Aggiungi una trama nella tua linguaA wealthy family is thrown into turmoil when the daughter falls for the family chauffeur and the son begins to keep company with a chorus girl.A wealthy family is thrown into turmoil when the daughter falls for the family chauffeur and the son begins to keep company with a chorus girl.A wealthy family is thrown into turmoil when the daughter falls for the family chauffeur and the son begins to keep company with a chorus girl.
- Regia
- Sceneggiatura
- Star
Barry O'Moore
- George Grafton
- (as Herbert Yost)
Kirk Alyn
- Man Seated at Table in Speakeasy
- (non citato nei titoli originali)
Edward Keane
- Maitre d'
- (non citato nei titoli originali)
Recensione in evidenza
Considering that this was adapted from a play (by nailing a camera to the end of the stage), you'd think the characters would have been more rounded. Shallow one-dimensional characters and a tiresome cliched story isn't the best combination for an entertaining movie.
The most disappointing aspect of this picture is that it doesn't convey any of the atmosphere you often get in a film from 1930. Maybe that's because of its stagey origin or maybe it's because it's based on a stuffy play from the early twenties? The plot has been done a million times and usually done a lot better than this. The acting is fine - not naturalistic but ok for 1930. Miriam Hopkins, in her first talkie is the most impressive and almost believable but the rest are just a bunch of actors reading lines from a script they've seemingly just been handed. It's not their fault but they're just poorly written parts.
We have stock stereotypes: stuffy, entitled and snobbish parents, spoilt, entitled and irresponsible youngsters and pure as the driven snow salt of the earth types. It's one of those lazily written films where the rich are all horrible and the poor are perfect. Not perhaps an obvious theme from Paramount considering their typical audience demographic but the rich eventually and predictably become unfeasibly lovey, lovely people so that willing appease their consciences.
I've seen worse but I'll not be searching out any more films from Fred Newmayer.
The most disappointing aspect of this picture is that it doesn't convey any of the atmosphere you often get in a film from 1930. Maybe that's because of its stagey origin or maybe it's because it's based on a stuffy play from the early twenties? The plot has been done a million times and usually done a lot better than this. The acting is fine - not naturalistic but ok for 1930. Miriam Hopkins, in her first talkie is the most impressive and almost believable but the rest are just a bunch of actors reading lines from a script they've seemingly just been handed. It's not their fault but they're just poorly written parts.
We have stock stereotypes: stuffy, entitled and snobbish parents, spoilt, entitled and irresponsible youngsters and pure as the driven snow salt of the earth types. It's one of those lazily written films where the rich are all horrible and the poor are perfect. Not perhaps an obvious theme from Paramount considering their typical audience demographic but the rich eventually and predictably become unfeasibly lovey, lovely people so that willing appease their consciences.
I've seen worse but I'll not be searching out any more films from Fred Newmayer.
- 1930s_Time_Machine
- 23 ago 2024
- Permalink
Trama
Lo sapevi?
- QuizOne of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since; its earliest documented telecast took place in Charlotte NC Saturday 14 November 1959 on WSOC (Channel 9).
- Citazioni
Alice O'Neil: Oh, and before I forget. I think you're a big mug!
- ConnessioniVersion of The Best People (1925)
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