the ability to revive people from recent death due to accidents or illness. It's all going swell until the big boss pays a visit to the office and not only refuses a requisition order for new equipment but also shuts down Kendrick's research entirely. He wants him to focus on more important things in life, such as nail polish and assorted ointments. Then Kendrick's wife dies (incredibly suddenly) from an undefined illness. It's all going to crap now, and Kendrick is left to tend to his young son Danny (played by future director of THE MANSTER, George Breakston). Sadly, Kendrick can't keep it together. He's quit his work at Arnold Research (he wasn't interested in shifting his research to creating the ultimate hair-restoring brush), ditches his medical practice, and now the county has decided to take his son away. Honestly, it's probably for the best. Danny is to be placed in the county's juvenile hall since Kendrick isn't a fit father. Which is true; he's a total wreck at this point. Danny won't have any of it, and escapes with his dog Scooter to live among street hooligans in their makeshift clubhouse. The entire second half of the movie deals with Danny's new street life with his rascally friends and his attempts to pull his dad out of his rut.

Now back to what I said at the beginning. LIFE RETURNS is more interesting in what it's not showing you versus what it is. We waste an entire hour-long movie following the sorry luck of Kendrick and his son's street adventures with plucky 1930's street kids, but why aren't we following Cornish? This movie is (vaguely) about his true-to-life experiments in reviving the dead. Google him. He's a real dude. So why isn't this movie about him? When the trio of new doctors split, we should go with Cornish and see where his life goes. Instead we reconnect with him in the last ten minutes of the movie for the big experiment we were promised in the opening text. I had the thought that the surgical footage looked a little too real and I noticed the reaction shots from Dr. Stone and Danny seemed tagged on. Sure enough, it was and they were. The final ten minutes of this movie is one of Dr. Cornish's actual surgical procedures to return a being to life after death. So that's cool, I guess. I can't help but feel kind of bad for Cornish though because a lot of the victory goes to Kendrick because he needs his big win to end the movie on a high note. Cornish is performing the procedure, but the movie sort of gives Kendrick credit. It's a bummer for Cornish, and it's a bummer for us having had to sit through an hour of family drama and one man's total breakdown when we could've been following Cornish's tale the entire time. From the little bit I read about him on Wikipedia, I can guarantee it would've been way, way more interesting.