The Great Dan Patch

David Palmer (Dennis O'Keefe) has graduated from college as a chemist but returns to his father's horse farm in Indiana to sort things out. He has been engaged to a beautiful schoolteacher (Ruth Warrick) and they will probably wed soon. David's father raises harness-racing horses and is very excited about a stallion named Joe Patchen. Training the horse is his longtime employee and his teenage daughter, Cissy (Gail Russell). But, at his first race, Joe P has an unfortunate accident and ruins one his legs. Undeterred, Mr. Palmer Sr. decides to breed the horse and see what happens. Fast forward three years. David is married and far wealthier, due to an invention. His wife couldn't be happier but, David feels something is missing. He begins spending more time with Joe's son, horse Dan Patch, who is even swifter than his sire. Cissy, too, has blossomed into a beautiful, sweet young lady who secretly loves David. With Dan Patch winning race after race, David gets caught up in the excitement, as does the entire country. But, could his personal life with his wife suffer? Does he truly love Cissy, too? This 1949 film highlights the true story of a horse, Dan Patch, who set many records for harness racing and was well-loved throughout the whole USA. Few have heard of him today, unfortunately, but many viewers will love watching his "tale". The cast is quite nice, with O'Keefe a dignified, handsome leading man and Russell unusually pretty. Watch out for Warrick, who went on to fame in the soaps! She makes a darn good "villianess". All of the supporting actors are very fine as well. Naturally, the film's look is the standard of the times but the editing and camera shots are interesting. Costumes, sets, script, and direction are worthy. Of course, there is some obvious political "incorrectness", as the horse farm's workers are African-American and shown in a mostly subservient role. Likely it is historically accurate to their positions but, they are shown here as stereotypically "step-and-fetch-its" without much intelligence. That's too bad but the story is still a good one and worth watching, despite its problems. If you love horses, you should try to find dear Dan P. I got mine at the Dollar Tree store, for a buck, and it brought much more pleasure than it cost.

This feature is a solid drama based loosely on the career of the famous race horse Dan Patch, with a good emphasis on the lives of the persons who owned and trained him. Although it certainly emphasizes what a unique and nearly unbeatable horse Dan Patch was, it looks even more closely at the dramas taking place among the human characters.

Much of the story focuses on the son (played by Dennis O'Keefe) of the horse's original owner, who is torn between a successful career and an ambitious wife on the one hand, and his passion for horses and attachment to old friends on the other. The supporting cast does a good job, with Henry Hull as the father, John Hoyt as the old-time horse trainer, and Gail Russell as the trainer's daughter. Ruth Warrick also succeeds in the thankless role of O'Keefe's wife.

Although most of the production is done in a very straightforward manner, it still works all right because the issues faced by the characters are easy to identify with. Aside from being somewhat predictable and sometimes a bit plain-looking, it's a solid feature.

Saw this movie for the second time on Archive.org (I previously saw it on a community channel from Manitoba; I live in Ontario but have access to Neepawa Access Television Network) while on a Christmas break. This week I've been binge watching movies about or centered around my favorite sports (horse racing and curling); seen Run for The Roses, Ready to Run and this title (and for curling, Gerri Curls and Men With Brooms).

This is overall a decent movie, though not without its flaws. I'm a factional owner of Standardbreds so a few things stuck out at me ;)

Dan Patch (April 29, 1896 - July 11, 1916) was indeed an excellent Standardbred *Pacing* champion (and not a trotter as he was referred to in the movie) who was so strong in open company that connections of other horses refused to race against him. There was. Again, creative licensing.

This movie is *loosely* based on the horse but mainly a fictional telling of the lives of his (movie fictional) connections. If you are looking for a more accurate picture about horse racing unfortunately this isn't it, but there are so few about Standardbreds and it's isn't terrible.

What Man O' War was to flat thoroughbred racing Dan Patch was to the sport of harness racing. During the Teddy Roosevelt era in our history this horse was a much a sports hero as Christy Mathewson or John L. Sullivan. He retired undefeated and as the film shows many of his races were simply against the clock as he tried to beat his own pacing speed records which stood for many years.

But the film The Great Dan Patch is about his original owners who bred and trained him and the trouble that one of them had with the women in his life. Dennis O'Keefe who was raised on an Indiana farm by father Henry Hull and aunt Charlotte Greenwood had a love of horses, but also a love of science. He patented some chemistry formulas and became wealthy. However two women are in love with O'Keefe. Gail Russell who is the daughter of Dan Patch's original trainer John Hoyt and Ruth Warrick who is the town school teacher.

O'Keefe's life would have been real simple had he married Russell who shares his interest in horses. But Warrick marries a man who will allow her to live and circulate in high society. She's got an interesting part, it's almost like O'Keefe married the grandmother of Harriet Craig.

If you're expecting a Secretariat like movie with the emphasis on the horse, this will not be the film for you. The Great Dan Patch just keeps on winning harness races as the humans around him make great big mistakes in their personal lives.

It's a decent film, but I would like to have seen more of the horse.

Surprisingly good.

Gail Russell is always wonderful and she's fine in this. She's one of the best. When you think how she died at such a young age from alcoholism, it's tragic. (For more details on her life, see the 12-minute documentary about her on the DVD release of Seven Men from Now.)

She's the main reason I went looking for this movie, and I wasn't disappointed.

Any movie with some of my favorite actors all working in the same scene is worth watching. Seeing John Hoyt, Henry Hull, and Gail Russell in several scenes together...a delight.

The movie's also got Ruth Warrick (the wife in Citizen Kane), Charlotte Greenwood, Dennis O'Keefe, Arthur Honeycutt, Clarence Muse, Harry Lauter, Davis Roberts, and Earle Hodgins in a tiny role (one line)--all of them among my favorites and all of them highly enjoyable.

The story's not bad and those performances are first rate.

One of the only drawbacks is a typical one of the times when this was made: the black characters are all subservient, but they were at least treated by the other characters and by the story itself with respect and they've got some depth of character to play.

The script gets a little preachy toward the end, laying in a message about a mismatched marriage, and it's a message we've already gotten in this story well before the ending.

One thing really stands out in the performances, something true to the era the story's set in, the late 1890s and early 1900s. People in those days held a lot back, they didn't just gush their emotions out. And the actors are subtle. They hold back a lot. The first scene between father and son (Hull and O'Keefe) is impressive. The joy at their reunion is there, but they keep it inside and don't make a show of it. Same with the relationship between the trainer and his daughter (Hoyt and Russell): restrained, but full of unspoken words and emotions. All the characters perform with the same restraint, the same modulation. The director, Joseph Newman, must've had a hand in that.

Satisfying family fare.