L'avventuriera di San Francisco

This was an enjoyable, yet unremarkable, film that deals with a racket of women who marry multiple servicemen in order to collect their allotment benefit checks. It all seems like a rather elaborate way to earn a buck, and easily traceable. Playing the leader of the syndicate is actress Kay Francis in her final role. In the mid '30s she was under a Warner contract and was reportedly the highest paid actress in the world. But unfortunately by the end of that decade she had gotten the reputation of 'box office poison' and she had to finish her career in poverty row b movies like this one. The film also features Otto Kruger who plays his usual suave gentleman villain part, he is number 2 behind Francis at the top of the scheme. Walk, don't run to this one.

Paul Kelly is put in charge of exposing and terminating the organization that is masterminding bigamy schemes that fraudulently get access to allotment benefit funds to provide for wives and children of servicemen. Kay Francis is the head of the notorious syndicate and Otto Kruger is her henchman. That would seem to be the main plot but competing with it is Kay Francis' concern for her wild college aged daughter who is running amok. Then there is Gertrude Michael trying to blackmail Kay based on some issue from their past. Not to mention the romantic situation between Kay and Kruger or Kelly's interest in Kay. An 80 minute movie leaves us unsatisfied in allowing enough time for developing the main plot let alone these subplots. The end result is a threadbare flick with a superficial expose of the allotment wife issue. This movie was part of a three movie package that Kay signed with Monogram that you'll note also gave her credit as Producer and essentially marked the end of Kay's fabulous career. While far from her best outing her movies are all worth viewing. Kruger and Kelly were excellent in support. Disappointing but still entertaining.

Interesting story with the smartest and toughest characters being women. Kay is in charge of a crime syndicate running a scam of pimping women out to marry multiple soldiers for their allotment money. Doing it so her daughter can have a better life, sorta like a crooked Mildred Pierce. Another tough, strong women tries to horn in on her business by blackmail. I loved the scenes between the two of them politely threatening each other and their final confrontation, reminiscent of many gangster scenes between male characters. Kay plays cold blooded and ruthless very well and is completely in charge of her gang. Very un 40's like that no one questions her authority or makes mention of the fact she's a woman running the show. Ahead of it's time feminist slant. Investigators seemed a bit dim witted and slow getting to the truth but I guess that's a testament to her abilities.

I love movies made in the 1940's esp. Noir type movies. This particular movie, Allotment Wives, was being shown years ago at an extremely limited engagement at the Roxie Theatre in San Francisco, California. I had to miss going to see the show, and I've regretted it ever since. I'd love to see this film. I love movies like The Best Years of Our Lives, So Proudly We Hail, Stage Door Canteen, The Red House, Detour, Mildred Pierce, Air Force, Citizen Kane, White Heat, High Sierra, Dark Passage, 30 Seconds Over Tokyo, etc. I hate to think I would go to my grave without seeing Allotment Wives. Do they show it on late night TV? How can I see this? If you have any ideas, I would be grateful to you, fellow Noir aficionados.

"Allotment Wives" was the second to last movie that Kay Francis made. She co-produced this and a couple other films at Monogram Studios after her falling out with the major Hollywood studios. She went into retirement the next year, and only made a couple appearance in TV series in 1950 and 1951. The one-time leading actress at MGM and Warner Brothers lived her last 15 years in seclusion and died of cancer in 1968 at 63 years of age.

In this film, Francis plays a tough as nails, hard-hearted head of a syndicate that swindles the U. S. government. Sheila Seymour's network has numerous women who marry several servicemen during World War II, to rake in their allotments and insurance payments for those who are killed. She has a front of an exclusive women's beauty salon, as well as a canteen she set up for GIs, sailors and Marines. She also has a daughter who has spent most of her life in an exclusive boarding school. Otto Kruger is Whitey Colton, who is Sheila's top aide and boyfriend, and his boys handle the dirty work when they need to rub somebody out.

The War Department's Office of Dependency Benefits (ODB) has been trying to catch and break up the organized crime network. They send Col. Peter Martin to head up the job. Paul Kelly plays Martin and operates from his former newspaper job on a Los Angeles paper. The feds aren't too sharp and Sheila's gang get wise to Kelly quickly. But a rebellious daughter, Connie (played by Teala Loring), and an old juvenile delinquent from Sheila's reformatory past - Gladys Smith (played by Gertrude Michael) lead to Sheila's downfall.

The acting is fair but nothing great. It's an interesting plot and unusual story about the ODB - the only movie I know of that ever even mentioned such a wartime agency and service for dependents. While there no doubt were many abuses of the ODB program - most of those would be quickie marriages of guys in uniform, so that women could receive benefits, and insurance payments for those men killed in the war, it's doubtful there was anything like the network in this picture. Each GI had his own serial number, and even without computers, the human work of records filing would have caught women who married more than one GI. Then, to have a ring coordinating and putting this all together would be quite far-fetched.

At the very least, this film has something about a little known wartime agency for dependent families of men in WW II service. And, it's a good, and quite different look at Kay Francis at the end of her acting career. Here's a good exchange of dialog between Sheila and Whitey when she finds out who Peter Martin is.

Sheila, "Maybe I better cultivate him. Might be amusing. And, might help our information file." Whitey, "Might help his too. You're a fool if you go sticking your pretty neck out." Sheila, "I'm never a fool. And only geese stick their necks out."