Uno sceneggiatore viene assunto per rivedere il copione di una vecchia diva del cinema muto, ma si ritrova coinvolto in una relazione pericolosa.Uno sceneggiatore viene assunto per rivedere il copione di una vecchia diva del cinema muto, ma si ritrova coinvolto in una relazione pericolosa.Uno sceneggiatore viene assunto per rivedere il copione di una vecchia diva del cinema muto, ma si ritrova coinvolto in una relazione pericolosa.
- Vincitore di 3 Oscar
- 21 vittorie e 20 candidature totali
Larry J. Blake
- 1st Finance Man
- (as Larry Blake)
Fred Aldrich
- Cop Who Drags Joe's Body from Pool
- (non citato nei titoli originali)
Recensione in evidenza
Sunset Blvd. could be looked at as a thesis on what fame does to certain people. For Norma Desmond, fame created a fantasy world that forever trapped her. Living alone in that giant house on Sunset, save for her servant Max, Norma whiles away the hours planning her magnificent return. Her fame kept alive by fan letters, and her hope of return kindled by Joe Gillis. For Norma, there is no other life than standing before cameras and acting out lives of characters that are larger than life. Of course, no one knows who Norma Desmond is. Gloria Swanson gives a magnificent performance. She runs from melancholy, to unbridled joy, to complete mental breakdown. William Holden is the ultimate cynic. He plays Norma like a fiddle but gets ensnared in her web of decaying glory. In the end, Joe pays the price for enduring Norma's insanity. As she descends that staircase in the final scene, you can see that she is completely lost in her own world. A world where no one grows old, where she is forever young, and where she is the greatest star of them all. After all, stars never age.
Trama
Lo sapevi?
- QuizUnlike the character she played, Gloria Swanson had accepted the fact that the movies didn't want her anymore and had moved to New York, where she worked on radio and, later, television. Although she had long before ruled out the possibility of a movie comeback, she was nevertheless highly intrigued when she got the offer to play the lead.
- BlooperWhen Max is telling Joe about directing Madam's first pictures, there is a bad dub of the word "sixteen". After the Roscoe 'Fatty' Arbuckle trial and the subsequent establishment of the Hays Office to enforce the new Production Code, the producers were concerned that the original age of 14 would be considered child porn and had the line changed in post.
- Citazioni
Joe Gillis: Wait a minute, haven't I seen you before? I know your face.
Norma Desmond: Get out! Or shall I call my servant?
Joe Gillis: You're Norma Desmond. You used to be in silent pictures. You used to be big.
Norma Desmond: I *am* big. It's the *pictures* that got small.
- Curiosità sui creditiThe Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street.
- ConnessioniEdited into Les Amoureux du cinéma (1987)
- Colonne sonoreThe Paramount-Don't-Want-Me Blues
(1950) (uncredited)
Written by Jay Livingston and Ray Evans
Performed by Jay Livingston and Ray Evans at Artie's party
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El ocaso de una vida
- Luoghi delle riprese
- 10060 Sunset Blvd, Los Angeles, California, Stati Uniti(Norma Desmond's driveway gate)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.752.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 299.645 USD
- Fine settimana di apertura Stati Uniti e Canada
- 169.067 USD
- 13 mag 2018
- Lordo in tutto il mondo
- 309.467 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Proporzioni
- 1.37 : 1
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What was the official certification given to Viale del tramonto (1950) in Japan?
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