VALUTAZIONE IMDb
8,2/10
13.483
LA TUA VALUTAZIONE
Un millantatore impulsivo prende un timido studente di legge per un giro di due giorni attraverso i paesi romani e toscani.Un millantatore impulsivo prende un timido studente di legge per un giro di due giorni attraverso i paesi romani e toscani.Un millantatore impulsivo prende un timido studente di legge per un giro di due giorni attraverso i paesi romani e toscani.
- Premi
- 4 vittorie e 2 candidature totali
Jean-Louis Trintignant
- Roberto Mariani
- (as Jean Louis Trintignant)
Luciana Angiolillo
- Gianna Cortona
- (as Luciana Angelillo)
Paola Gassman
- Girl on the beach
- (non citato nei titoli originali)
Aldo Gianni
- Young man on the rocks at the end
- (non citato nei titoli originali)
Lina Lagalla
- Zia Enrica
- (non citato nei titoli originali)
John Francis Lane
- Alfredo - avvocato cugino di Roberto
- (non citato nei titoli originali)
Howard Nelson Rubien
- Eccellenza
- (non citato nei titoli originali)
Jacques Stany
- automobilista toscano che picchia Bruno
- (non citato nei titoli originali)
Recensione in evidenza
Kurosawa said a truly great movie should be enjoyable. That's certainly the case with "Il Sorpasso". You can watch it as a comical road movie. Or you can watch it as a snapshot of Italy's economic boom and carefree euphoria of the 1960s. Or you can watch it as a coming of age film. Or you can watch it as a profound philosophical commentary on living in the moment. One way or another, just watch it.
"Bruno" (Vittorio Gassman in his first comic role) is a smooth talking, fun-loving, overgrown adolescent who lives his life hour by hour. By chance he encounters "Roberto" (Jean-Louis Trintignant) who is a shy, sheltered introvert. Somehow Bruno shanghais his reluctant young passenger into a cross country road trip. The rest is anybody's guess.
Many have credited this film as kick starting the road movie genre. "Easy Rider" which came out in 1969 was directly influenced by this film, as are films as recent as "Sideways" (2004). Strangely enough, in the 70 years since "Il Sorpasso" I don't think any road movie nailed one particular defining quality as well as director Dino Risi did here. Although this film is very episodic, with characters fleeting in and out like in all road movies, Risi and the camera take extra care to give importance to even the most trivial characters. People who don't even say a word but whose presence imply entire stories unto themselves.
This also adds a tremendous amount of interest and intrigue to this otherwise breezy presentation. The 2 German girls from the beginning... will they show up again? What about the waitress "Dark Eyes" who gave Roberto such a meaningful, lingering stare? Or Aunt Lidia, whom the camera graces through a window as they're driving off and she mournfully puts her hair back up in a bun... what's her story? The film is packed full of moments like that, and we realize that this movie isn't just about our 2 main characters and a handful of others, but it's about everyone whom the camera catches.
You'll notice this almost immediately. The film begins in a completely deserted Rome where the 2 protagonists meet, and from there almost every person they meet is significant, all the way up to its memorable conclusion. Guaranteed you won't forget this film.
"Bruno" (Vittorio Gassman in his first comic role) is a smooth talking, fun-loving, overgrown adolescent who lives his life hour by hour. By chance he encounters "Roberto" (Jean-Louis Trintignant) who is a shy, sheltered introvert. Somehow Bruno shanghais his reluctant young passenger into a cross country road trip. The rest is anybody's guess.
Many have credited this film as kick starting the road movie genre. "Easy Rider" which came out in 1969 was directly influenced by this film, as are films as recent as "Sideways" (2004). Strangely enough, in the 70 years since "Il Sorpasso" I don't think any road movie nailed one particular defining quality as well as director Dino Risi did here. Although this film is very episodic, with characters fleeting in and out like in all road movies, Risi and the camera take extra care to give importance to even the most trivial characters. People who don't even say a word but whose presence imply entire stories unto themselves.
This also adds a tremendous amount of interest and intrigue to this otherwise breezy presentation. The 2 German girls from the beginning... will they show up again? What about the waitress "Dark Eyes" who gave Roberto such a meaningful, lingering stare? Or Aunt Lidia, whom the camera graces through a window as they're driving off and she mournfully puts her hair back up in a bun... what's her story? The film is packed full of moments like that, and we realize that this movie isn't just about our 2 main characters and a handful of others, but it's about everyone whom the camera catches.
You'll notice this almost immediately. The film begins in a completely deserted Rome where the 2 protagonists meet, and from there almost every person they meet is significant, all the way up to its memorable conclusion. Guaranteed you won't forget this film.
Trama
Lo sapevi?
- QuizIn 2008, the film was selected to enter the list of the 100 Italian films to be saved (100 film italiani da salvare). The list was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". The project was established by the Venice Days ("Giornate degli Autori") in the Venice Film Festival, in collaboration with Cinecittà Holding and with the support of the Ministry of Cultural Heritage.
- BlooperYou can see part of the rig on Bruno's car when they talk about Antonioni, when Bruno makes fun of the Italian family on the motorcycle, and when he teases the cyclist.
- Citazioni
Bruno Cortona: [Picks up a photo from Roberto's desk] Who's this fatty?
Roberto Mariani: My mother.
Bruno Cortona: Wow! Beautiful woman.
- ConnessioniFeatured in I miei primi 40 anni (1987)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- The Easy Life
- Luoghi delle riprese
- Beach Resort "La Lucciola", Castiglioncello, Livorno, Italia(Where Bruno play Ping Pong)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Proporzioni
- 1.85 : 1
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