Passaggio a Nord-Ovest

Northwest Passage is one of the few films about the Seven Years' War that isn't based on a James Fenimore Cooper novel, and in that sense, it's a welcome lesson in how that important period has come to be mythologized in popular culture. I've never read the Roberts books, so I can't comment on how faithful the film is to its source material. I can only make a few comments on how movies have their own sensibilities and cultural rules. Like most films, this one tells us more about the era in which it was made than the time period in which the film's events take place. It's certainly an exciting story, but it has a number of cringeworthy elements (and they would have elicited just as many cringes back in the 1930s, I assure you.)Here's a few comments:

Jeffrey Amherst and Sir William Johnson: As anyone who has read any of the fine studies of this era can attest (I recommend the works of James Axtell, Gregory Evans Dowd, Daniel Usner, Daniel Richter, Richard White, and many others as fine introductions to Indian-White relations in the 17th and 18th centuries), this film takes a rather interesting view of these historical figures. Amherst is here depicted as the realistic good guy, who is in tune with Rogers's vicious sentiments. Johnson, on the other hand, is seen as part of the problem because of his private relationships with several Indian groups, especially the Mohawks. Johnson's Mohawk allies are here shown as lazy, duplicitous, suspicious interlopers. In fact, Johnson and his many Indian allies throughout Iroquoia and the Ohio country were indispensable to the British victory in the Seven Years' War, while Amherst, a capable officer but a virulent anti-native racist, instituted policies that helped start the 1763-64 Indian uprising ("Pontiac's War") and actually approved using germ warfare on Indians near Fort Pitt (he approved a plan to give them smallpox-infected blankets.)

Uniforms: If you squint, Roger's Rangers look like they should be in the Confederate Army. This may be a Technicolor issue. In fact, Roger's men often dressed as Indians and other backcountry residents did. It is the demands of movie convention that put them all in blue buckskin uniforms -- just as Japanese and German soldiers always wore particular shapes of helmets, so you can tell them apart from the other guys. Even the Mohawk and Abenaki Indians wear similar "uniforms," i.e. matching loincloths. The Indians in this movie look like they belong in the Southwest or the plains -- not in the Eastern Woodlands, especially late in the year.

Rogers himself: Well, his anti-Indian rants probably do illustrate something of the man himself. It should be noted that Rogers's sensationalized exploits made him a problematic celebrity during his life. He was always distrusted by his British superiors, who nevertheless bowed to public acclaim and gave him important positions after the war, including a brief command of Fort Detroit, and his disastrous tenure commanding Fort Michilimackinac after the Indian uprising. Like many outpost commanders, Rogers let his personal greed take over in the relative freedom of the pays d'en haut, and ended up being arrested and returned to Niagara in irons. Amherst gave him guarded trust, but Amherst's successor, Thomas Gage, and Indian Supervisor William Johnson, considered him a villain. As for the native Americans, everyone knew about Rogers's Indian killing, and he had few Indian friends and many enemies. Everywhere Rogers went became a tense place of interaction between Indians and Europeans.

Indian issues: Well, it's true that Indians, Abenakis and others, used brutal tactics in war. But this movie, like other movies such as Drums Along the Mohawk, definitely take the settlers' side in their confrontations with native Americans. In one scene, Rogers tells his men how the Abenakis should be killed for brutally hatcheting innocent settlers, who were just trying to make lives for themselves and weren't bothering anyone. It should be noted that settlers were often a great bother to Indians, just by their presence alone. Indians who lived in transitional regions resented the encroachments of white settlers more than anything else, including the presence of forts and soldiers. Settlers used land for farming, which was an exclusive operation. Unlike the skin trade, which used native residents as partners, farmers viewed Indians as being in the way. All Eastern Indians knew that farming was the one operation that turned Indian country into European territory exclusively, and did everything they could to oppose it. And as far as relative levels of brutality go, backcountry settlers and soldiers were capable of all the worst kinds of viciousness. Reference the Gnadenhutten Massacre during the Revolutionary War if you want to read about some really vicious behavior by America militiamen.

This movie is a great mirror on its time. Americans looked to their settler past, mythical or otherwise, whenever they wished to differentiate their national identity from the "bad old" Europeans, or the brutal state of nature. The rugged, idealistic frontier settler, hacking a life out of the wilderness but imbued with democratic virtue, was a popular model for Depression-riddled Americans who felt that their agency and power was slipping away. People today might like these movies for the same reasons!

As for me, I think the film is well-acted and filmed, and somewhat exciting, but too laughable to take very seriously. That is, it's laughable when it is not deplorable. This is the most virulent anti-Indian movie I know, worse even than most westerns. Some of the comments here label this as a "family" film. The hero of this film repeatedly labels all Indians as brutes, thieves, and cowards. I wouldn't let any child see this movie.

It is great when you find an old movie that you have never seen before, and I have seen many. This epic is one of broad scope and adventure, well balanced with good and evil aspects. A film of this quality could NEVER be made today and not maintain an unprejudiced view. Bravo!

Exciting picture with open-air spectacular scenes starts depicting in a foreword : ¨This is a story of our early America..of the century of conflict with French and Indians .. when necessity made simple men, unknown to history, into giants in daring and endurance . It begins on Potmouth New Hampshire in 1759...¨ This Technicolor MGM classical describing the troop of Rogers' Rangers battling the hostile Indians and wilderness. The historical novel Northwest Passage (1937), by American author Kenneth Roberts, portrayed the events of Rogers' Rangers' raid on the Abenaki town of St. Francis. The first half of the novel was adapted in this film by Talbot Jennings and Laurence Stallings , being lavishly produced and uncomprimisingly directed by King Vidor . It actually intents to be the first of a two-part epic but the second half was never realized and the Northwest passage itself is never seen. The picture is packed with spectacular battles, heroism , heartbreaking scenes and blood-letting deeds . The main cast ans secondary support give good performances with special mention to Spencer Tracy , Walter Brennan and Robert Young. It contains marvelously photographed in glimmer Technicolor by Henry Jaffa and adequate musical score by Herbert Stothart. This is a winner for Spencer Tracy fans.

