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IMDbPro

Monstrosity

  • 1963
  • Approved
  • 1h 5min
VALUTAZIONE IMDb
3,0/10
3077
LA TUA VALUTAZIONE
Monstrosity (1963)
A rich but unscrupulous old woman plots with a scientist to have her brain implanted in the skull of a sexy young woman.
Riproduci trailer1: 29
1 video
27 foto
HorrorMysterySci-Fi

Una donna ricca e anziana assume uno scienziato pazzo per trapiantare il suo cervello nel corpo di una giovane e bella serva. Ma quando lei offende lo scienziato, lui decide di vendicarsi tr... Leggi tuttoUna donna ricca e anziana assume uno scienziato pazzo per trapiantare il suo cervello nel corpo di una giovane e bella serva. Ma quando lei offende lo scienziato, lui decide di vendicarsi trapiantando il suo cervello nel corpo di un gatto!Una donna ricca e anziana assume uno scienziato pazzo per trapiantare il suo cervello nel corpo di una giovane e bella serva. Ma quando lei offende lo scienziato, lui decide di vendicarsi trapiantando il suo cervello nel corpo di un gatto!

  • Regia
    • Joseph V. Mascelli
    • Jack Pollexfen
  • Sceneggiatura
    • Vy Russell
    • Sue Dwiggins
    • Dean Dillman Jr.
  • Star
    • Marjorie Eaton
    • Frank Gerstle
    • Frank Fowler
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    3,0/10
    3077
    LA TUA VALUTAZIONE
    • Regia
      • Joseph V. Mascelli
      • Jack Pollexfen
    • Sceneggiatura
      • Vy Russell
      • Sue Dwiggins
      • Dean Dillman Jr.
    • Star
      • Marjorie Eaton
      • Frank Gerstle
      • Frank Fowler
    • 81Recensioni degli utenti
    • 49Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Trailer
    Trailer 1:29
    Trailer

    Foto27

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    + 19
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    Interpreti principali9

    Modifica
    Marjorie Eaton
    Marjorie Eaton
    • Mrs. March
    Frank Gerstle
    Frank Gerstle
    • Dr. Frank
    Frank Fowler
    • Victor
    Erika Peters
    Erika Peters
    • Nina
    Judy Bamber
    Judy Bamber
    • Bea
    Lisa Lang
    • Anita
    Xerxes
    • Xerxes the Cat
    Bradford Dillman
    Bradford Dillman
    • Narrator
    • (voce)
    • (non citato nei titoli originali)
    Margie Fisco
    • The Walking Corpse
    • (non citato nei titoli originali)
    • Regia
      • Joseph V. Mascelli
      • Jack Pollexfen
    • Sceneggiatura
      • Vy Russell
      • Sue Dwiggins
      • Dean Dillman Jr.
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti81

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    Recensioni in evidenza

    3Coventry

    Frankenstein versus the wolf man, zombies, Catwoman and a cripple old witch!

    The Atomic Brain (or "Monstrosity", if you will) can be described best as Universal's Frankenstein for dummies with no money! The basic story is clearly imitating the classic Mary Shelley story, but so many hectic sub plots and extremely poor visual effects are added that the wholesome becomes incredibly bad. The Drive-In-Cinema type of bad…The MST3K type of bad! Or, in other words, so bad it becomes hugely entertaining again! "The Atomic Brain" is a totally WHACK movie that indeed features all kinds of monstrosities but absolutely no suspense, logic or continuity. It looks like the writers tried to camouflage their lack of inspiration and talent by constantly adding more genetically mutated monsters! Three young girls from different corners of the world are lured to the Californian mansion of the wealthy Mrs. March. Supposedly to work as servants, but the malicious wheel-chaired woman plots to steal their youth and virility! She has the bizarre Dr. Frank (got it?) experimenting with brain-transplants in her cellar and she pays him to surgically put her old brain into the body of one of the young beauties. As some kind of practice, Dr. Frank already created a half-man/half-ape monster, a zombie-girl that he keeps around for amusement (!) and a woman with the brain of a cat! This is pretty stupid 60's B-cinema with pitiful effects and an overload of obvious errors. For example, how the hell can you measure an adult's brain into the skull of a cat? Or vice versa? Oh heck, it doesn't really matter since it provides a few good laughs and at least the movie is never boring, unlike so many other poverty row Sci-Fi movies from that era. The finale is sensationally over-the-top and if they EVER plan to make a sequel, I suggest an appropriate title already: "Revenge of the Brainiac Cat". By the way, keep an eye open for the Oscar-worthy performance of Xerxes; the cat!
    reptilicus

    A title that is not only descriptive but accurate.

