Scienza e fantasia

Science Fiction Theater was one of my favorites when I was a kid. (Sea Hunt, also from Ivan Tors and Ziv, with Lloyd Bridges, was another) I, born in 1950, remember hurrying home from school to see the show. I'm not sure what year this was--late '50s probably--it must already have been in reruns, being on in the afternoon. My mom wasn't thrilled that my brother and I watched it--science fiction was inherently not to be trusted--but it was good enough that she tolerated it in preference to things like the forbidden "Wednesdayville"--on, not surprisingly, only on Wednesday afternoon, showing Three Stooges shorts--and frankly, I preferred it myself. Much more better to a kid interested in sciences. I remember the intros with Truman Bradley--I can almost conjure up his face, but not quite--and, though I remember most of the shows mentioned by other writers, the one I remember especially was about a young mammoth found in the permafrost, thawed and revived, and what this led to for the animal and the people involved with it. I remember Truman Bradley's intro to that show, taking a fish frozen in ice, dropping it in water, and, when the ice melted--just a few seconds--the fish swimming away. That was the sort of thing that fascinated me.

In the mid-50's, even prior to the launching of Sputnik, America's interest in science was increasing. This anthology came along in syndication for two years in 1955-56, and to a young 10 year old it was a revelation that few things were as endlessly fascinating as science. Even though the plots often spun off into the realm of the fantastic, they all revolved around some basic scientific principle, demonstrated at the beginning of the show by the host Truman Bradley. You couldn't watch him, surrounded by all that neat looking electronic equipment, and not want to be a scientist. Many of the shows were quite literate, and the acting usually top notch. Of course, now the show looks dated almost a half century later, but it's still better than the ridiculous shows that abound today about channeling the dead, bleeding statues, and other pseudoscientific bunk. Come back, Mr. Bradley.

I was only about 6 or 7 years old when I first watched Science Fiction Theater. Even my folks watched it. It is a fantastic series, and found where I might purchase it, but I don't know if I want to put out $80.00 or not for the two seasons! I sat on the edge of my seat every time it showed, totally enthralled with every episode. True, it wasn't always fiction, but even when the episodes didn't exactly fit with the Science Fiction Theater genre, it still provided an engaging show. For even then, much of the science fiction was still based on some simple fact. I would recommend anyone interested in the old SF series programs, Science Fiction Theater is one. Don't forget Commando Cody.

A 225 mph super-hurricane--a stone that froze ancient, terrified voices from Pompeii--the odd new neighbors from next door who vanished one night during an electrical storm!---What an impact these stories had on a 9 yr. old kid! I never forgot them. What a blast to be able to see these shows again. Thank you, Mr. Bradley for making them resonate for all these years!

And what thought-provoking titles, too! And then of course, there was that theme music---!!

Science Fiction Theater (1955-1957) stands out as perhaps the most intriguing and intelligent of all TV science fiction shows. I remember watching the series as a 13 or 14 year old when it first aired. Only recently have I obtained a DVD of the entire series, and I am happy to say that I have not had to change my original opinion of SF Theater.

The stories are solid, the actors, easily identifiable from duty in many feature films, are excellent. And, as an added bonus, it turns out that the series was filmed in color! SF Theater was not the only 50s series to be filmed in color, but it was nevertheless among a very small minority in that respect.

As someone else pointed out, the intelligent introductions by Truman Bradley are a real plus and add an air of authenticity to the stories. (Compare that aspect of SF Theater with the idiotic stories and tone of "Lost in Space" a decade later!) Finally, I would submit that these excellent shows are a good example of what can be done to tell a complete story in just 25 minutes. Too bad so many of today's movie makers need 120+ minutes to make their points.