VALUTAZIONE IMDb
6,6/10
2062
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn Mexico, a former lawyer becomes the invaluable second-in-command to a casino owner, whose wife begins to fall for him.In Mexico, a former lawyer becomes the invaluable second-in-command to a casino owner, whose wife begins to fall for him.In Mexico, a former lawyer becomes the invaluable second-in-command to a casino owner, whose wife begins to fall for him.
- Regia
- Sceneggiatura
- Star
Soledad Jiménez
- Mrs. Ramirez
- (as Soledad Jimenez)
William B. Davidson
- Dr. Carter
- (as William Davidson)
Oscar Apfel
- Judge Rufus Barnswell
- (non citato nei titoli originali)
Wade Boteler
- Man Wanting to Buy Roark's Casino
- (non citato nei titoli originali)
Glen Cavender
- Man Restraining Johnny in Courtroom Fight
- (non citato nei titoli originali)
Jack Chefe
- Waiter
- (non citato nei titoli originali)
Wallis Clark
- Friend of Dean on Podium
- (non citato nei titoli originali)
Carlos De Valdez
- Magistrado
- (non citato nei titoli originali)
Recensione in evidenza
Although Paul Muni does go over the top a bit in Bordertown, the film remains a savage indictment of racism, concentrating as it does on the struggles of one man in a racial/ethnic minority to find a place in this society.
In a biography of Paul Muni I read that he deliberately hired a Mexican driver who stayed with him for several weeks so he could copy his mannerisms and get down the proper speech pattern. He didn't do half bad as Johnny Ramirez, the disbarred attorney who turns to the dark side.
The story has Muni bright and eager to start making a living as a lawyer and please his mom Soledad Jimenez who sacrificed a lot so her kid could study law. But in his first appearance in court he loses his temper and manages to get himself disbarred.
Had this been a white attorney, I assure you he might have gotten a slap on the wrist and a censure, but not a disbarment. Broken in spirit, Muni ends up working for Eugene Palette at a road house as a bouncer.
He also catches the eye of Palette's wife played by Bette Davis. But Muni has eyes for Margaret Lindsay, a society girl who likes to go slumming. In the end both women disillusion and betray him.
Bordertown is one of the darkest films of the Thirties, the future is by no means clear for Muni. Though he does overact a bit, you will not forget the smoldering anger that he brings to the part of Johnny Ramirez. This was the second of two films in which Paul Muni played a person of Mexican background. The other was Juarez and there is 180 degree difference between the angry Ramirez and the stoic Juarez. You can hardly believe it's the same actor, but Muni had one incredible range as a player.
This is a film that could probably stand a remake. I could see someone like Benjamin Bratt or Lou Diamond Phillips in an updated version as Johnny Ramirez, possibly Edward James Olmos. It was in fact made over in part by Warner Brothers in They Drive By Night. But the Mexican heritage and a great deal more was not included in that film.
Until then I recommend Bordertown highly
In a biography of Paul Muni I read that he deliberately hired a Mexican driver who stayed with him for several weeks so he could copy his mannerisms and get down the proper speech pattern. He didn't do half bad as Johnny Ramirez, the disbarred attorney who turns to the dark side.
The story has Muni bright and eager to start making a living as a lawyer and please his mom Soledad Jimenez who sacrificed a lot so her kid could study law. But in his first appearance in court he loses his temper and manages to get himself disbarred.
Had this been a white attorney, I assure you he might have gotten a slap on the wrist and a censure, but not a disbarment. Broken in spirit, Muni ends up working for Eugene Palette at a road house as a bouncer.
He also catches the eye of Palette's wife played by Bette Davis. But Muni has eyes for Margaret Lindsay, a society girl who likes to go slumming. In the end both women disillusion and betray him.
Bordertown is one of the darkest films of the Thirties, the future is by no means clear for Muni. Though he does overact a bit, you will not forget the smoldering anger that he brings to the part of Johnny Ramirez. This was the second of two films in which Paul Muni played a person of Mexican background. The other was Juarez and there is 180 degree difference between the angry Ramirez and the stoic Juarez. You can hardly believe it's the same actor, but Muni had one incredible range as a player.
This is a film that could probably stand a remake. I could see someone like Benjamin Bratt or Lou Diamond Phillips in an updated version as Johnny Ramirez, possibly Edward James Olmos. It was in fact made over in part by Warner Brothers in They Drive By Night. But the Mexican heritage and a great deal more was not included in that film.
Until then I recommend Bordertown highly
- bkoganbing
- 10 ott 2009
- Permalink
Trama
Lo sapevi?
- QuizAt first, Paul Muni wanted Carole Lombard or Lupe Velez as female co-star, but after her success in Schiavo d'amore (1934) he chose Bette Davis.
- BlooperWhen Johnny Ramirez shortly after losing the case leaves his home and starts hitchhiking, you see a montage of calendar months indicating the passage of time. But the dates of the month do not correspond with the year 1934, which was the year of the trial as indicated by the court papers filed. Also, the sequence of calendar dates shown in the montage is out of order. They begin with August of 1936 and end with July 1936 as opposed to July 1937.
- Citazioni
Marie Roark: The only fun I get is feeding the goldfish, and they only eat once a day.
- ConnessioniFeatured in Code of the Secret Service (1939)
- Colonne sonoreMaria Elena
(1933) (uncredited)
Music by Lorenzo Barcelata
Played at the beginning and often in the score
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Bordertown
- Luoghi delle riprese
- Los Angeles, California, Stati Uniti(Olvera Street in opening scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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