    Movies like this were what drive-in managers lived for back in the 1960's. Originally co-billed with THE BEACH GIRLS AND THE MONSTER this is one fine example of gonzo filmmaking at its best. Directed by Joseph Mascelli, who was director of photography on Ray Dennis Steckler's THE INCREDIBLY STRANGE CREATURES WHO STOPPED LIVING AND BECAME MIXED UP ZOMBIES, the very ineptness of this picture is what makes it attractive to lovers of B-movies. Wealthy Mrs. March (Marjorie Eaton) wants her brain transplanted into a young body so she hires Dr. Frank (Frank Gerstle) who has so far succeeded in transplanting the brain of a dog into a man and creating a . . .well . ..a dog-man and lets him install a nuclear reactor in her basement. When three beautiful au-pair girls from Europe show up its obvious one of them is going to lose her mind, literally! I just love movies that involve brain transplants. GHOST OF FRANKENSTEIN, RETURN OF THE APE MAN, THE MONSTER AND THE GIRL and this film to name only a few, all depict brains being switched back and forth with relative ease and without having the shave the patients head! Before the 66 minute running time has gone by a girl gets the brain of a cat (sadly she and the dogman never get to fight each other), one girl gets her eye gouged out and Mrs. March finally gets her brain switched, but not exactly the way she had planned. Oh and that nuclear reactor in the basement? You just know that's going to provide a bang-up of an ending! The cast is good, no of them betraying just how ridiculous the plot is. Judy Bamber, who plays the Cockney girl, was in Roger Corman's A BUCKET OF BLOOD. You can spot Marjorie Eaton in ZOMBIES OF MORA TAU (1957)and NIGHT TIDE (1962); and Frank Gerstle played the FBI agent in KILLERS FROM SPACE (1956). Once a staple of late night TV (and deservedly so!) ATOMIC BRAIN can be had from several mail order video sources. See it, you'll be glad you did.
    3FranklinTV

    Queerly Disturbing D-Grader

    I enjoy bad movies. There is such a wicked delight in watching something that fails on many levels. Because of this enjoyment, I had originally intended to regularly review a movie from the Treeline 50 Sci-fi movie collection. But that was until I watched "The Atomic Brain" (aka Monstrosity).

    It all came to fruition in a particular scene which made me uncomfortable with my whole bad movie fascination; like finding out that your first girlfriend has since turned into a lesbian.

    But first, a quick précis of the film.

    Given that its a black and white film called the Atomic Brain (aka Monstrosity), you should be guessing that you are about to watch a movie with obvious D-grade plot, photography, acting and script. And you would have made an excellent guess.

    But what differentiates this film from other D-grade fodder are two unique aspects.

    The first is the voice over. This film must have the longest voice over introduction in history. The only voice you hear for the first 15 minutes of the film is the voice-over guy. Normally, the voice-over guy is a device to setup a film, then he vanishes, to maybe reappear at the end, if everyone has died, with an "I told you so".

    But this voice-over is unique. Firstly, the delivery is akin to the "You will follow the great leader" type you might associate with mass hypnosis cults. Except, instead of delivering the facts, the voice-over not only paraphrases the feeling of the main characters, but in places provides disparaging editorial comment on the actions taken by the main characters. Its all quite strange.

    The second aspect relates to the uncomfortable scene mentioned earlier. Essentially, voice-over guy in his first 15 minutes establishes that the old lady wants to transplant her brain into a new young body. So, later in the movie, we have this scene where the old lady is asking the young women to model some underwear (so she can also check out her shape), and our friend the voice over guy reappears, and you sense lewdly enjoys telling us what she thinks, with comments such as "she is so nicely rounded in places men like".

    Basically, listening to a disturbed voice-over guy explaining the desires an 80 year old women has for the body of a 19yr old girl is not something I would like to experience alone again. Especially when the old lady has the same name as your first girlfriend.

    Worth only watching so that when you view the Mystery Science Theatre version, you actually begin to see how clever those MST guys must be to make it enjoyable.
    3aimless-46

    No Danger of This Ever Becoming a Cult Classic

    Not likely to attain cult classic status, "The Atomic Brain" concerns a rich old woman, Mrs. March (Marjorie Eaton), who is funding researcher Dr. Otto Frank (Frank Fowler) to discover a way to transplant her brain into a younger woman's body. Otto has a small nuclear reactor in the basement of Mrs. March's house. The laboratory set looks even cheaper than similar stuff on the original "Outer Limits" television show.

    The scientific basis behind Otto's experiments and the need to radiate his subjects is never adequately explained, obviously they needed the reactor to justify the original "Atomic Brain" title, the word fission is unconvincingly thrown around several times. I can only assume that the alternate title, "Monstrosity", is someone's comment on the quality of the film. At the start of the movie Otto's success has been limited to the transplant of a dog's brain into a man (who has large teeth and looks a bit like the goon in one of shorts featuring "The Three Stooges").

