Aggiungi una trama nella tua linguaAn executive hires a mousy, plain woman as his secretary so she will not divert him from his work, but she still becomes determined to win his heart.An executive hires a mousy, plain woman as his secretary so she will not divert him from his work, but she still becomes determined to win his heart.An executive hires a mousy, plain woman as his secretary so she will not divert him from his work, but she still becomes determined to win his heart.
- Regia
- Sceneggiatura
- Star
Lilian Bond
- Girl at Bar
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Yola d'Avril
- Girl in Bath Tub
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Geraldine Dvorak
- Parisian Nightclub Dancer
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Harry Holman
- Hotel Manager
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Olaf Hytten
- Business Associate
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Barbara Leonard
- Girl with Dog
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August Tollaire
- Paris Hotel Guest in Hallway
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Polly Walters
- Ludwig's Girl
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Leo White
- Man in Elevator
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Recensione in evidenza
Beauty and the Boss was a delightful movie with some very subtle humor and frank interfacing between the competing beauties. The rapid dialog between the Count and his prospective secretary was a pleasure in wittiness and abstract humor. This movie promised a bright career.
Marian Marsh was a beautiful young lady, but what struck me was a resemblance to a later actress, Jane Powell when she was of that age. It was a shame the studios did not hold on to her for better roles but I guess it was the depression and they were interested in churning out low budget movies and constantly showing new faces. Ms. Marsh did show considerable talent, artistically before the cameras, at quite a young age. Considering her young age it seems the studios could have been more understanding when they did not pick up her contract while they were having disagreements over a bad performing movie.
Marian Marsh was a beautiful young lady, but what struck me was a resemblance to a later actress, Jane Powell when she was of that age. It was a shame the studios did not hold on to her for better roles but I guess it was the depression and they were interested in churning out low budget movies and constantly showing new faces. Ms. Marsh did show considerable talent, artistically before the cameras, at quite a young age. Considering her young age it seems the studios could have been more understanding when they did not pick up her contract while they were having disagreements over a bad performing movie.
Trama
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- QuizA Little Casual History: Beauty and the Boss (1932) was filmed in the San Fernando Valley from the Warner Bros. Studio along the Santa Monica Mountain --- on the other side of the HOLLYWOOD Sign. The 1930's were the time when "Movies" (From Silent to 'Talkies') meant "Hollywood" generically.
Still, Warner Bros. filmed north of the Hollywood Sign in the San Fernando Valley. Still, another piece of history was this film was released in 1932 after being shot on the sound stage a good five to 15 minutes by car-- before there were "Freeways"---from Burbank Airport (aka, Bob Hope Airport, etc.)
Two minutes into the film, the Viennese bank president's plane lands. That airport was "United Airport" then; Burbank Airport for decades to come.
"So what," comes to mind. This was a historical location for American Aviation. As his plane taxis on the tarmac, the camera capture the barren land and the landmark mountains behind, barren of the housing boom following World War II.
This is the airport were Amelia Earhart called her home base. Released in 1932, pictures and film exist of the first lady of aviation at the same Burbank Airport Beauty And The Boss did rare location shots. Earhart hangered her plane in the same time frame until her assumed death---July 2, 1937.
Lost in the multiple airport scenes, such as where The Church Mouse directed her Boss' lover to the wrong plane, there were tumbleweeds, no Interstate 5 "Golden State" Freeway. Millions of locals, visitors foreign and domestic have traveled over the last some 60 years.
Yet, the Earhart Electra sat in the "Burbank Airport" hanger before being lost some five years later. It is a metaphor how the minds of girls, mothers and grandmothers lost track of this famed Airport in a throwaway scene. A scene showing off in the distance Los Angeles Suburbs a desert locale, and the home base of one of America's greatest aviators.
- BlooperAt approx 41:00, Ollie's black gown goes from being open and undone, (where we see her undergarments) to suddenly closed and fastened tightly.
- Citazioni
Olive 'Ollie' Frey: Well, you dictate so fast, I never know where my skirt is.
- ConnessioniRemade as The Church Mouse (1934)
- Colonne sonoreVienna
Music by Leo F. Forbstein
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- Fröken kyrkråtta
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- Tempo di esecuzione1 ora 6 minuti
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- 1.37 : 1
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By what name was Beauty and the Boss (1932) officially released in India in English?
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