The story is based on real events , these are the following : During 1759, the Rangers were involved in one of their most famous operations: they were ordered to destroy the Abenaki settlement of Saint-Francis in Quebec. It has been the base for raids and attacks of British settlements. Rogers led a force of 200 rangers from Crown Point deep into French territory. Following the October 3, 1759 attack and successful destruction of Saint-Francis, Rogers' force ran out of food during their retreat through the wilderness of northern Vermont. Once the Rangers reached a safe location along the Connecticut River at the abandoned Fort Wentworth, Rogers left them encamped. He returned a few days later with food, and relief forces from Fort at Number 4 now Charlestown, New Hampshire, the nearest English town.In the raid on Saint-Francis, Rogers claimed 200 enemies were killed, leaving 20 women and children to be taken prisoner, of whom he took five children prisoner and let the rest go . The French recorded that only 30 were killed, including 20 women and children. According to Francis Parkman Ranger casualties in the attack were 1 killed and 6 wounded; however in the retreat, 5 were captured from one band of Rangers and nearly all in another party of about 20 Rangers were killed or captured. One source alleges that of about 204 Rangers, allies and observers, only about 100 returned.

Kenneth Roberts was a distinguished novelist who wrote many fine fictional works about colonial and revolutionary America. Probably his biggest seller was Northwest Passage a fictionalization of the exploits of Roger's Rangers during the French and Indian War.

His books sold well at the time and we have to remember that in viewing Northwest Passage we are seeing a fictional story rather than the real story of Roger's Rangers. At that we are only seeing part of that book, nothing at all about a search for a land route across North America.

The historical significance of the Rangers is that Robert Rogers had an idea that one should be living and thinking like the American Indian in order to fight him. His ideas about specialized units who could meet the enemy on his own terms in colonial America have been followed right down to the Green Berets in Vietnam. His is a distinguished contribution in military history.

To do that and lead such a group you have to be one charismatic leader. And in Spencer Tracy, Rogers has the best kind of interpreter.

This was Tracy's first color feature for MGM and Louis B. Mayer spared no expense for this film. No back lot backwoods here, the company went on location to the Payette River in Idaho for the outdoor scenes depicting colonial era New York State. No stunt doubles here either, that's Tracy, Walter Brennan, Robert Young and the rest of the company waist deep in those rapids forming that human chain. Some of the stars nearly drowned making this film.

One aspect of this film is rarely discussed and that was the politics surrounding the Indians. Please note that while Tracy is burning the Abinagi village, he has some friendly Mohawks with him. When the British and French went to war in this theater of the Seven Years War, the various Indian tribes chose up sides, trying to figure which group of whites would give them the better deal. The Mohawks are part of the Iroquois Confederation and they aligned themselves with Great Britain. Various other tribes allied with with French. Both were supplied with the white man's weapons of war and both fought on each side. And neither got a really great deal in the end.

Northwest Passage is definitely not for the politically correct of the day. Tracy is leading a savage reprisal against the Abinagi, he burns the town, kills all the males of fighting age, steals their meager food supplies to feed his men who are hungry themselves. Tracy makes it clear this is reprisal for raids against the British colonists. Prominently displayed for the camera just before the shooting start is that large exhibit of settler's scalps in the village.

Of course the real story is the retreat back, fleeing a much larger force of French in the area. The men are starving as they reach the rendezvous point which is an abandoned fort. Tracy races ahead of the men who've been promised a feast when they get there and as he makes it there he realizes the supplies haven't come. He starts to break down, but as he hears his men behind him, he regains control of himself and starts issuing the orders necessary for their survival. It's all done in a few minutes without dialog and its own of Spencer Tracy's greatest film moments.

Northwest Passage will not find too much favor with a lot of today's audience. But taken for what it is worth, it is a story about brave men and their struggle for survival in the colonial wilderness.

Northwest Passage is based on a novel of the same name by Kenneth Roberts, in fact it is an adaptation of its first part The Roger's Rangers, the second part was also originally planned to be filmed by King Vidor, but MGM dropped the project fearing the costs involved. As a consequence only the first part of the novel was brought to the screen where passage through the northwest never actually happens but only is talked about.

The story is centred on Major Robert Rogers (Spencer Tracy) and his rangers who take a dangerous and adventurous journey through the territory controlled by the Indians and the French troops in 18th century America in order to destroy a hostile Indian village from where English settlements are constantly being attacked.

Right in the beginning the rangers are joined by right out of Harvard idealistic young cartographer Langdon Towne (Robert Young) who is dreaming of becoming a great painter `like Velasquez or Rubens' and is enthusiastic about the journey because of possibility it offers to paint portraits of Indians and landscapes in contrast with the other rangers who are mainly driven by yearning of revenge for relatives murdered during Indian raids.

Northwest Passage is possibly the best and the most visually impressive King Vidor's adventure film. Breathtakingly beautiful landscapes shown here certainly stand out as the most wonderful even among King Vidor's work who was well known for beautiful Technicolor exteriors in his movies. A beautiful film, definitely worth watching. 8/10