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Canzoni appassionate

Titolo originale: Go Into Your Dance
  • 1935
  • Approved
  • 1h 29min
VALUTAZIONE IMDb
6,0/10
522
LA TUA VALUTAZIONE
Al Jolson and Ruby Keeler in Canzoni appassionate (1935)
CrimeDramaMusicalRomance

Aggiungi una trama nella tua linguaAl Howard may be a star on Broadway, but he is no longer welcomed by any producer. It seems that he just trots off to Mexico any time he wants causing shows to close and producers to lose mo... Leggi tuttoAl Howard may be a star on Broadway, but he is no longer welcomed by any producer. It seems that he just trots off to Mexico any time he wants causing shows to close and producers to lose money. When his sister Molly can no longer find Al work, she teams him up with talented Doro... Leggi tuttoAl Howard may be a star on Broadway, but he is no longer welcomed by any producer. It seems that he just trots off to Mexico any time he wants causing shows to close and producers to lose money. When his sister Molly can no longer find Al work, she teams him up with talented Dorothy for a club date in Chicago. Flush with another success, Al wants to open his own club ... Leggi tutto

  • Regia
    • Archie Mayo
    • Michael Curtiz
    • Robert Florey
  • Sceneggiatura
    • Earl Baldwin
    • Bradford Ropes
  • Star
    • Al Jolson
    • Ruby Keeler
    • Glenda Farrell
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,0/10
    522
    LA TUA VALUTAZIONE
    • Regia
      • Archie Mayo
      • Michael Curtiz
      • Robert Florey
    • Sceneggiatura
      • Earl Baldwin
      • Bradford Ropes
    • Star
      • Al Jolson
      • Ruby Keeler
      • Glenda Farrell
    • 26Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 1 vittoria e 1 candidatura in totale

    Foto59

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    Interpreti principali64

    Modifica
    Al Jolson
    Al Jolson
    • Al Howard
    Ruby Keeler
    Ruby Keeler
    • Dorothy 'Dot' Wayne
    Glenda Farrell
    Glenda Farrell
    • Molly Howard
    Barton MacLane
    Barton MacLane
    • Duke Hutchinson
    • (as Barton Mac Lane)
    Patsy Kelly
    Patsy Kelly
    • Irma 'Toledo' Knight
    Akim Tamiroff
    Akim Tamiroff
    • Mexican in La Cucaracha Cantina
    Helen Morgan
    Helen Morgan
    • Luana Wells
    Sharon Lynn
    Sharon Lynn
    • Nellie Lahey (Blonde Showgirl)
    • (as Sharon Lynne)
    Benny Rubin
    Benny Rubin
    • Drunk in La Cucaracha Cantina
    Phil Regan
    Phil Regan
    • Eddie 'Teddy' Rio
    Gordon Westcott
    Gordon Westcott
    • Fred
    William B. Davidson
    William B. Davidson
    • Tom McGee
    • (as William Davidson)
    Joyce Compton
    Joyce Compton
    • Café Showgirl
    Joseph Crehan
    Joseph Crehan
    • H.P. Jackson
    Ward Bond
    Ward Bond
    • Herman Lahey
    • (non citato nei titoli originali)
    Mary Carr
    Mary Carr
    • Wardrobe Mistress
    • (non citato nei titoli originali)
    Margaret Carthew
    Margaret Carthew
    • Young Woman in Elevator
    • (non citato nei titoli originali)
    Lita Chevret
    Lita Chevret
    • Angry Showgirl #1
    • (non citato nei titoli originali)
    • Regia
      • Archie Mayo
      • Michael Curtiz
      • Robert Florey
    • Sceneggiatura
      • Earl Baldwin
      • Bradford Ropes
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti26

    6,0522
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    Recensioni in evidenza

    8budweiser97402

    "Go Into Your Dance"

    "Go Into Your Dance" was a terrific movie in the sense of movie historical value. Jolson and Keeler were not really known as good actors. Jolson and Keeler were at their best as entertainers. Jolson's singing and Keeler's dancing. The greatest part of this film is are the musical numbers. And historically, the fact that it was the only film in which husband and wife Jolson and Keeler ever appeared together. Many of the songs in which Keeler was in were way before my time. Yet I remember them from watching the old Warner Brothers cartoons when I was a kid. It was great finally seeing where they actually came from. I only wish that "Go Into Your Dance" was available on DVD.
    sryder@judson-il.edu

    One of Jolson's best

    I watched this last evening. Honestly, I believe that other reviewers are overrating this one, as compared with some of the great Warners backstage musicals; however, it is a pleasant hour-plus entertainment; and Jolson gives one of his few (somewhat)underplayed performances. (This probably ranks after Hallelujah, I'm a Bum; though his supporting roles In Swanee River and Rose of Washington Square show him off to good advantage, largely because he doesn't dominate the film.) As noted by others, it's a typical Jolson plot, less maudlin than most others, except at the close when Ruby Keeler does a near-death scene. (Well, at least she was a first-rate tap dancer.) I couldn't help noticing that in this film, Jolson's character is called "the world's greatest entertainer". Ruby Keeler, his wife for seven or eight years, is said to have remarked: "I know he was the world's greatest entertainer; he told me so every day." Incidentally, in my film history course, I always included the Jolson night club number from The Jazz Singer. Even the younger generation was impressed by the way his dynamic personality almost jumps off the screen; perhaps that was the screen appearance that showed him off to best advantage at the peak of his Broadway career.
    7bobj-3

    This is one of the underrated musicals of the 1930s.

