Aggiungi una trama nella tua linguaAl Howard may be a star on Broadway, but he is no longer welcomed by any producer. It seems that he just trots off to Mexico any time he wants causing shows to close and producers to lose mo... Leggi tuttoAl Howard may be a star on Broadway, but he is no longer welcomed by any producer. It seems that he just trots off to Mexico any time he wants causing shows to close and producers to lose money. When his sister Molly can no longer find Al work, she teams him up with talented Doro... Leggi tuttoAl Howard may be a star on Broadway, but he is no longer welcomed by any producer. It seems that he just trots off to Mexico any time he wants causing shows to close and producers to lose money. When his sister Molly can no longer find Al work, she teams him up with talented Dorothy for a club date in Chicago. Flush with another success, Al wants to open his own club ... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 1 candidatura in totale
- Duke Hutchinson
- (as Barton Mac Lane)
- Nellie Lahey (Blonde Showgirl)
- (as Sharon Lynne)
- Tom McGee
- (as William Davidson)
- Herman Lahey
- (non citato nei titoli originali)
- Wardrobe Mistress
- (non citato nei titoli originali)
- Young Woman in Elevator
- (non citato nei titoli originali)
- Angry Showgirl #1
- (non citato nei titoli originali)
Recensioni in evidenza
What hurts 'Go Into Your Dance' the most is the story, which is flimsy and contrived, as well as trying to combine backstage musical and gangster drama. The backstage musical stuff has been done so many times before and since, and much better, here it doesn't always have much spark, while the gangster drama stuff doesn't gel with the rest of the film.
Jolson sounds great, but is a little stiff as an actor at times and fails to make his character rootable. Despite being married to Keeler, to me Keeler had a sweeter and more natural chemistry with Dick Powell. Fred Toones is also obnoxious, and the film has a point around the half-way mark where it drags to just before the final production number.
However, 'Go Into Your Dance' is a good-looking film and nicely directed. The songs are very tuneful and at their best great, the highlight being "About a Quarter to Nine" with "She's a Latin in Manhattan" close behind. Surprisingly good are the choreography and dancing, have often been indifferent to Bobby Conolly, but he does a great job here with the final production number being particularly imaginative and energetic.
Keeler is very charming and likable, even if her dancing is not always great. Helen Morgan knocks it out the park with her powerful rendition of "The Little Things You Used to Do", and Patsy Kelly is a lot of fun. There is often a good natured feel to the film as well.
Overall, fun if flawed film. 6/10 Bethany Cox
Lo sapevi?
- QuizFollowing the sensational success of Columbia's Al Jolson (1946), Warner Bros. decided that Al Jolson's revived fame was a good reason to reissue this film. Although there were no changes or censor cuts, Warners did make up new opening credits, which added the famous later Warner "fanfare" and gave Jolson solo over-the-title billing. (Originally he and Ruby Keeler had both been given star billing. She was now listed in smaller print, with the rest of the supporting cast.) Additionally, the studio added a written prologue to make sure audiences knew that the story was set back in the long-ago and far-away time of 1935.
- Citazioni
Dorothy Wayne: Well, I finally met your brother.
Molly Howard, aka Lucille Thompson: Yeah, where is he?
Dorothy Wayne: Flat on his back, out cold, back of the Shim Sham.
Molly Howard, aka Lucille Thompson: What happened to him?
Dorothy Wayne: Well, man meets girl, girl meets husband, husband meets man, man meets sidewalk.
- Curiosità sui creditiOpening card: Broadway..The street of ups and downs, where show business in 1935 was at top speed.
- ConnessioniEdited into Musical Memories (1946)
- Colonne sonoreGo Into Your Dance
(1935) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played during the opening credits
Played during a rehearsal and sung by Al Jolson
Also performed by Al Jolson at the Casino De Paree at the end
I più visti
- How long is Go Into Your Dance?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Casino de Paree
- Luoghi delle riprese
- Union Station - 1050 Kettner Boulevard, San Diego, California, Stati Uniti(exterior establishing shot of the Santa Fe Depot)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 703.000 USD (previsto)
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1