Ossessione di donna

Susan Hayward, to me, played a woman obsessed with not letting go -- of her dead husband and her past life with him.By refusing to grieve and face her present life and future, she takes herself, her son and new husband to the edge of destruction. The major actors did an excellent job of characterizing individuals who are caught in a cycle of rigidity -- rigidity of emotions, personal boundaries and lifestyle. An excellent study.

Susan Hayward, Stephen Boyd, and Theodore Bikel star in "Woman Obsessed," a 1959 film set in Canada.

Mary Shannon (Hayward) is a grieving widow with a young son (Dennis Holmes) who hires a man named Carter (Boyd) to help her with her farm. They eventually marry, in part to stop the town gossip. Carter turns out to be more troubled than he let on, and becomes angry with the boy, whom he considers a coward, and then violent toward Mary. When a crisis occurs, Mary learns what's behind Carter's outburst toward her son and the resulting violence toward her.

The acting in this film helps the movie, which is slowed down and cut up by too many establishing shots of beautiful scenery. Hayward does a good job as a strong woman who attempts to put her grief aside and move on, but finds it difficult. And Boyd is excellent as a man in great pain who faces rejection from the people he loves; the more he's rejected, the more angry he becomes.

Slow moving. It's a shame we lost Boyd so early on - he was a strong actor and very handsome.

The title is a misnomer :actually ,it's the male character who had a mysterious past -revealed to the doctor at the end of the movie.

Henry Hathaway has always been one of my favorite American directors :he has always been eclectic ("lives of a Bengal lancer" and "Pete Ibbbetson" the same year!);here an interesting example of the way the director has almost totally mastered the style of Douglas Sirk's melodramas (particularly "all that heaven allows" and "all I desire").

Susan Hayward was perfect as ever as the widow whereas Stephen Boyd was trying to get rid of that "Messala skin" ,a thing he could never achieve:he gives an effective performance ,very nice when he appears for the first time,then oddly turning into a crude brute before redeeming himself ;whatever he plays ,he is convincing.

In fact,the worst character is the brat :his biological father disappears in the first minutes and the relationship with his son is underwritten;thus he sometimes appears selfish and even cruel (the pitchfork);ditto for Mary:she seems to be only concerned by her own pain,and it takes the words of a doctor -who becomes a true shrink- to make her feel that others too had a raw deal in their past .

Nice use of the locations and of the animals feeling the fire in the forest.

After seeing Woman Obsessed, I realize that the Hollywood film industry lost such a talent when the great Susan Hayward died in March, 1975.

She epitomizes troubled women in one film after another. She was so good at it and Woman Obsessed is no exception.

As a remarried woman, still haunted by the tragic death of her first husband, Hayward shows mighty grit in this film with an on par terrific performance by Stephen Boyd, so great that year as Massala in Ben-Hur.

Boyd, as the second husband, appears bully-like in the treatment of Hayward's young son, who turns in quite a performance himself.

What made this flick so good was the wonderful compelling ending where reconciliation and good judgment come together.

***1/2 for a very good film.

Susan Hayward's excellence never comes as any surprise, because she could do anything. From a country preacher's wife in 'I'd Climb the Highest Mountain', to the executed (probable) murderess in 'I Want to Live', the pushy garment district broad in 'I Can Get It For You Wholesale', she also did comedy in 'The Marriage Go-Round' and played Bette Davis's nympho daughter in 'Where Love Has Gone'. These off-the-top-of-my-head roles barely scratch the surface, of course, of her peerless range.

Stephen Boyd is the rustic who comes to help out on the farm after Hayward is left with her son--played by an excellent, most sensitive child actor, Dennis Holmes--after her husband is killed fighting a fire. And Boyd is marvelous: strapping, rangy and handsome, crude and violent, and the plot twists around nicely on the refinements of life versus the necessities: During the first half, it seems as if Boyd's uncouthness is the only real urgency to be dissolved or removed; toward the end it seems as if Hayward has not been understanding enough. She would have been had he not been so inarticulate, of course. Nevertheless, this film is complex enough in terms of relationships and matters of making judgments and searching for compromises that are tolerable for different kinds of sensibilities--there are intelligent moments in which the local doctor seems to serve as psychoanalyst for both husband and wife.

It is a shame that these two weren't also paired as Oliver Mellors and Constance Chatterley: they look the parts (and could have certainly done them well) far more than any versions thus far made (and it's hard to imagine any more will be needed.)

Another recapturing of something I missed 45 years ago, when one Sunday afternoon I couldn't "go to the show" and had to go to my aunt's far older husband's birthday party, or it was their anniversary in their house in Ozark, Alabama...I hated it, but seeing this finally after all these years--and the nature of the film itself has something to do with this too--has made me happy I saw my ancient old uncle, who had once been a probate judge--and I saw him but one more time. I'd been unkind. And only now can I remember how important I know it was for him that I be there.

This was one of the most worthwhile of my childhood/teenage movie deprivations. The scene toward the end in which Robbie (Holmes) tries to kill Frank (Boyd) by leading him into the quagmire (advertised so many times previously in the film I thought the title of the film was going to be about how Robbie fell into the quicksand and Sharron (Hayward) actually became OBSESSED! since her grief for her first husband's death and her disgust at her new husband's crudeness would have been just cause if then combined with the death of her son, too; she does have a miscarriage, but that is not quite the same)and then helps him pull himself out with a tree limb--this is a truly touching and tender moment.

The only really unconvincing thing about this movie is the title: Hayward's character is under great hardship, but her reactions to the rough nature of Boyd's character are normal to say the least. She makes some mistakes, but she is just NOT a WOMAN OBSESSED. This ranks as perhaps the most misleading title I have yet encountered.

The photography, in the Canadian Rockies, is often breathtaking.

Barbara Nichols is perfectly refreshingly racily divine as a gossipy town blonde babe.