Femmine di lusso

This movie is one of the legendary Barbara Stanwyck's earliest starring roles. The title of the movie actually refers to prostitutes and that is what Stanwyck plays in this one, though it is, of course, only suggested. The set-up is that Stanwyck, a prostitute, is hired by a painter to be a model for one of his paintings. Through the course of the movie, Stanwyck's character, who has never know real love, is touched by the young painter's caring gestures (though to him, he is only being polite). As always, the beautiful Stanwyck carries the movie in the palm of her hand, and when the film is serious, it's pretty decent. Some problems arise in the humorous scenes with her chubby co-star (who died later in the decade because of self-starvation), a stereotypical, high-pitched, talkative New York girl who has too much of a silly vaudevillian personality to generate many laughs (remember, this is early 1930 and vaudeville was just beginning to wind down). Like a lot of early talkies, this movie is roughly edited, and the acting by the male lead is somewhat wooden. The story is okay, perhaps a bit too sentimental, but the movie is an interesting glance into the 1930s and the early stages of a screen Goddess' career.