Infedele

An odd film of both King Vidor's and Ronald Colman's, but Kay Francis is adorable and saves both the film and the story. The moment of truth arrives at the court when the successful careerist and London barrister is put to trial and has to explain himself, which he refuses to do, as his delicacy forbids him, as the reputation and honour of a deceased girl depends on it, and without it standing out clearly or being expressed, his loyalty and honouring the girl's memory makes him keep his silence, well aware that it will be judged to his disadvantage - he loses everything and has to find a new life in South Africa, while he could have saved himself and his marriage and career and everything by telling the truth about the girl. This is actually a typical Ronald Colman part - the extreme gentleman, who rather reasons decently and romantically than rationally. It is interesting although not a first rate movie but an odd gem indeed of no great lustre but of the greater worth for its inconspicuousness for both King Vidor and Ronald Colman.