    This is one of the underrated musicals of the 1930s. But it has a lot going for it, most notably the electric performance of one of the greatest entertainers before microphones, Al Jolson. Jolson demonstrates in this film why he could have audiences in the palm of his hand---the power of his voice and the awesome reach of his personality come across on the screen as they must have in a vaudeville house or on the musical comedy stage. Ruby Keeler is also fine as the femme fatale, dancing with great style (though the film could have profited from the talents of a master choreographer like Busby Berkeley!). And Barton MacLane is grand as the heavy. The songs by Harry Warren and Al Dubin are charming and winning, especially such jewels as "She's a Latin From Manhattan," "About a Quarter To Nine," and the title song. In all, a winning little film.
    8ptb-8

    It well rates an 8.45

    Why GO INTO YOUR DANCE is not as well known or appreciated or even screened as often as other Warners musicals of the 30s is a mystery to me because this film works well - with excellent and quite spectacular dance numbers. Four songs in particular "An Old Fashioned Custom" "She's a Latin From Manhattan" "A Quarter To Nine" and "Go Into Your Dance" are as catchy as any in the Berkeley films and the staging of the main nightclub scenes are right up there with what RKO was providing for Astaire and Rogers. This effervescent musical film even survives the clobbering behavior of Al Jolson romping about bellowing and squeezing everyone in between belting out songs. He is so obnoxious! I know he is legend but so leery and abrasive...yecch. Ruby Keeler in her last film is as delicious and normal as ever and looks great in taps on bare wood or in the glamor-puss scenes in full ballroom dress. Not seen on TV here in Oz for over 20 years, I occasionally run the tape (with terrible 80s ads) just to see how it is holding up. GO INTO YOUR DANCE never fails to entertain. I would love a DVD. This film much deserves to be discovered and shown as much as any of the other well loved 30s musicals from any studio.
    6TheLittleSongbird

    Good natured and fun, especially the musical numbers, but the story hurts it

    'Go Into Your Dance' is interesting for seeing husband and wife team Al Jolson and Ruby Keeler together. It is a very watchable film and musical, faring better as a musical than as a drama.

    What hurts 'Go Into Your Dance' the most is the story, which is flimsy and contrived, as well as trying to combine backstage musical and gangster drama. The backstage musical stuff has been done so many times before and since, and much better, here it doesn't always have much spark, while the gangster drama stuff doesn't gel with the rest of the film.

    Jolson sounds great, but is a little stiff as an actor at times and fails to make his character rootable. Despite being married to Keeler, to me Keeler had a sweeter and more natural chemistry with Dick Powell. Fred Toones is also obnoxious, and the film has a point around the half-way mark where it drags to just before the final production number.

    However, 'Go Into Your Dance' is a good-looking film and nicely directed. The songs are very tuneful and at their best great, the highlight being "About a Quarter to Nine" with "She's a Latin in Manhattan" close behind. Surprisingly good are the choreography and dancing, have often been indifferent to Bobby Conolly, but he does a great job here with the final production number being particularly imaginative and energetic.

    Keeler is very charming and likable, even if her dancing is not always great. Helen Morgan knocks it out the park with her powerful rendition of "The Little Things You Used to Do", and Patsy Kelly is a lot of fun. There is often a good natured feel to the film as well.

    Overall, fun if flawed film. 6/10 Bethany Cox

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    Trama

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    • Quiz
      Following the sensational success of Columbia's Al Jolson (1946), Warner Bros. decided that Al Jolson's revived fame was a good reason to reissue this film. Although there were no changes or censor cuts, Warners did make up new opening credits, which added the famous later Warner "fanfare" and gave Jolson solo over-the-title billing. (Originally he and Ruby Keeler had both been given star billing. She was now listed in smaller print, with the rest of the supporting cast.) Additionally, the studio added a written prologue to make sure audiences knew that the story was set back in the long-ago and far-away time of 1935.
    • Citazioni

      Dorothy Wayne: Well, I finally met your brother.

      Molly Howard, aka Lucille Thompson: Yeah, where is he?

      Dorothy Wayne: Flat on his back, out cold, back of the Shim Sham.

      Molly Howard, aka Lucille Thompson: What happened to him?

      Dorothy Wayne: Well, man meets girl, girl meets husband, husband meets man, man meets sidewalk.

    • Curiosità sui crediti
      Opening card: Broadway..The street of ups and downs, where show business in 1935 was at top speed.
    • Connessioni
      Edited into Musical Memories (1946)
    • Colonne sonore
      Go Into Your Dance
      (1935) (uncredited)

      Music by Harry Warren

      Lyrics by Al Dubin

      Played during the opening credits

      Played during a rehearsal and sung by Al Jolson

      Also performed by Al Jolson at the Casino De Paree at the end

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    Dettagli

    Modifica
    • Data di uscita
      • 20 aprile 1935 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Casino de Paree
    • Luoghi delle riprese
      • Union Station - 1050 Kettner Boulevard, San Diego, California, Stati Uniti(exterior establishing shot of the Santa Fe Depot)
    • Azienda produttrice
      • First National Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 703.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 29 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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