Aggiungi una trama nella tua linguaWell respected local good guy, Feet Samuels finds himself heavily in debt due to an uncharacteristic gambling binge. Feet decides the only way to settle the bill is by selling his body to an... Leggi tuttoWell respected local good guy, Feet Samuels finds himself heavily in debt due to an uncharacteristic gambling binge. Feet decides the only way to settle the bill is by selling his body to an ambitious doctor who agrees to allow him one last month to live life to the fullest, then... Leggi tuttoWell respected local good guy, Feet Samuels finds himself heavily in debt due to an uncharacteristic gambling binge. Feet decides the only way to settle the bill is by selling his body to an ambitious doctor who agrees to allow him one last month to live life to the fullest, then kill himself.
- Red Hendrickson
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Recensioni in evidenza
Joe E. Brown isn't the most magnetic guy in the world, but he has a certain flair in this film, like when he tosses his hat over his shoulder and it lands perfectly onto a hat rack. He plays a man nicknamed "Feet" who possesses a load of scruples but no money, and in a rather contrived way comes to owe a gangster ("The Brain") $500, payable in a month or else. Gotta love those names, right? He comes up with the brilliant idea of selling his body to science for $1000, then living it up until he has to kill himself to fulfill his end of the bargain. Naturally he starts getting incredibly lucky, winning all his bets (even accidental ones), winning the lottery, etc., the exact opposite of the cold streak he was on earlier. In the excitement of suddenly being obscenely wealthy, he somehow forgets (!) his promise.
This is an interesting variation on the theme of a rags to riches tale which was common during the Depression. Filmgoers could empathize with "rags" and dream of sudden "riches," when all their troubles would be gone. The film has amusing little things from 1930's, like that punchboard grid that cost a nickel to stick a pin through in the hopes of winning a $10 box of chocolate, and dialogue like one gangster exhorting another to drive faster by saying ("Travel boy, travel - we gotta lose 'em!"). Unfortunately, it's also loaded with plot holes and ridiculous character motivations. Maybe it's intention as a light comedy was to not take itself seriously, but it comes across as too silly, especially in its second half.
To be honest, I actually came for Alice White, who plays Hortense, Feet's girlfriend. I wish she had gotten more scenes, but she lights up the ones she's in. The film was released in May of 1934 and is thus pre-Code (enforcement began July 1), but you wouldn't know it. There's an allusion to breakfast after a night Hortense and another man spent together, as well as her and some other showgirls kicking their legs, but it's all pretty tame stuff. Overall, it's not a horrible way to spend 62 minutes, but just ends up being mediocre on all fronts.
It's the second movie adapted from Damon Runyon. Runyon was born out of wedlock, and by the 1910s he was one of the premiere sportswriters, and writers about Broadway, with Walter Winchell and Ed Sullivan his leg men. With the institution of the Production Code, his comic hoods speaking ridiculous English became an acceptable way of portraying gangsters without making them outright villains. He died in 1946 at the age of 66.
I think the tone is fine in the beginning, you can do comedies with down-on-their-luck characters. It's all about how they respond and get out of their situations. What lowers my enjoyment for this movie is the second half where the whole plot turns absurd. Characters start making decisions that no sane human would make, and the tone shifts greatly from the first half where the characters were more grounded.
Also, great use of names, Feet Samuels, "the brain", etc. They were likely trying to mock gangster names but 90 years later all the names sound fun and cool to me.
When the film begins, 'Feet' Samuels (Brown) is having a long run of very bad luck. He owes everyone and his life is on the skids. So, because he was so honest, instead of not paying off his bets he comes up with a bizarre solution--to offer his body to any scientist who wants it IF they give him $1000 so he can settle his affairs. In a weird twist, however, suddenly the guy has amazingly good luck- --so much that his life should be terrific. But, he STILL has a contract with Dr. Snitzer--and the local gambling boss has guaranteed that the contract WILL be honored!
As I mentioned, this is very dark. But the film was enjoyable and I liked its strangeness. Worth seeing and a bit better than usual for Brown.
Lo sapevi?
- QuizThis film makes mention of a restaurant named Mindy's and a night club called The Hot Box. Both of these places featured prominently in "Guys and Dolls", which was based on other stories by Damon Runyon.
- Citazioni
'Feet' Samuels: Am I, am I losing you?
Hortense: Listen, Feet, you got nobody else to blame but yourself.
'Feet' Samuels: Well, what do you mean? Ain't you everything that I got in life?
Hortense: Yes, what have you got in life? Nothing!
'Feet' Samuels: Give me another chance. Just one more chance.
Hortense: From now on, things are gonna be different. When you get in a position to show me a material way that you love me and can bring up stockings and jewellery and stuff that other nice girls get, I might learn to like you again.
Hortense: [she open the door] I'm sorry, you have to hurry.
'Feet' Samuels: [he gets up reluctantly] You're right, Hortense. But you know what I'm gonna do? I'm going home and hock some of my personal things and get a bankroll. I never fought before because I always thought I had you, so I had nothing left to fight for. But now, watch me rip up that old street. I'm gonna break this run of tough luck and when I do I'll shower you so much with presents, you''ll have to wear a steel helmet to keep from getting knocked cuckoo.
Hortense: I hope you succeed, Feet.
'Feet' Samuels: I will. And if I do, and when I come to see you, can I, can I...?
Hortense: Can you, what?
'Feet' Samuels: Can I still call your Mother, Toodles?
- ConnessioniFeatured in Footlight Parade: Music for the Decades (2006)
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