    Mrs. March is encouraged when the doctor steals a woman's corpse from the graveyard and reanimates it to zombie status. Needing fresh living bodies for her transplant she hires three attractive young girls from Europe serve as housekeepers. Mrs. March has no other staff at her mansion, only a wimpy "companion and gigolo" guy who is turned on by the young girls. His name is Victor and the narrator sums up his motivation with the movie's best lines: "Three new bodies. Fresh, live, young bodies. No families or friends within thousands of miles, no one to ask embarrassing questions when they disappear. Victor wondered which one Mrs. March would pick. The little Mexican, the girl from Vienna, or the buxom blond? Victor knew his pick, but he still felt uneasy, making love to an 80 year old woman in the body of a 20 year old girl; it's insanity!"

    Despite the low budget and feeble scripting, the movie is not entirely awful. Eaton (who played the fortune teller in cult classic "Night Tide") is wonderfully evil and nasty. Fowler (a veteran of countless golden age television classics) is amusing as your basic mad scientist, and the house itself is appropriately sinister. In fact, when the girls first arrive I thought that it might actually turn into a decent film as things get very spooky and suspenseful. One of the girls is played by Erika Peters, who was quite underrated as an actress - her talent dismissed because she was so beautiful. Unfortunately the other two actresses (neither did any subsequent film work) are not up to even modest acting challenges and things pretty much fall apart until a nice twist at the end (which would have worked much better if they had not spoiled it with a second twist). Despite the frequent use of a narrator to explain much of the story, so much happens off camera that is never explained that it is likely there was a much longer original version that was extensively trimmed to get to the present 72 minute running length. This much slash and burn editing does have the benefit of requiring viewers to exercise their own atomic brains whenever a narrative gap occurs. But the story follows the genre's formula so closely that it is not too difficult to fill in the blanks each time this occurs.

    Only fans of bad 50's-60's science fiction are likely to ever actually watch "The Atomic Brain" and they should find it fairly representative of this genre. At least the premise is decent, with a significantly bigger budget for sets and competent supporting cast members it could have been an entertaining movie.

    Then again, what do I know? I'm only a child.
    iago-6

    Spectacular Cheese!

    I'm kind of surprised by the nature of many of the comments here. OF COURSE the movie is terrible, people! But I don't think you or anyone needs the MST3K commentators to know that this is a mega-turkey on a grand scale and add your own commentary! I'm also really surprised how many people find the sexism of the film "offensive." Wow, I never would have expected a 60's drive-in exploitation film to be sexist! I can't believe that!

    I found this movie totally enjoyable, and at 66 minutes it's just the right length. The story about switching bodies with a younger person and willing all your posessessions to them (that is, to YOU, after the switch) is from a relatively well-known 18th-century ghost story... I actually wish I could find it again. There were so many enjoyable aspects... the ridiculous narration that tries to cover for the fact that they can't form a coherent story with the footage at hand... the idea that you can fit a human brain into a cat's skull... the animal noises coming out of the people (which is actually fairly effective)... the hideous accents ("Me no speak good English")... it's just a hoot from start to finish.

    Some notable moments: >>When the mad scientist explains that if anyone discovers the lab he'll just trip off a NUCLEAR EXPLOSION that'll take care of them! ...and of course the few miles around the house as well. And really, how many of us have space for a nuclear reactor in our basements? >>I love how the two remaining women are getting freaked out and decide that they have to leave, NOW. So they go downstairs to the first floor (where presumably the front door is), but they just keep on going, down to the basement, where they witness the old lady (previously wheelchair bound) up and walking around near her nuclear reactor. So they go back up, pass the front door again, and go back to their room where they proceed to read a magazine! >>The acting in this film is just so on the surface. Like the scene in which the blinded woman reaches around above her until she hits the lamp and sends it swinging, THEN removes her bandage... because if not, what excuse would we have to see the gouged-out eye socket in the chilling swinging light?

    Excellent cheese! Ridiculous, glorious, and yeah, a bit on the disturbing side.

    --- Check out my website devoted to bad and cheesy movies at: www.cinemademerde.com

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    Trama

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    Lo sapevi?

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    • Quiz
      The film was shot in 1958 and released in 1963. According to producer Jack Pollexfen, the production company went bankrupt about halfway through shooting, leaving no money to finish the film. They tried fixing it in the editing room over the next few years, but it was impossible.
    • Blooper
      When the three candidates enter Mrs. March's room for the first time, a young male crew member wearing glasses can be seen in the reflection in her mirror. He stays there throughout the whole scene.
    • Citazioni

      Narrator: Mrs. March had not realized her future body had such a satisfactory shape. Perhaps not as spectacular as the English girl, but in excellent taste. She couldn't help being amused. The stupid girl was not only modeling Mrs. March's future wardrobe, but Mrs. March's future body: so firm, so nicely round in places men like.

    • Connessioni
      Edited into Muchachada nui: Episodio #2.1 (2008)

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    Dettagli

    Modifica
    • Data di uscita
      • settembre 1963 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • The Atomic Brain
    • Luoghi delle riprese
      • Airport Blvd. and Avion Drive, Los Angeles, California, Stati Uniti(Los Angeles Airport passenger terminal, demolished, 5920 Avion Drive)
    • Azienda produttrice
      • Cinema Venture
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 40.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 5 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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