Ted Donaldson, who starred as Bud Anderson on the original radio version of Father Knows Best and as Neely Nolan in the beloved family drama A Tree Grows in Brooklyn, the first feature directed by Elia Kazan, has died. He was 89.
Donaldson died Wednesday of complications from a fall in his Echo Park apartment in January, his friend Thomas Bruno told The Hollywood Reporter.
In his big-screen debut, Donaldson portrayed a boy who gets his pet caterpillar Curly to dance when he plays “Yes Sir, That’s My Baby” on the harmonica in the comedy fantasy Once Upon a Time (1944), starring Cary Grant and Janet Blair.
He also starred as Danny Mitchell in eight B-movies from Columbia Pictures that revolved around a German shepherd named Rusty. The first one, Adventures of Rusty (1945), featured Ace the Wonder Dog.
An only child, Donaldson was born in Brooklyn on Aug. 20, 1933. His father was...
Donaldson died Wednesday of complications from a fall in his Echo Park apartment in January, his friend Thomas Bruno told The Hollywood Reporter.
In his big-screen debut, Donaldson portrayed a boy who gets his pet caterpillar Curly to dance when he plays “Yes Sir, That’s My Baby” on the harmonica in the comedy fantasy Once Upon a Time (1944), starring Cary Grant and Janet Blair.
He also starred as Danny Mitchell in eight B-movies from Columbia Pictures that revolved around a German shepherd named Rusty. The first one, Adventures of Rusty (1945), featured Ace the Wonder Dog.
An only child, Donaldson was born in Brooklyn on Aug. 20, 1933. His father was...
- 03/03/2023
- di Mike Barnes
- The Hollywood Reporter - Movie News
Murder on the Familiar Express: Collett-Serra’s Airborne Caper a Watchable Throwback
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Director Jaume Collet-Serra has jumped aboard the Liam Neeson renaissance train, reuniting with star for Non-Stop after their 2011 effort, Unknown (and, they’ve recently wrapped a third feature due out next year). With Neeson’s insistent return to the action fold, his latest outing fares well in comparison, a glossy whodunit that feels like a familiar (and fun) Agatha Christie narrative thrust onto a plane, filled with moments you’ll question later but offering a generous amount of engagement generally lacking in many recent big budget offerings. A host of recognizable faces admirably (though not entirely successfully) warps the process of elimination via casting choices, and while it doesn’t quite manage a smooth landing in a rather truncated finale, it offers enough mainstream enjoyment to at least avoid making you angry with it.
A depressed and alcoholic Us Air Marshall,...
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