Un avvocato britannico navigato deve difendere il suo cliente in un processo per omicidio che rivela una sorpresa dopo l'altra.Un avvocato britannico navigato deve difendere il suo cliente in un processo per omicidio che rivela una sorpresa dopo l'altra.Un avvocato britannico navigato deve difendere il suo cliente in un processo per omicidio che rivela una sorpresa dopo l'altra.
- Regia
- Sceneggiatura
- Star
- Candidato a 6 Oscar
- 3 vittorie e 15 candidature totali
Patrick Aherne
- Court Officer
- (non citato nei titoli originali)
Don Ames
- Bar Patron
- (non citato nei titoli originali)
Larry Arnold
- Courtroom Spectator
- (non citato nei titoli originali)
Walter Bacon
- Bar Patron
- (non citato nei titoli originali)
Eddie Baker
- Courtroom Spectator
- (non citato nei titoli originali)
Recensione in evidenza
I love it when a movie captivates me, carries me along, then surprises me at the end. This is a masterpiece of human maneuvering. It has outstanding acting and a plot to die for. This is a fairly pedestrian Agatha Christie short story. I'm not saying it's not a wonderful story, just that it doesn't come to life like it does on the screen. Charles Laughton is the wonder barrister who is taking the case, even though he is in poor health. The murder case seems a relatively simple one until we begin to trip over the many layers left lying on the path. Marlene Dietrich does a masterful job in all her roles (I won't say anymore than that so I don't spoil the ending). Tyrone Power is able to balance his pathos and his potential guilt. The beauty of the movie is that it never takes itself too seriously. There are some modestly funny subplots and a great deal of careful investigation. I guarantee you that once you start watching, you won't be able to turn it off.
Trama
Lo sapevi?
- QuizCharles Laughton, who could be moody and difficult, was apparently a dream to work with, throwing himself into the role with dedication and delight. Billy Wilder later recalled a day that was set aside just for shooting reaction shots of the jury and courtroom crowd (composed of extras hired only for the day). Normally, the assistant director would read the actors' lines, and the extras would react. However, Laughton, who was fascinated with the whole process of filmmaking, begged to help. So he came in on his day off and read all of the off-camera speeches to the jury members. He not only read his part but also the judge's, the prosecutor's, and even Marlene Dietrich's. According to biographer Maurice Zolotow in his book "Billy Wilder in Hollywood", "it was an exhibition of craftsmanship such as Wilder had never seen. He believes that Charles Laughton had the greatest technical range and power of any actor, man or woman, whom he has known."
- Blooper(at around 9 mins) Inside his chamber, Sir Wilfrid lights his cigar, and Leonard Vole locks the door to make sure that Miss Plimsoll can't enter the room and catch him smoking. Later (at around 15 mins), Wilfrid leaves his chamber without first unlocking the door.
Actually, Vole does not lock the door, but puts the keyhole cover in place to stop Plimsoll spying through the keyhole.
- Citazioni
Sir Wilfrid: I am constantly surprised that women's hats do not provoke more murders.
- Curiosità sui creditiAs the end credits appear on screen, an announcer's voice is heard: "The management of this theater suggests that for the greater entertainment of your friends who have not yet seen the picture you will not divulge to anyone the secret of the ending of Witness for the Prosecution."
- ConnessioniFeatured in Marlene (1984)
- Colonne sonoreI May Never Go Home Anymore
Music by Ralph Arthur Roberts
Lyrics by Jack Brooks
Sung by Marlene Dietrich (uncredited)
Reprised a cappella by Tyrone Power (uncredited)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Testigo de cargo
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo in tutto il mondo
- 7903 USD
- Tempo di esecuzione1 ora 56 minuti
- Colore
- Proporzioni
- 1.66 : 1
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